Notes - The Musicians' Choice - Light Blue : The Musicians' Choice, Bärenreiter notebook with the Debussy blue cover

This little notebook is handsome as well as practical. The cover is in Bärenreiter‘s attractive Debussy-blue and has the same layout as our Urtext editions. The pages alternate with musical staves on the left and writing lineson the right. The superior quality of paper used for the notebook matches that of our fine Urtext editions.

March of the Blue-Birds

Rhapsody in Blue - Gershwin, George

For Woodwind Quintet score, set of parts Fl/Ob/clarinet/bassoon/Hn Hæftet udgave

Notes - The Musicians' Choice - Blue : The Musicians' Choice, Bärenreiter notebook with the Liszt blue cover

Notes - The Musicians' Choice - Blue : The Musicians' Choice, Bärenreiter notebook with the Bach blue cover

Blue Pencil Single : I Love Singing With Barenreiter

Blue Cotton Tote Bag : I Love Singing With Barenreiter

The Girl with Blue Eyes : aus Böhmische Tänze und Weisen op. 10

Two Poems

“Triptyk” (“Triptych”) and “Mörkblå tillit” (“Dark Blue Trust”) have been written by hospital chaplain/author Kerstin Dillmar.In her work she often meets people who walk in the shadow of death and her dealings and thoughts about this are a central part of her writing. This is most clearly seen in “Mörkblå tillit” whose key message is to trust that we will be safe and secureafter passing away in sleep.Jansson’s intention with the music was to enhance this feeling of comforting trust without taking away the seriousness of the subject. “Triptyk” on the other hand describes a journey within a person in three stages which moves from despair, “God, myGod why have I forsaken myself?”, through to hope and faith that God is within.The music depicts these stages, starting with a dark-searching tonality, then describing the simple beauty of trust through to a joyful expectation of hope and ending with a strong conviction.

Windows : Four movements for trumpet and organ after Marc Chagall

Windows.Four movements for Trumpet and Organ after Marc Chagall.Fine art has always been a prominent source of inspiration for Petr Eben (1929-2007). Chagall's stained-glass windows for thesynagogue in Jerusalem gave an impulse for the four movements for Trumpet and Organ commissioned by the city gallery in the West Bohemian town of Cheb. The author commented on his choice of instruments: 'The solemnity of the largepanes of stained glass made me imagine the sound of the Organ, and the intensity and brilliance of the sheaves of bright colours called for the shrill tone of the Trumpet.'Eben combines the two instruments inanoriginal manner: both parts retain a great deal of independence, progressing in their own rhythmic patterns, intersecting in places. The modal composition typical of Eben's method is confronted here with atonality,enabling the final unison of the two instruments to sound with a monumental effect.Since its origin in 1976 Windows has been one of the most frequently performed pieces by the composer. The individualmovements of the cycle are named after colours: The Blue Window, The Green Window, The Red Window and The Golden Window. The Organ part was revised by Milan Slechta, the Trumpet part by Ladislav Kozderka.