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L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

La clemenza di Tito : Opera seria in two acts

Le nozze di Figaro (Die Hochzeit des Figaro) KV492 : Studienpartitur

Le nozze di Figaro (Die Hochzeit des Figaro) KV492 : Studienpartitur

Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart’s and Lorenzo Da Ponte’s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was notentirely due to Mozart’s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work’s spread outside the German-speakingcountries. At least equally responsible for the opera’s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Manyof the sources for Mozart’s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ‘New Mozart Edition’ volume was published. These include the autograph scores of acts 3 and4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor’s copy from the first performance of 1786.These original sources, now available again,offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the ‘New Mozart Edition’ reflecting the latest musicological researchWith findings from originalsources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01), Vocal score (BA4565-92), study score format 22.5 x 16.5cm & Facsimile (BVK1882) available for saleV43 Performance material(BA4565-72) available to hire

SEK 727.00
1

Tolomeo, Re Di Egitto HWV 25

Parnasso In Festa HWV 73 : Per Gli Sponsali Di Teti e Peleo - HWV 73

Parnasso In Festa HWV 73 : Per Gli Sponsali Di Teti e Peleo - HWV 73

The main text of this edition of Handel’s wedding serenata “Parnasso in festa per gli sponsali di Teti e Peleo“ (HWV 73) is based on the version used for the work’s first performances in March of 1734. Three appendices retracethe complex history of the work, significantly different versions of which were used for revival performances in 1737, 1740, and 1741. Included are abandoned and modified parts of the score as well as a documentation of changesmade to the characters.Handel composed “Parnasso in festa” for the wedding of Anne, Princess Royal and Prince William of Orange, which took place on March 14, 1734 in London. As Handel’s contribution to thepublicfestivities, the serenata was performed the evening before the nuptials at King’s Theatre in the Haymarket. The bridal couple attended the performance.While the Italian text of the serenata was newly set, most likelyby Giacomo Rossi, most of the music was drawn from pieces of Handel’s earlier works, among them “Athalia” from “Radamisto” (HWV 12a), “Il trionfo del Tempo e del Disinganno” (HWV 46a), and “Delirio amoroso” (HWV 99). Newlycomposed parts are limited to eight vocal pieces, the sinfonia at the beginning of part 3, and the beginning of the overture. The available source material reflects the history of the work: There is no autograph composition score,while the conducting score reflects a collaboration between Handel and his main copyist John Christopher Smith senior. However, composition scores of individual, newly composed pieces have been preserved.New editionbased on the latest research after thorough examination of all relevant primary and secondary sourcesExtensive editorial Foreword about the work’s conception, mythological background, transmission, reception, and a surveyof sources (Ger/Eng), with extensive critical report (Eng)Selected musical facsimiles as well as complete facsimile of the printed libretto of 1734Urtext of the Halle Handel EditionFull score(BA10718-01) and vocal score (BA10718-90) available for salePerformance material (BA10718-72) available for hire

SEK 563.00
1

Le nozze di Figaro (Die Hochzeit des Figaro) KV492 : Opera buffa in vier Akten - Übersetzung von Brieger/Layer

Le nozze di Figaro (Die Hochzeit des Figaro) KV492 : Opera buffa in vier Akten - Übersetzung von Brieger/Layer

Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart’s and Lorenzo Da Ponte’s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was notentirely due to Mozart’s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work’s spread outside the German-speakingcountries. At least equally responsible for the opera’s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Manyof the sources for Mozart’s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ‘New Mozart Edition’ volume was published. These include the autograph scores of acts 3 and4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor’s copy from the first performance of 1786.These original sources, now available again,offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the ‘New Mozart Edition’ reflecting the latest musicological researchWith findings from originalsources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01), Vocal score (BA4565-92), study score format 22.5 x 16.5cm & Facsimile (BVK1882) available for saleV43 Performance material(BA4565-72) available to hire

SEK 694.00
1