1.423 resultat (0,17097 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Visa alla

Nollställ filter

Produkter
Från
Butiker

Denis Le Touzé: Writing Music in 30 Lessons (Volume 1)

Denis Le Touzé: Writing Music in 30 Lessons (Volume 1)

Specialising in teaching music, Denis Le Touzé currently researches the tonal system and notation of classical music. Therefore, his Writing Music in 30 Lessons is very well-informed. Le Touzé 's Writing Music in 30 Lessons is divided into two volumes. The first volume incorporates three types of exercises; technical exercises for the understanding of chords, figured bass, and composing melodies. Compiled in 1996, Writing Music in 30 Lessons is very up to date, ensuring that the exercises are relevant and clear. For all aspiring musicians seeking to improve their written notation of music, Le Touzé 's Writing Music in 30 Lessons will ensure successful progression.

SEK 286.00
1

Henri Büsser: Pièce Op.39 in D major (Horn & Piano)

Henri Büsser: Pièce Op.39 in D major (Horn & Piano)

French composer, Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer, conductor, teacher and organist. His compositions for a variety of instruments are exceptional, Piece In D  for French Horn and Piano being no exception. As reflected in Piece In D,   Büsser 's compositional style was sophisticated, yet true to the 19th century French tradition. Elements of the work include include, chromaticism, use of a wide tessitura, complex rhythms, scalic passages and wide intervals. For all advanced Horn players, Büsser 's Piece In D  is essential to a varied repertoire.

SEK 246.00
1

Alain Weber: Progressive Lessons in Theory and Rhythm (Volume 3)

Alain Weber: Progressive Lessons in Theory and Rhythm (Volume 3)

French composer, Alain Weber (b. 1930) writes Progressive Lessons in Theory and Rhythm with much experience and expertise. This third volume, which considers in detail, using treble and bass clefs together, as well as other clefs, is essential to accompany basic theory progression. Following graduation from the Paris Conservatoire, Weber spent time in Italy to develop his own musical style. However, he soon returned to the institution as a professor of theory and counterpoint. He is a significant contributor to important teaching materials, and Progressive Lessons in Theory and Rhythm is no exception.

SEK 177.00
1

Jacques Ibert: Aria In D Flat - Alto Saxophone And Piano

Jacques Ibert: Aria In D Flat - Alto Saxophone And Piano

Aria , written in 1930 by Jacques Ibert (1890-1962), is a small study initially for Voice and Piano but arranged in this edition for Alto Saxophone and Piano. This version and the one for Flute and Piano are the ones most commonly used. The Alto Saxophone score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) was a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

SEK 196.00
1

W.A. Mozart: Symphony No.25 In G Minor K.183 (Study Score)

W.A. Mozart: Symphony No.25 In G Minor K.183 (Study Score)

Mozart composed two new symphonies in the Autumn of 1773, after having returned to Salzburg from Vienna. The first of the two was the Symphony No.24 In B Flat K.182 , and the second was the Symphony No.25 in G Minor K.183 This symphony was one of two which Mozart composed in a minor key – the other being the Symphony No.40 in G Minor K.550 . The latter can be identified with some of Mozart’s most troubled and agitated music, reflecting those difficult moments in his life. However, the twenty-fifth symphony is thought to have been composed as part of a sudden wave of minor-key symphonies which appeared in the later 1760s and early 1770s – among others were composed by Vanhal, Ordonez, and Joseph Haydn. Available here is the study score for one of Mozart’s two symphonies composed in a minor key, the Symphony No.25 in G Minor K.183 . This score is ideal for study and perusal usage.

SEK 106.00
1

Jean-Marie Leclair: Sonate in C major (Saxophones 2)

Jean-Marie Leclair: Sonate in C major (Saxophones 2)

French baroque composer and violinist, Jean-Marie Leclair (1697-1764) is considered to have founded the French Violin school. His expertise led him to compose significant works for the instrument. His sublime Sonata in C is superbly arranged for Alto Saxophone by contemporary French saxophonist, Jean-Marie Londeix. Leclair 's Sonata in C for Violin is one of his most prolific and best remembered works. Londeix 's arrangement for Saxophone of Leclair 's Sonata in C includes adaptions for the instrument, such as dynamics, phrase marks, performance and tempo directions, articulation and breath marks. Londeix 's rearrangement for the Saxophone of Leclair 's popular Sonata in C is exquisite, making the baroque genre accessible to the Saxophone, a relatively modern instrument.

SEK 206.00
1

Jacques Ed. Barat: Fantaisie In E Flat Minor (Trumpet And Piano)

Jacques Ed. Barat: Fantaisie In E Flat Minor (Trumpet And Piano)

French composer Joseph Edouard Barat (1882-1964) studied at the Paris Conservatoire and went on to become a military bandmaster in Lyon. It is clear that his compositions are influenced by his work with military bands, as is the case with his popular Fantaisie in E? minor . Composed in 1958, towards the end of the composer's life, this Barat work is adaptable to both Cornet and Trumpet. The piece contains many tempo changes and lots of dynamic contrast, making for a dramatic yet enjoyable performance. Often performed for exams and solo recitals, Barat 's Fantaisie in E? minor remains popular to this day.

SEK 246.00
1

Handel Concerto In F Min Tbn/Pf Bk

Handel Concerto In F Min Tbn/Pf Bk

Concerto In F Minor  by G.F. Handel is a piece transcribed for Trombone and Piano by André Lafosse, soloist at the Paris Opera. Quite difficult, for it to be played well this piece will require the skills and abilities of advanced players. This concerto is a really melodious piece to play in recitals. It is divided into four sections: I. Grave II. Allegro III. Sarabande – Largo IV. Allegro The Piano introduces first and the third parts, which are quite slow compared to the second one and the final. G.F. Handel was a German composer famous for his operas, oratorios and concertos.

SEK 206.00
1

W. A. Mozart: Symphony No.31 In D 'Paris' K.297 (Study Score)

W. A. Mozart: Symphony No.31 In D 'Paris' K.297 (Study Score)

Following nearly 4 years without having composed a new symphony, although still writing opera overtures and works from orchestral serenades, Mozart composed the ‘Paris’ Symphony. Mozart received the commission from Joseph Legros, when him and his mother were in Paris in 1778. Mozart composed the work for the largest orchestra he’d written for until then in a symphony, marking the first time which he had used Clarinets in one of his symphonies. Mozart had taken pains to write the work in a style that would appeal to the French and, despite a dismal rehearsal, the first performance was well received. Available here is a study score of Mozart’s Symphony No.31 in D ‘Paris’ K.297 , which is ideal for study and perusal usage.

SEK 106.00
1

Wolfgang Amadeus Mozart: Serenade in C minor, transcribed for Wind Quintet by David Walter

Wolfgang Amadeus Mozart: Serenade in C minor, transcribed for Wind Quintet by David Walter

Wolfgang Amadeus Mozart 's (1756-1791) Serenade in C minor was written by the composer in 1782-83. The work remains widely performed by Wind Octets, making it one of the most significant, substantial works in the wind ensemble repertoire. David Walter 's transcription of Serenade in C minor, also known as Serenade No. 12, is for Wind Quintet, making the popular work even more accessible and versatile. Serenade in C minor comprises four movements; 1) Allegro, 2) Andante, 3) Menuet and Trio, and 4) Allegro. This edition of Mozart 's Serenade in C minor for Wind Quintet is essential to all ensembles looking for exciting, yet traditional repertoire.

SEK 558.00
1

Xavier Leroux: Romance No.1 in A minor (Flute & Piano)

Xavier Leroux: Romance No.1 in A minor (Flute & Piano)

Son of a military bandleader, Xavier Leroux (1863-1919) was a French composer who studied at the Paris Conservatoire under Jules Massenet and Théodore Dubois. Although primarily known for his Operas, Leroux 's  Deux Romances  for Flute and Piano remain prominent in the instrument's repertoire. Dedicated to Philippe Gaubert, the first Romance is composed in A minor. Characteristics are typical of the French romantic era, such as semiquaver flourishes, use of the sultry lower register of the Flute, variations in articulation, much use of performance directions and chromaticisms, among other aspects. For all aspiring, advanced flautists, Leroux 's  Deux Romances  make for a sublime addition to the repertoire.

SEK 246.00
1

Reynaldo Hahn: Romance In A Major (Violin/Piano)

Reynaldo Hahn: Romance In A Major (Violin/Piano)

Composed by Reynaldo Hahn , Romance In A Major is a chamber piece for Violin and Piano, for upper-intermediate players. This melodious piece is written in one main movement and is perfect for a recital. Starting "Très modéré" with the main theme, the piece later become quieter "calme" with some variations of this main theme. Really romantic, it is sometimes indicated which string to play and the Piano accompanies the Violin with some flawless arpeggiated semiquavers. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments.

SEK 206.00
1

J.Y. Daniel-Lesur: In Paradisum (Organ)

J.Y. Daniel-Lesur: In Paradisum (Organ)

Composé pendant l'été 1932, en hommage à Lynnwood Farnam. Toutefois, le décès de son ami Henry Forest le 20 juillet 1933 plonge Daniel-Lesur dans un immense chagrin et il décide de changer sa dédicace au moment de l'édition de l'œuvre. Création à Paris, à la Schola Cantorum, le 18 mars 1935, par Olivier Messiaen. Toutefois, d'après une lettre à sa mère du 7 septembre 1934, In Paradisium aurait été entendu à Radio Paris le 9 septembre 1934. Semplice, tristamente, Un poco piu animato, Piu lento, Lento ad Lib., 2min30

SEK 177.00
1