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Horn Concerto in E-flat major No. 3 : KV 447

Horn Concerto in E-flat major No. 3 : KV 447

The Bärenreiter piano reduction of Mozart's Horn Concerto No.3 In E Flat K.447 (BA5312a) has an idiomatic and uncluttered keyboard part. The reduction is conceived for performances with keyboard as well as forrehearsal purposes for renditions with orchestra.Franz Giegling’s editorial work on the concertos in the New Mozart Edition is the definitive scholarly-critical publication and is based naturally on every knownsource.The publication reflect the needs of performers today. It contains clearly laid out solo horn parts in E-flat and F, a detailed historical preface commenting on the sources and a special brochure containingcadenzasand “ Eingänge ”. The cadenza and “ Eingänge ” brochure offers for the first time in print the important cadenzas by Dennis Brain, Timothy Brown and Dominic Nunns. The cadenzas are presented in E-flat and then in aslightly altered version for the natural horn. All of the material has also been transposed and presented for the valve horn.

SEK 271.00
1

Mass In E-flat Major : Great Organ Mass Hob. XXII:4

Mass In E-flat Major : Great Organ Mass Hob. XXII:4

Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749, church music played only a secondary role inHaydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass”, that Haydn returned to this genre ofcomposition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expressioncombinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at leasttolerated these parts, the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocalscore- Urtext from Joseph Haydn Werke- Full score, parts (BA4646) and vocal score (BA4646-90) available for sale

SEK 303.00
1

Mass In E-flat Major : Great Organ Mass Hob. XXII:4

Mass In E-flat Major : Great Organ Mass Hob. XXII:4

Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749, church music played only a secondary role inHaydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass”, that Haydn returned to this genre ofcomposition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expressioncombinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at leasttolerated these parts, the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocalscore- Urtext from Joseph Haydn Werke- Full score, parts (BA4646) and vocal score (BA4646-90) available for sale

SEK 154.00
1