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Brandenburg Concerto No.1 In F major BWV 1046 : Violino piccolo pitch notation - notated the way it sounds

Brandenburg Concerto No.1 In F major BWV 1046 : Violino piccolo pitch notation - notated the way it sounds

Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F majorBWV 1046.The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bachoriginally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications[BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV1046a), which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six, there is no violino piccolo part to be found and, the violin concerto-like 3rd movement aswell as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing inthe later score, the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

SEK 112.00
1

Cantata BWV 140 Wachet auf, ruft uns die Stimme : Cantata for the 27th Sunday after Trinity

Cantata BWV 140 Wachet auf, ruft uns die Stimme : Cantata for the 27th Sunday after Trinity

Violino piccolo - Scordatura tuning transposed to C majWachet auf, ruft uns die Stimme (Wake ye maids! hark, strikes the hour) (BWV 140)Cantata for the 27th sunday after TrinityThe Cantata BWV 140 waswritten in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus, the work is scored for two Oboes, English Horn,Bassoon, Horn, Violino Piccolo, Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake', is based on a hymn by Philipp Nicolai, also written in 1731 for the 27th Sunday after Trinity. Urtext of theNewBach EditionStudy score format 22.5 x 16.5cm (TP1140), performance material (BA10140) and vocal score (BA10140-90) available for sale

SEK 107.00
1

Cantata BWV 140 Wachet auf, ruft uns die Stimme : Cantata for the 27th Sunday after Trinity

Cantata BWV 140 Wachet auf, ruft uns die Stimme : Cantata for the 27th Sunday after Trinity

Violino piccolo - At sounding pitch E-flat majWachet auf, ruft uns die Stimme (Wake ye maids! hark, strikes the hour) (BWV 140)Cantata for the 27th sunday after TrinityThe Cantata BWV 140 was written in 1731and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus, the work is scored for two Oboes, English Horn, Bassoon, Horn,Violino Piccolo, Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake', is based on a hymn by Philipp Nicolai, also written in 1731 for the 27th Sunday after Trinity. Urtext of the NewBachEditionStudy score format 22.5 x 16.5cm (TP1140), performance material (BA10140) and vocal score (BA10140-90) available for sale

SEK 107.00
1

Quartet For 8 Wind Instruments

Quartet For 8 Wind Instruments

Der Komponist Rudolf Kelterborn über sein Werk: Der neutral formulierte Titel «gibt keinerlei inhaltliche Hinweise; er zeigt nur an, dass das ausführende Quartett acht verschiedene Instrumente spielt.DieSatzbezeichnungen mögen dann allerdings bei der Hörerschaft schon gewisse Vorstellungen, persönliche Fantasien evozieren: Schattenmusik – Splitter 1 - Gesänge – Splitter 2 –Lichtmusik.» Für: Flöte, Piccolo, Alt-Flöte, Oboe, Englisch Horn, Klarinette, Bass-Klarinette, Fagott- 16minütiges abwechslungsreiches BläserquartettmitWechselinstrumenten- Hintersinnig-feine Musik mit betörend schönen Klangkonstellationen- Anspruchsvolles Werk mit großer Spielfreude und Kantabilität 

SEK 632.00
1

Cantata BWV 140 Wachet auf, ruft uns die Stimme

Cantata BWV 140 Wachet auf, ruft uns die Stimme

Wachet auf, ruft uns die Stimme (Wake ye maids! hark, strikes the hour) (BWV 140)Cantata for the 27th sunday after Trinity The Cantata BWV 140 was written in 1731 and first performed in Leipzigon November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus, the work is scored for two Oboes, English Horn, Bassoon, Horn, Violino Piccolo, Strings andContinuo. The Cantata Wachet auf 'Sleepers Awake', is based on a hymn by Philipp Nicolai, also written in 1731 for the 27th Sunday after Trinity.   Urtext of the NewBachEdition Study score format 22.5 x 16.5cm (TP1140), performance material (BA10140) and vocal score (BA10140-90) available for sale

SEK 170.00
1

The Carnival Of Animals For Two Flutes

The Carnival Of Animals For Two Flutes

Camille Saint-Saëns’ The Carnival of the Animals is one of his most popular works altogether. Yet during his lifetime he refused to publish this orchestral piece for fear it would damage his reputation as a serious-mindedmusician.Now Jennifer Seubel and Sally Beck, the flautists of “Duo Noble”, have arranged this famous work for two flutes.The transformation of the major instruments, timbres and melodies of the orchestral versioninto solely two flute parts posed a special challenge. The results exploit the full tonal spectrum of the flute. The arrangement offers several alternatives to expand the range of sound: for example, a piccolo can besubstitutedfor either flute part in No. 2 Poules et coqs and for the first flute in No. 7 Aquarium.The complete Carnival of the Animals for two flutes14 challenging and effective pieces

SEK 250.00
1

Brandenburg Concerto No.1 In F major BWV 1046

Brandenburg Concerto No.1 In F major BWV 1046

Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bach originally wrote earlier versions of numbers 1 and 5which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New BachEditionnow give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a), which according to the editor of the editionHeinrich Besseler seems to have been Bach’s favorite among the six, there is no violino piccolo part to be found and, the violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score, the oboe slurs and trills in m.12are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

SEK 112.00
1