Concerto Grosso B-Dur Op. 6/7 HWV 325

Viola PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin, Cello and String Orchestra.

Concerto Grosso B-Dur Op. 6/7 HWV 325

Harpsichord PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin, Cello and String Orchestra.

Concerto Grosso B-Dur Op. 6/7 HWV 325

Violin 1 PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin, Cello and String Orchestra.

Concerto Grosso B-Dur Op. 6/7 HWV 325

Violin 2 PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin, Cello and String Orchestra.

In a Dancing Mood/In Tanzlaune : for the Beginner on the Drum Kit

This album for children (and teenagers) is intended for beginners on the drum kit, the most popular form of percussion. The composer has deliberately avoided advanced playing techniques (e.g. drum roll or double strokes). A choice of tempos enables students to adjust the difficulty of the piece according to their ability. As the title of the album suggests, the students are supposed to interpret the pieces in different dance styles (tango, polka, waltz, cha-cha, waltz).As an experienced and respected teacher, Tomáš Chmura uses the "play-along" method of teaching: recordings make it easier for beginner drummers to read the notation, get a sense of the composition as a wholeand facilitate practising.Mp3 recordings of all the pieces are available on our website in two versions - for piano with drum kit or piano solo. The latter recording can also be used in concert performances, should a pianist not be available.

Concerto Grosso B-Dur Op. 6/7 HWV 325

Cello and Double Bass PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin, Cello and String Orchestra.

Concerto Grosso In G Major Op.6 No.1

Harpsichord/Cembalo Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompaniedby a four-part string orchestra and Cembalo conintuo. Originally published in 1739, they were written to be played during performances of Handel's oratorios and odes, and are amongst the finest examples in the genre of Baroqueconcerto Grosso.

Concerto Grosso In G Major Op.6 No.1

Violin 2 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by afour-part string orchestra and Cembalo continuo. Originally published in 1739, they were written to be played during performances of Handel's oratorios and odes, and are amongst the finest examples in the genre of BaroqueConcerto Grosso.

Concerto Grosso In G Major Op.6 No.1

Violin 1 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by afour-part string orchestra and Cembalo continuo. Originally published in 1739, they were written to be played during performances of Handel's oratorios and odes, and are amongst the finest examples in the genre of BaroqueConcerto Grosso.

Concerto Grosso In G Major Op.6 No.1

Viola Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-partstring orchestra and Cembalo continuo. Originally published in 1739, they were written to be played during performances of Handel's oratorios and odes, and are amongst the finest examples in the genre of Baroque Concerto Grosso.

Concerto Grosso In G Major Op.6 No.1

Oboe 2 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-partstring orchestra and Cembalo continuo. Originally published in 1739, they were written to be played during performances of Handel's oratorios and odes, and are amongst the finest examples in the genre of Baroque Concerto Grosso.

Concerto Grosso In G Major Op.6 No.1

Cello or Bassson Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by afour-part string orchestra and Cembalo continuo. Originally published in 1739, they were written to be played during performances of Handel's oratorios and odes, and are amongst the finest examples in the genre of BaroqueConcerto Grosso.

Concerto Grosso In G Major Op.6 No.1

Oboe 1 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-partstring orchestra and Cembalo continuo. Originally published in 1739, they were written to be played during performances of Handel's oratorios and odes, and are amongst the finest examples in the genre of Baroque Concerto Grosso.

Brandenburg Concerto No.6 In B-Flat BWV 1051

The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bach originallywrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications [BA 5201-BA5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside the version known today.Full scores, study scores and performance material available forsalefor all 6 concertos.

Brandenburg Concerto No.6 In B-Flat BWV 1051

The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach’s appointment in Cöthen.Of the six works, Bach originallywrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form.These Urtext publications [BA 5201-BA5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside the version known today.Full scores, study scores and performance material available forsalefor all 6 concertos.

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Agrippina HWV 6 : Opera in three acts

Handel’s Agrippina HWV 6 was performed with great success at the 2015 International Handel Festival in Göttingen (Germany) using the new Bärenreiter edition including the performance material and thisvocal score.Agrippina is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightlyconstructed, the characters sharply etched and equipped with a wide range of human emotions. Agrippina is married to her third husband, the Roman emperor Claudius. After he is presumed dead, she attempts with deception andintrigueto place her son Nero on the throne.The vocal score includes all the numbers from the appendix of the full score. These were used either during the successful Venetian series of performances in 1709/10 or were deleted orreplaced by other numbers, versions and variants.Urtext edition based on the Halle Handel EditionPerformance material available for hireHardback full score (BA4092-01) and paperback vocal score(BA4092-90) available for saleVocal scores includes:- A singing translation in German- Extensive bilingual Foreword (Ger/Eng)- Idiomatic uncluttered Piano reduction

Agrippina HWV 6 : Opera in three acts

Handel’s Agrippina HWV 6 was performed with great success at the 2015 International Handel Festival in Göttingen (Germany) using the new Bärenreiter edition including the performance material and thisvocal score.Agrippina is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightlyconstructed, the characters sharply etched and equipped with a wide range of human emotions. Agrippina is married to her third husband, the Roman emperor Claudius. After he is presumed dead, she attempts with deception andintrigueto place her son Nero on the throne.The vocal score includes all the numbers from the appendix of the full score. These were used either during the successful Venetian series of performances in 1709/10 or were deleted orreplaced by other numbers, versions and variants.Urtext edition based on the Halle Handel EditionPerformance material available for hireHardback full score (BA4092-01) and paperback vocal score(BA4092-90) available for saleVocal scores includes:- A singing translation in German- Extensive bilingual Foreword (Ger/Eng)- Idiomatic uncluttered Piano reduction

6 Parthie

String Quartet No.6 H.312 - Study Score

An informative preface and critical commentary by Ales Brezina and Ivan Straus (Cz / Ger / Engl / Fr) - A new, practical edition at the forefront of Martinu scholarship - All existing sources consulted.The StringQuartet no. 6 by Bohuslav Martinu (1890-1959) represents a distinct step on the journey which the composer characterised as his development from geometry to fantasy and for which the almost continuous use of theprinciple of developing variations, restless harmonic development, the pulsation of minute rhythmic values and inventive work with sound are characteristic.The quartet, which was written in New York in the autumn of1946,constitutes the beginning of the composer's later works, in which moods freely overflow regardless of any predefined formal layout. The editors of the new edition (based on the composer's autograph) have carefully removed allof the problematic and somewhat arbitrary editorial intervention in the sole existing edition dating from 1950 (actually 1955).With its urtext edition of the 6th quartet, Editio Bareneriter Praha has continued in itsseries of new publications of works by Bohuslav Martinu - quartets nos. 4 and 5 have already been published for this instrumental line-up.

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale