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Lanima del filosofo ossia Orfeo ed Euridice : Dramma per musica

Lanima del filosofo ossia Orfeo ed Euridice : Dramma per musica

Orpheus und EurydikeDramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (italienisch/deutsch). By Franz Joseph Haydn. Arranged by Ernst R. Barthel. Text: Carlo Francesco Badini. For Soprano solo (3), Tenorsolo, Bass solo (2), Mixed Choir-SATB, Flute (2), Oboe (2), Eh (2), Clarinet (b flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Harp, Strings, Basso continuo. Dramma per musica (Musical Drama). Piano Reduction/VocalScore (paperbound). Hob. XXVIII:13. Published by Baerenreiter-Ausgaben (German import). (BA4658 90) ISBN M006506163.

SEK 696.00
1

Concerto No.1 In C Major Op.15 For Piano

Concerto No.1 In C Major Op.15 For Piano

New findings in Beethoven’s first piano concerto.The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’sworks now turns his focus on the Piano concertos.In the Piano Concerto No.1 in C major Op.15, Del Mar has found no fewer than 17 corrections in Beethoven’s autograph which were made after thework was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.This new critical edition sets thehighestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research- Includes Beethoven’s cadenzas - Piano reduction with aseparate solo Piano part- Performance material and piano reduction available for sale

SEK 770.00
1

Symphony No.4 In B Flat Op.60

Symphony No.4 In B Flat Op.60

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking becauseof the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's newUrtext edition caused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores andcomplete performance material to Beethoven’s Nine Symphonies are available for sale.

SEK 536.00
1

Symphony No.2 In D Op.36

Symphony No.2 In D Op.36

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking becauseof the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's newUrtext edition caused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores andcomplete performance material to Beethoven’s Nine Symphonies are available for sale.

SEK 780.00
1

Symphony No.4 In B Flat Op.60

Symphony No.4 In B Flat Op.60

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking becauseof the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's newUrtext edition caused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores andcomplete performance material to Beethoven’s Nine Symphonies are available for sale.

SEK 855.00
1

Symphony No.6 In F Op.68 : Pastorale

Symphony No.6 In F Op.68 : Pastorale

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertakingbecause of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising thatBärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the mostwidelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Fullscores, study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale.

SEK 696.00
1

Symphony No.6 In F Op.68 : Pastorale

Symphony No.6 In F Op.68 : Pastorale

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking becauseof the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's newUrtext edition caused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores andcomplete performance material to Beethoven’s Nine Symphonies are available for sale.

SEK 1014.00
1

Symphony No.7 In A Major Op.92

Symphony No.7 In A Major Op.92

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because ofthe complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext editioncaused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethovenSymphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

SEK 579.00
1

Symphony No.1 In C Op.21

Symphony No.1 In C Op.21

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertakingbecause of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtextedition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

SEK 780.00
1

Symphony No.5 In C Minor Op.67

Symphony No.5 In C Minor Op.67

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking becauseof the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's newUrtext edition caused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores andcomplete performance material to Beethoven’s Nine Symphonies are available for sale.

SEK 685.00
1

Symphony no. 9 in D minor op. 125 : Critical Commentary

Symphony no. 9 in D minor op. 125 : Critical Commentary

With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorialprocess was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising thatBärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widelyusedpublication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scoresand complete performance material to Beethoven’s Nine Symphonies are available for sale.Full score & performance material (BA9009), study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available forsaleDetailed Critical Commentary (English) documents all the sources and findings made by the editor.

SEK 632.00
1

Concerto For Piano, Violin And Violoncello In C : Triple Concerto

Concerto For Piano, Violin And Violoncello In C : Triple Concerto

The scholarly core of editor Jonathan Del Mar’s work is the critical commentary, a thorough description and discussion of all sources and a bar-by-bar analysis of their differences and comparative authenticity. InBeethoven’s Triple Concerto, a Piano trio provides the soloists a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical Piano trio settingin contrast to the Orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the Orchestra (particularly the Cello), using two solo instruments together in ever new combinations, andfinallybringing together all three instruments with the Orchestra. Beethoven weaves a complex web the orchestral, Piano, Violin and Cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter’s newUrtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources,editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with allnecessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.Draws on three new sources.Correction of many errors found in previouseditions.

SEK 579.00
1

Symphony No.8 In G Op.88 (Full Score) : In G Major

Symphony No.8 In G Op.88 (Full Score) : In G Major

The performance material available up till now for Dvorák’s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. Hehas taken into account the engraver’s copy, which was actually discovered in a rubbish bin at Novello’s in 1964. Its title page bears the words “Copied from my original manuscript” in Dvorák’s hand. This source proves that many ofthe readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist’s pen.This new edition with score and orchestral parts in an enlarged format is accompanied byadetailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlargedformatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages

SEK 876.00
1

Parnasso In Festa HWV 73 : Per Gli Sponsali Di Teti e Peleo - HWV 73

Parnasso In Festa HWV 73 : Per Gli Sponsali Di Teti e Peleo - HWV 73

The main text of this edition of Handel’s wedding serenata “Parnasso in festa per gli sponsali di Teti e Peleo“ (HWV 73) is based on the version used for the work’s first performances in March of 1734. Three appendices retracethe complex history of the work, significantly different versions of which were used for revival performances in 1737, 1740, and 1741. Included are abandoned and modified parts of the score as well as a documentation of changesmade to the characters.Handel composed “Parnasso in festa” for the wedding of Anne, Princess Royal and Prince William of Orange, which took place on March 14, 1734 in London. As Handel’s contribution to thepublicfestivities, the serenata was performed the evening before the nuptials at King’s Theatre in the Haymarket. The bridal couple attended the performance.While the Italian text of the serenata was newly set, most likelyby Giacomo Rossi, most of the music was drawn from pieces of Handel’s earlier works, among them “Athalia” from “Radamisto” (HWV 12a), “Il trionfo del Tempo e del Disinganno” (HWV 46a), and “Delirio amoroso” (HWV 99). Newlycomposed parts are limited to eight vocal pieces, the sinfonia at the beginning of part 3, and the beginning of the overture. The available source material reflects the history of the work: There is no autograph composition score,while the conducting score reflects a collaboration between Handel and his main copyist John Christopher Smith senior. However, composition scores of individual, newly composed pieces have been preserved.New editionbased on the latest research after thorough examination of all relevant primary and secondary sourcesExtensive editorial Foreword about the work’s conception, mythological background, transmission, reception, and a surveyof sources (Ger/Eng), with extensive critical report (Eng)Selected musical facsimiles as well as complete facsimile of the printed libretto of 1734Urtext of the Halle Handel EditionFull score(BA10718-01) and vocal score (BA10718-90) available for salePerformance material (BA10718-72) available for hire

SEK 563.00
1

Piano Concerto No.5 In E-flat Op.73 - Emperor : E-flat major

Piano Concerto No.5 In E-flat Op.73 - Emperor : E-flat major

Many wholly new corrections in the solo and orchestral parts.Piano reduction with a separate solo part, as was customary in Beethoven’s day.With Beethoven’s continuo figures for the first time ina modern edition.Beethoven’s fifth and final Piano Concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The survivingmanuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproducedBeethoven’ssophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.Aswith the Piano Concertos Nos. 1 to 4, the Piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the Piano.

SEK 855.00
1

Concerto For Piano, Violin And Violoncello In C : Triple Concerto

Concerto For Piano, Violin And Violoncello In C : Triple Concerto

In Beethoven’s Triple Concerto, a Piano trio provides the soloists a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical Piano triosetting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the Orchestra (particularly the Cello), using two solo instruments together in ever new combinations,and finally bringing together all three instruments with the Orchestra. Beethoven weaves a complex web the Orchestral, Piano, Violin and Cello voices interplaying and entwining and he produces atruemasterpiece.Bärenreiter’s new Urtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, butwith the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician ofBeethoven’s day might have recognized, with all necessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.Draws on three newsources.Correction of many errors found in previous editions.

SEK 674.00
1

Concerto For Piano, Violin And Violoncello In C

Concerto For Piano, Violin And Violoncello In C

In Beethoven’s Triple Concerto, a piano trio provides the soloists a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra,but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all threeinstruments with the orchestra. Beethoven weaves a complex web the orchestral, piano, violin and cello voices interplaying and entwining and he produces a true masterpiece. Bärenreiter’s new Urtext edition ofBeethoven’sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up thetext, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included inthe solo piano part. Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions

SEK 546.00
1

Cello Concerto In B Minor Op.104 (Full Score) : b minor

Cello Concerto In B Minor Op.104 (Full Score) : b minor

Like every other great 19th-century solo concerto, Dvorák’s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages inDvorák’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter’s edition now reveals that some details in the Orchestral parts are also in his writing, showing just how closely the twomusicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produceanauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák’s final and definitive version of the solo Cello part. This differs, in details, in almost every barfrom the version found in all other modern editions, while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák’s final and definitive version of the solo Cello part.- Withhundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák’s original Pianoreduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score, performance material (BA9045), Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.

SEK 759.00
1