Freie Orgelwerke - Mauersberger, Rudolf

wind score Org/brass/timpani ad lib. Hæftet udgave

Freie Orgelwerke - Mauersberger, Rudolf

wind score Org/brass/timpani ad lib. Hæftet udgave

Herr, unser Herrscher - Schütz, Heinrich

Psalm 8 from "Psalmen Davids" for 2 four-part Choirs, five-part Instrumental Capella ad lib. and Basso continuo part(s), Urtext edition Hæftet udgave

Herr, unser Herrscher - Schütz, Heinrich

Psalm 8 from "Psalmen Davids" for 2 four-part Choirs, five-part Instrumental Capella ad lib. and Basso continuo part(s), Urtext edition Hæftet udgave

Herr, unser Herrscher - Schütz, Heinrich

Psalm 8 from "Psalmen Davids" for 2 four-part Choirs, five-part Instrumental Capella ad lib. and Basso continuo part(s), Urtext edition Hæftet udgave

Herr, unser Herrscher - Schütz, Heinrich

Psalm 8 from "Psalmen Davids" for 2 four-part Choirs, five-part Instrumental Capella ad lib. and Basso continuo part(s), Urtext edition Hæftet udgave

Herr, unser Herrscher - Schütz, Heinrich

Psalm 8 from "Psalmen Davids" for 2 four-part Choirs, five-part Instrumental Capella ad lib. and Basso continuo part(s), Urtext edition Hæftet udgave

Herr, unser Herrscher - Schütz, Heinrich

Psalm 8 from "Psalmen Davids" for 2 four-part Choirs, five-part Instrumental Capella ad lib. and Basso continuo part(s), Urtext edition Hæftet udgave

Herr, unser Herrscher - Schütz, Heinrich

Psalm 8 from "Psalmen Davids" for 2 four-part Choirs, five-part Instrumental Capella ad lib. and Basso continuo part(s), Urtext edition Hæftet udgave

Benedicite Dominum : Worte des 103. Psalms für Chor, Bläser ad lib., Streicher und Orgel

Benedicite Dominum : Worte des 103. Psalms für Chor, Bläser ad lib., Streicher und Orgel

Benedicite Dominum : Worte des 103. Psalms für Chor, Bläser ad lib., Streicher und Orgel

Le Carnaval -Mascarade : Eine Auswahl von neun Sätzen für Streicher 2 Fl/Ob und Fag ad lib und Basso continuo

Le Carnaval -Mascarade : Eine Auswahl von neun Sätzen für Streicher 2 Fl/Ob und Fag ad lib und Basso continuo

Le Carnaval -Mascarade : Eine Auswahl von neun Sätzen für Streicher 2 Fl/Ob und Fag ad lib und Basso continuo

Le Carnaval -Mascarade : Eine Auswahl von neun Sätzen für Streicher 2 Fl/Ob und Fag ad lib und Basso continuo

Le Carnaval -Mascarade : Eine Auswahl von neun Sätzen für Streicher 2 Fl/Ob und Fag ad lib und Basso continuo

Cantata BWV 175 : Cantata for Whit Tuesday

Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set byBach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders, through the inkoduction of whichthe opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the NewBachEdition- Performance material (BA10175), vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale

Cantata BWV 175 : Cantata for Whit Tuesday

Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set byBach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders, through the inkoduction of whichthe opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the NewBachEdition- Performance material (BA10175), vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale

Cantata BWV 175 : Cantata for Whit Tuesday

Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit Tuesday The text of the present cantata was written by Mariane von Ziegler and was set byBach for the third day of Whitsun in the year 1725. Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders, through the inkoduction of whichthe opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else. - Urtext of the NewBachEdition - Performance material (BA10175), vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale

Magnificat

Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lordand my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains acomprehensive preface (German, English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full scoreandperformance material available for sale (BA4334)

Magnificat

Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lordand my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains acomprehensive preface (German, English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full scoreandperformance material available for sale (BA4334)

Magnificat

Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lordand my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains acomprehensive preface (German, English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full scoreandperformance material available for sale (BA4334)

Magnificat

Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ)My soul doth magnify the Lordand my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi following Schutz's studies in Italy.This full score contains acomprehensive preface (German, English) outlining the sources and particular consideration for the use of instruments and chorus. The preface also includes a German and English translation of the Latin text.- Full scoreandperformance material available for sale (BA4334)

Verleih uns Frieden genädiglich no. 4 SWV 372 : From Geistliche Chor-Music

Published in 1648, Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout, retain the original keys and include an integrated figured bass realisation.In keeping withcontemporary performance practice, the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments(seeperformance material for BA 5901 and BA 5902).- Verleih uns Frieden genädiglich No.4 SWV 372 from 'Geistliche Chor-Music'- Cantus, Quintus, Countertenor, Tenor, Bassus, Basso continuo ad lib.