Praise him, Christians - Buxtehude, Dietrich

Lauda Sion Salvatorem, Christmas cantata Viola da Gamba part for both versions part(s) Hæftet udgave

Da Jakob vollendet hatte : Motette Nr. 10 aus Israelsbrünnlein

Und alsbald war da bei dem Engel : Evangelienmotette Evangelienspruch zum Weihnachtsfest

Fantasien fur Streicher (Violen da gamba). Heft 1 : 3 dreistimmige Fantasien V, Va, Vc und 4 vierstimmige Fantasien 2 V, Va, Vc

Fantasien fur Streicher (Violen da gamba). Heft 1 : 3 dreistimmige Fantasien V, Va, Vc und 4 vierstimmige Fantasien 2 V, Va, Vc

Fantasien fur Streicher (Violen da gamba). Heft 1 : 3 dreistimmige Fantasien V, Va, Vc und 4 vierstimmige Fantasien 2 V, Va, Vc

Fantasien fur Streicher (Violen da gamba). Heft 1 : 3 dreistimmige Fantasien V, Va, Vc und 4 vierstimmige Fantasien 2 V, Va, Vc

Gott Der Hoffnung Erfülle Euch : Cantata for Whit Sunday

In 1717 Telemann composed his cantata “Gott der Hoffnung erfülle euch” for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the “Concerten-Jahrgang”, also known as “Das Harmonische Zion” or “Italienischer Jahrgang” where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire.

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale

Cantata BWV 176 : Cantata for Trinity Sunday

Es ist ein trotzig und verzagt Ding BWV 176Cantata for Trinity SundayThis cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after hisLeipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed byBach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne vonZiegler.It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo.- Urtext of the New Bach Edition- Performance material(BA10176),choral score (BA10176-91) & study score format 22.5 x 16.5cm (TP1176) available for sale