La Bellezza ravveduta : nel trionfo del Tempo e del Disinganno HWV 46a (Oratorio in two parts)

With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right atthe very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “Il trionfo del Tempo e del Disinganno” (“The Triumph of Time and Enlightenment”). In keeping with the Halle HandelEdition, however, the title is that of the name given in the primary source.In many cases inspired by the melodically rich ideas of Reinhard Keiser (1674–1739), the work is unsurpassed by any other oratorio by Handel. At theend of an impressive sequence of truly captivating arias, duets and quartets, Bellezza’s reformation in favour of living a life pleasing to God is accompanied in incisive E major by her overwhelmingly beautiful, impossibly sadclosing aria “Tu del ciel ministro eletto”, the consummate pinnacle of dramatic irony in Handel’s output.By virtue of its flawless dramatic structure as well – unlike many other oratorios and all operas of the Baroque period,the story never goes off at a tangent and all arias revolve around the dispute of the four dramatic personae – the oratorio has enjoyed long runs of widely acclaimed, mostly staged performances in the last few years.

La Bellezza ravveduta nel trionfo : del Tempo e del Disinganno - HWV 46a

L'oca del Cairo - Mozart, Wolfgang Amadeus

Dramma giocoso per musica complete edition, study score Indbundet udgave

L'oca del Cairo - Mozart, Wolfgang Amadeus

Dramma giocoso per musica complete edition, study score Paperback

Die Liebesprobe - La Pietra del Paragone - Rossini, Gioachino

Comic Opera in 2 acts. German version by Paul Friedrich and Günter Rennert vocal score 2SSolo/ASolo/TSolo/BarSolo/3BSolo/Mch: TTBB/2Fl/Fl-Picc/2Ob/2clarinet/2bassoon/2Hn/2Trp/timpani/2percussion/Str/Bc Paperback

Ouvertüre zu "La forza del destino" - Verdi, Giuseppe

Bearbeitung für Bläserquintett set of parts Fl(Fl-Picc)/Ob/clarinet/bassoon/Hn Folded

Lanima del filosofo ossia Orfeo ed Euridice : Dramma per musica

Orpheus und EurydikeDramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (italienisch/deutsch). By Franz Joseph Haydn. Arranged by Ernst R. Barthel. Text: Carlo Francesco Badini. For Soprano solo (3), Tenorsolo, Bass solo (2), Mixed Choir-SATB, Flute (2), Oboe (2), Eh (2), Clarinet (b flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Harp, Strings, Basso continuo. Dramma per musica (Musical Drama). Piano Reduction/VocalScore (paperbound). Hob. XXVIII:13. Published by Baerenreiter-Ausgaben (German import). (BA4658 90) ISBN M006506163.

Sospir Che Del Bel Petr SWV 14 : Italienisches Madrigal Nr. 14

Sonata - Beethoven, Ludwig van

for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave D major

Sonata - Beethoven, Ludwig van

for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave G major

Sonata - Beethoven, Ludwig van

for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave F-sharp major

Grande Sonata - Beethoven, Ludwig van

for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave E-flat major

Il trionfo del Tempo e della Verità HWV 46 b : Oratorio in three parts

Three Sonatas - Beethoven, Ludwig van

for Piano With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Anthology, Urtext edition piano Paperback F minor, A major, C major

Sonata - Beethoven, Ludwig van

Lebewohl, Abwesenheit und Wiedersehn for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave E-flat major

Violin Concerto In D Op.61 - Piano Reduction

Beethoven's famous concerto for Violin and Orchestra has appeared in many editions over the last 150 years, but none has truly done justice to the work. Now, the acclaimed Beethoven scholar Jonathan Del Mar has achieved justthat.Working with all known sources, Del Mar finally presents us with Beethoven's intended solo Violin articulation, dynamics and slurring; there are even note corrections in the solo part. Additions made by variouseditors and violin players over the years have been deleted. For the first time we also now have clarity regarding the meaning of Beethoven's Solo and Tutti markings.All in all, a groundbreaking scholarly-criticaledition;a must have for every violin player, orchestra and music library.

Concerto No.1 In C Major Op.15 For Piano

The Bärenreiter Urtext edition of Ludwig Van Beethoven's Concerto No.1 In C Major Op.15 For Piano features a detailed commentary by Bärenreiter editor and Beethoven expert Jonathan Del Mar.InBeethoven’s autograph for Concerto No.1 In C Major Op.15 For Piano Del Mar found no less than 17 corrections which were made after the work was published. These have been brought to light in this volumeand all the sources and findings made by the editor have been documented.This critical edition reflects the latest musicological research and sets the highest scholarly standards without losing sight of the needs ofmodernperformers. This is a reduction for two Pianos. The full score can be found here.

Concerto for Pianoforte and Orchestra Nr. 2 : B-flat major op. 19

Although the sources to Beethoven’s Piano Concerto Op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter edition, basedexclusively on the authentic sources. Jonathan Del Mar’s scholarly-critical edition corrects misreadings of Beethoven’s autograph, which were already present in the first edition and had, subsequently,been incorporated into other editions of this work.

Concerto No.1 In C Major Op.15 For Piano

New findings in Beethoven’s first Piano concerto.The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’sworks now turns his focus on the piano concertos.In the Piano Concerto No.1 in C major Op.15, Del Mar has found no fewer than 17 corrections in Beethoven’s autograph which were made after thework was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.This new critical edition sets thehighestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research- Includes Beethoven’s cadenzas - Piano reduction with aseparate solo Piano part- Performance material and piano reduction available for sale

Concerto No.1 In C Major Op.15 For Piano

New findings in Beethoven’s first piano concerto.The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’sworks now turns his focus on the Piano concertos.In the Piano Concerto No.1 in C major Op.15, Del Mar has found no fewer than 17 corrections in Beethoven’s autograph which were made after thework was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.This new critical edition sets thehighestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research- Includes Beethoven’s cadenzas - Piano reduction with aseparate solo Piano part- Performance material and piano reduction available for sale

Concerto No.1 In C Major Op.15 For Piano

New findings in Beethoven’s first Piano concerto.The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’sworks now turns his focus on the piano concertos.In the Piano Concerto No.1 in C major Op.15, Del Mar has found no fewer than 17 corrections in Beethoven’s autograph which were made after thework was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.This new critical edition sets thehighestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research- Includes Beethoven’s cadenzas - Piano reduction with aseparate solo Piano part- Performance material and piano reduction available for sale

Concerto No.1 In C Major Op.15 For Piano : for Piano and Orchestra

New findings in Beethoven’s first Piano concerto.The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’sworks now turns his focus on the piano concertos.In the Piano Concerto No.1 in C major Op.15, Del Mar has found no fewer than 17 corrections in Beethoven’s autograph which were made after thework was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.This new critical edition sets thehighestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research- Includes Beethoven’s cadenzas - Piano reduction with aseparate solo Piano part- Performance material and piano reduction available for sale

Concerto No.1 In C Major Op.15 For Piano

New findings in Beethoven’s first Piano concerto.The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’sworks now turns his focus on the piano concertos.In the Piano Concerto No.1 in C major Op.15, Del Mar has found no fewer than 17 corrections in Beethoven’s autograph which were made after thework was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.This new critical edition sets thehighestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research- Includes Beethoven’s cadenzas - Piano reduction with aseparate solo Piano part- Performance material and piano reduction available for sale

Symphony No.1 In C Op.21

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertakingbecause of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtextedition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.6 In F Op.68 : Pastorale

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking becauseof the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's newUrtext edition caused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores andcomplete performance material to Beethoven’s Nine Symphonies are available for sale.