Rapsodia Borealis : A Nordic Rhapsody

Rapsodia Borealis is composed in a circular structure centered around a truly lyrical Cantabile theme - a song of the North for trombone. The trombone part, despite being complex, is in many places extremely melodic and even at one stage takes the lead in a tuneful hymn tune. It also touches on a semidissonant kaleidoscopic carousel and minimalism in the accompaniment. This challenging new work is a welcome addition to the modern repertoire for trombone. It is also available for trombone and concert band.

Wedding March : from a Midsummer Night's Dream

Mendelssohn's famous Wedding March from the incidental music to A Midsummer Night's Dream, scored for 14 brass and percussion. A version for full wind orchestra will be available as well (AM 170 - 010) Full Score of this work is available for sale.Individual parts are for rental only, not for sale. A rental set includes all individual parts and 2 full scores.Prices and conditions are available on request.Please contact: Hal Leonard Europe Distribution BV – Rental DepartmentE-Mail: rental@halleonardeurope.nl

Da Vinci : A Study on the Ivory Keys

The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. DA VINCI opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. DA VINCI opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. DA VINCI opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.

Da Vinci : A Study on the Ivory Keys

The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. DA VINCI opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. DA VINCI opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. DA VINCI opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.

Fellini (Omaggio a Federico Fellini) : for Alto Saxophone, Circus Band and Wind Orchestra

Fellini takes the listener into the surrealistic and dreamy world of legendary Italian filmmaker Federico Fellini. The alto saxophone soloist - being the personification of a clown - and the off stage circus band add a unique theatrical element to the work.

Fellini (Omaggio a Federico Fellini) : for Alto Saxophone, Circus Band and Wind Orchestra

Fellini takes the listener into the surrealistic and dreamy world of legendary Italian filmmaker Federico Fellini. The alto saxophone soloist - being the personification of a clown - and the off stage circus band add a unique theatrical element to the work.

Extreme Make-Over : Metamorphoses on a Theme by Tchaikovsky

Extreme Make-Over was inspired by a theme from the second movement of Tchaikovsky?s String Quartet No.1 (Andante Cantabile). It consists of a number of musical metamorphoses on the theme and includes several excerpts from Tchaikovsky?s Fourth and Sixth Symphonies and Romeo and Juliet. The most unconventional element of the work is instrumentation for ten tuned bottles to be played by members of the cornet section. This gives the piece an Indonesian Gamelan effect. Why not give your players something to get their teeth into with this impressive major new work.

Extreme Make-Over : Metamorphoses on a Theme by Tchaikovsky

Extreme Make-Over was inspired by a theme from the second movement of Tchaikovsky?s String Quartet No.1 (Andante Cantabile). It consists of a number of musical metamorphoses on the theme and includes several excerpts from Tchaikovsky?s Fourth and Sixth Symphonies and Romeo and Juliet. The most unconventional element of the work is instrumentation for ten tuned bottles to be played by members of the cornet section. This gives the piece an Indonesian Gamelan effect. Why not give your players something to get their teeth into with this impressive major new work.

Rapsodia Borealis : A Nordic Rhapsody

Rapsodia Borealis : A Nordic Rhapsody

Rapsodia Borealis : A Nordic Rhapsody

Rapsodia Borealis : A Nordic Rhapsody

Torna a Surriento (Return to Sorento)

Full Score and Study Score of this work are available for sale.A set of individual parts are for rental only, not for sale.Prices and conditions are available on request.Please contact: Hal Leonard Europe Distribution BV - RentaldepartmentE-Mail: rental@halleonardeurope.nl

Wedding March : (from A Midsummerr Night's Dream)

Un Momento Dado - Homenage a Johan Cruijff

The Painted Bird : "A Cry against Facism"

Wedding March : (from A Midsummerr Night's Dream)

The Painted Bird : "A Cry against Facism"

T-Bone Concerto, Part II - Medium

The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Part II is written in the A-B-A form and allow the soloist to display both the technical and the lyricalcharacteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion.

T-Bone Concerto (Complete Edition)

The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and thelyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion.

T-Bone Concerto, Part III - Well Done

The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Part III at first develops into a kind of neo-baroque style using the thematic material of the first andsecond movement, and finally leads to a triumphant finale and a virtuoso conclusion.

Extreme Make-over : Metamorphoses on a Theme by Tchaikovsky

A Midsummer Night's Dream : Suite from the Incidental Music

A Midsummer Night's Dream : Suite from the Incidental Music

Extreme Make-over : Metamorphoses on a Theme by Tchaikovsky