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Someone in the Crowd : from La La Land (Original Motion Picture Soundtrack)

Coldplay in Symphony : A Sky Full of Stars - Clocks - The Scientist - Viva La Vida

Coldplay in Symphony : A Sky Full of Stars - Clocks - The Scientist - Viva La Vida

Despacito : as performed by Luis Fonsi ft. Daddy Yankee

Despacito : as performed by Luis Fonsi ft. Daddy Yankee

Despacito : as performed by Luis Fonsi ft. Daddy Yankee

Despacito : as performed by Luis Fonsi ft. Daddy Yankee

Three Blind Mice

Three Blind Mice

Friendly Takeover

Friendly Takeover

Friendly Takeover

Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux.In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.

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Out of Earth

A Century of Music

A Century of Music