Alain Louvier: L'Isola dei Numeri Vol.3 (Piano solo)

5.Toccata serpentina; 6.Toccata di Luce

Vieuble Luce Martin Vibraphone Book

Ungaretti Grimbert A Plusieurs Vois Pj483 La Tua Luce 6 Part & Piano

Marie-Luce Lucas: Balancelle (Trumpet & Piano)

Marie-Luce Lucas: Pierre de Lune (Flute & Piano)

Marie-Luce Lucas: Fleur de sel (Piano solo)

Marie-Luce Lucas: Par Petite Brise (Violin & Piano)

Marie-Luce Lucas: Fanfare pour Soldats de Bois (Piano solo)

Marie-Luce Lucas: Pour Danser à St Petersbourg (Trumpet & Piano)

Musiques A Chanter Cycle 2 Niveau Moyen/Volume 5 (Mozart A Strauss)

Musiques a chanter cycle 2 niveau moyen/volume 5 (mozart a strauss) holstein/level

Gartenlaub 24 Lecons A Chanter Ou A Jouer Cycle 1 1 Ou 2 Voices Choral

Odette Gartenlaub : 24 Lecons A Chanter Ou A Jouer pour le 1er cycle a une ou deux voix avec accompagnement.

Naji Hakim: Hommage A Igor Stravinsky (Organ)

Naji Hakim's Hommage A Igor Stravinsky is a Triptyque for Organ.

François Tomasi: For a Modern Guitar (1)

French guitarist, François Tomasi compiles a study method of the modern Guitar, filling a large gap. The first volume of For a Modern Guitar addresses fingering, chords and hand positions, understanding the 6 strings, ensemble music, the thumb, polyphony, arpeggios and chromaticims, amongst other aspects. Moreover, a detailed illustration of the Guitar is included, with all the parts of the instrument clearly labelled. For all aspiring guitarists, Tomasi 's For a Modern Guitar cannot be missed.

Coppin Lectures Rythmiques Degre Preparatoire A Moyen Book

Suzanne Coppin 's Lectures Rythmiques - Degre Preparatoire A Moyen .

Aboulker Mallet Voyages Voyageurs Satb A Cappella Choral

Isabelle Aboulker 's Voyages, Voyageurs for SATB choir a cappella.

Marie-Rose Clouzot: Chante, Rossignol, chante (Choral-Mixed a cappella)

A solo and SATB chorus

Reynaldo Hahn: Romance In A Major (Violin/Piano)

Composed by Reynaldo Hahn , Romance In A Major is a chamber piece for Violin and Piano, for upper-intermediate players. This melodious piece is written in one main movement and is perfect for a recital. Starting "Très modéré" with the main theme, the piece later become quieter "calme" with some variations of this main theme. Really romantic, it is sometimes indicated which string to play and the Piano accompanies the Violin with some flawless arpeggiated semiquavers. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments.

Gartenlaub Lectures D'auteurs A Chanter Cycle 1 1 Or 2 Voices Book

Odette Gartenlaub : Lectures D'Auteurs A Chanter pour le 1er cycle. Transcription a 1 ou 2 voix avec accompagnement.

Marie-Rose Clouzot: Brave Capitaine (Choral-Mixed a cappella)

Chanson de l'Ile de-France (A solo and SATB chorus)

Betsy Jolas: Pages From A Love Diary

“What’s important in music that’s based on a poem – on the emotion inspired by a poem – is the music and power of emotion it harbours within itself”. These words, written in 1949 by poet Pierre Reverdy, would make a deep impression on composer Betsy Jolas . She’d just sent the writer her Six mélodies for mezzo-soprano and piano composed on poems from his masterwork Plupart du temps. The songs were accompanied by a letter that betrayed her fear of distorting his ideas. In creative terms, there was no need to worry – Betsy Jolas must have placed this conviction at the heart of her reflection on the relation between text and music. Nearly sixty years later, the musician decided to take several fragments of these beloved poems of Reverdy and place them, in the form of quotations, into new musical and theatrical perspectives. The exalted memory of the words led to D’Un Journal D’Amour , a mini-cantata for Voice and Alto offered as a wedding gift to soprano Eliette Prévôt and violist Antoine Tamestit, who premiered it together in Montreuil in 2010.

Reynaldo Hahn: A Chloris (arr. Wikeley)

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) This song declares itself immediately as a variation on the Renaissance and Baroque tradition of the pastoral song, with its use of the title, "To Chloris, " (Chloris and Phyllis were the generic names for pastoral shepherdesses and nymphs in Renaissance and Baroque literature), and the ornamentation in the accompaniment, the repeated trills and turns, also evoke the realm of the Baroque song. However, the work is not a mere imitation; it is a modern song, one that pays homage to, rather than imitates, the older models.

Isabelle Aboulker: If I was a grown-up (Children Voices and Baritone)

If I was a grown-up is a song for Children and Baritone voices, composed by Isabelle Aboulker , with lyrics by Eva Janikovszky . It is only a part of the full piece, which is to be sung with a Flute, an Oboe, a Clarinet, a Bassoon and a Piano. Really easy, with range and intervals adapted to children’s capacities, this song is very entertaining in term of lyrics and sonority. The lyrics focuses on what children are always asked to do which is not fun, such as washing hands before dinner, being always nice and quiet, staying seated among other things, while adults can do whatever they want to do. Children then sing what they would do if they were grown-ups. Quite energetic, this song is great for children and would be great for a concert. Isabelle Aboulker is a French composer specially known for her opera, her vocal works, and for her adaptations of stories and fables.

Pierre Max Dubois: Pieces Caracteristiques Op.77 No.1 - A l'Espagnole (Alto Saxophone/Piano)

A l'Espagnole , Pieces Caracteristiques Op.77 No.1 , is a beautiful piece for Alto Saxophone with Piano Accompaniment by Pierre Max Dubois. For ABRSM examinations.

Xavier Leroux: Romance No.1 in A minor (Flute & Piano)

Son of a military bandleader, Xavier Leroux (1863-1919) was a French composer who studied at the Paris Conservatoire under Jules Massenet and Théodore Dubois. Although primarily known for his Operas, Leroux 's  Deux Romances  for Flute and Piano remain prominent in the instrument's repertoire. Dedicated to Philippe Gaubert, the first Romance is composed in A minor. Characteristics are typical of the French romantic era, such as semiquaver flourishes, use of the sultry lower register of the Flute, variations in articulation, much use of performance directions and chromaticisms, among other aspects. For all aspiring, advanced flautists, Leroux 's  Deux Romances  make for a sublime addition to the repertoire.