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Alfred Désenclos: Aria et Rondo (Double Bass & Piano)

Alfred Désenclos: Aria et Rondo (Double Bass & Piano)

Modern French composer, Alfred Desenclos (1912-1971) created exceptional works for a variety of instruments. Aria Et Rondo  for Double Bass and Piano, published in 1952, is no exception. Desenclos won the 1942 Prix de Rome following studies at the Conservatory in Roubaix. The composer's compositional style is highly expressive and atmospheric, with uses of extended technique. Aria Et Rondo  reflects these aspects, with a typical performance lasting about 12 minutes. For all advanced Double Bass players, Desenclos 's Aria Et Rondo  is an exciting, alternative piece for the repertoire.

SEK 286.00
1

Eugène Bozza: Aria (Book/Download Card)

Eugène Bozza: Aria (Book/Download Card)

Composer and conductor Eugène Bozza (1905-1991) was a pupil of Henri Büsser and Henri Rabaud at the Conservatoire de Paris, and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano – an adaptation of the third movement of Johan Sebastian Bach’s Organ Pastorale in F Major BWV 590, which was to tour the world. This nostalgia-imbued melody, which expands over a regular meter, has, in turn, been the subject of numerous transcriptions, first for clarinet, then for Violin (or Flute) and Piano. Éditions Leduc have chosen to republish this last version, with the added bonus of an audio version that should be of valuable assistance to all musicians!

SEK 226.00
1

Jacques Ibert: Aria (Flute and Piano)

Jacques Ibert: Aria (Flute and Piano)

Aria , written in 1930 by Jacques Ibert (1890-1962), is a small study initially for Voice and Piano but arranged in this edition for Flute and Piano. This version and the one for Alto Saxophone and Piano are the ones the most commonly used. The Flute score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

SEK 147.00
1

Gieco Enzo A Plusieurs 4 Flutes Perc Ad Lib Score/Parts

Gieco Enzo A Plusieurs 4 Flutes Perc Ad Lib Score/Parts

Enzo Gieco composes an exciting work for Flute Quartet with Percussion ad lib accompaniment. From furious, fast passages to legato, lyrical melodies,  A Plusieurs Flûtes  is an exciting addition to the ensemble repertoire. Gieco 's  A Plusieurs Flûtes  is in six movements; 1) The Brazilian Woman, 2) Orillera 1, 3) The Caribbean Woman, 4) The Bolivian Woman, 5) Orilla 2, and 6) The Star, and incorporates features of each of the nationalities. Furthermore, the work has the option of additional 'ad lib' Percussion. For all aspiring, advanced Flute Quartets, Gieco 's  A Plusieurs Flûtes  provides an exciting, alternative ensemble performance work.

SEK 286.00
1

Eugène Bozza: Aria (Book/Download Card)

Eugène Bozza: Aria (Book/Download Card)

Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano – a free adaptation of the third movement of Johann Sebastian Bach’s Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played Saxo­phone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxo­phonists to carry out “full-scale” practice.

SEK 226.00
1

Jacques Ibert: Aria In D Flat - Alto Saxophone And Piano

Jacques Ibert: Aria In D Flat - Alto Saxophone And Piano

Aria , written in 1930 by Jacques Ibert (1890-1962), is a small study initially for Voice and Piano but arranged in this edition for Alto Saxophone and Piano. This version and the one for Flute and Piano are the ones most commonly used. The Alto Saxophone score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) was a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

SEK 196.00
1

Neumayer Ad Libitum Im2 0 Book

Neumayer Ad Libitum Im2 0 Book

Apprentissage des notes par la lecture relative. Cahiers complets de formation musicale en trois volumes.  Ad libitum a pour objectif de render l’enfant autonome face à une partition, grâce à une bonne comprehension de l’ecriture musicale. En apprenant les notes librement sur la portée (lecture relative), l’enfant aquiert une vue Générale de la phase musicale. Dans cet ouvrage, l’apprentissage de la lecture se fait par la visualisation de la courbe mélodique représentée par les guirlandes, par l’étude de toutes les gammes en seconds, en tierces, en quartes et en quintes, par l’application de ces gammes et la connaissance des intervalles en se promenant librement sur la portée, et par l’étude de le clé de sol et la clé de fa. Ce recueil est destine à tous les instrumentistes, quelle que soit le clé utilisée par l’instrument, l’objectif étant de pouvoir lire et entendre une partition.

SEK 266.00
1