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Thierry Escaich: Evocation II (Organ)

Thierry Escaich: Evocation II (Organ)

Born in 1965, Thierry Escaich studied in Paris where he obtained eight first prizes for Organ and Composition. His performances and works during his professional career have also received various distinctions, Evocation II being no exception. Composed in 1996, Evocation II is very modern, exploiting tonality, rhythm, harmony, and many other elements to a virtuosic level. Esciach is a great improvisation expert and Evocation II reflects aspects of this through use of complex rhythms and developed melodies. For all advanced organists seeking to vary and expand their contemporary repertoire, Esciach 's Evocation II is an exciting addition to the repertoire.

SEK 246.00
1

Carillon Sax/Pno

Carillon Sax/Pno

Contemporary Italian-French composer, Armando Ghidoni brings together influences of both Italy and France in his music. Also, as an expert on jazz, the harmonies and rhythms of the composer's works reflect a huge diversity, Carillon for Saxophone and Piano accompaniment being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Carillon reflects Ghidoni 's mastery of a range of instruments, adaptable to Soprano, Alto or Tenor Saxophones. With a typical performance lasting about three minutes, Carillon is an exciting addition to the beginner Saxophone repertoire.

SEK 196.00
1

Thierry Escaich: 3 Esquisses (Organ)

Thierry Escaich: 3 Esquisses (Organ)

Born in 1965, Thierry Escaich studied in Paris where he obtained eight first prizes for Organ and Composition. His performances and works during his professional career have also received various distinctions,  Trois Esquisses  for Organ being no exception. Composed in 1991,  Trois Esquisses  is very modern, exploiting tonality, rhythm, harmony, and many other elements to a virtuosic level. Esciach 's is a great improvisation expert and  Trois Esquisses  reflects aspects of this through use of complex rhythms and developed melodies. With a typical performance lasting around 11 minutes, the  Trois Esquisses  are called, 1) Tournament, 2) Ritual, and 3) Variations on a Memory. For all advanced organists seeking to vary and expand their contemporary repertoire, this is an exciting addition to the repertoire.

SEK 558.00
1

Denis Le Touzé: Writing Music in 30 Lessons (Volume 1)

Denis Le Touzé: Writing Music in 30 Lessons (Volume 1)

Specialising in teaching music, Denis Le Touzé currently researches the tonal system and notation of classical music. Therefore, his Writing Music in 30 Lessons is very well-informed. Le Touzé 's Writing Music in 30 Lessons is divided into two volumes. The first volume incorporates three types of exercises; technical exercises for the understanding of chords, figured bass, and composing melodies. Compiled in 1996, Writing Music in 30 Lessons is very up to date, ensuring that the exercises are relevant and clear. For all aspiring musicians seeking to improve their written notation of music, Le Touzé 's Writing Music in 30 Lessons will ensure successful progression.

SEK 286.00
1

Henri Büsser: Pièce Op.39 in D major (Horn & Piano)

Henri Büsser: Pièce Op.39 in D major (Horn & Piano)

French composer, Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer, conductor, teacher and organist. His compositions for a variety of instruments are exceptional, Piece In D  for French Horn and Piano being no exception. As reflected in Piece In D,   Büsser 's compositional style was sophisticated, yet true to the 19th century French tradition. Elements of the work include include, chromaticism, use of a wide tessitura, complex rhythms, scalic passages and wide intervals. For all advanced Horn players, Büsser 's Piece In D  is essential to a varied repertoire.

SEK 246.00
1

Alain Weber: Progressive Lessons in Theory and Rhythm (Volume 3)

Alain Weber: Progressive Lessons in Theory and Rhythm (Volume 3)

French composer, Alain Weber (b. 1930) writes Progressive Lessons in Theory and Rhythm with much experience and expertise. This third volume, which considers in detail, using treble and bass clefs together, as well as other clefs, is essential to accompany basic theory progression. Following graduation from the Paris Conservatoire, Weber spent time in Italy to develop his own musical style. However, he soon returned to the institution as a professor of theory and counterpoint. He is a significant contributor to important teaching materials, and Progressive Lessons in Theory and Rhythm is no exception.

SEK 177.00
1

Jacques Ibert: Aria In D Flat - Alto Saxophone And Piano

Jacques Ibert: Aria In D Flat - Alto Saxophone And Piano

Aria , written in 1930 by Jacques Ibert (1890-1962), is a small study initially for Voice and Piano but arranged in this edition for Alto Saxophone and Piano. This version and the one for Flute and Piano are the ones most commonly used. The Alto Saxophone score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) was a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

SEK 196.00
1

W.A. Mozart: Symphony No.25 In G Minor K.183 (Study Score)

W.A. Mozart: Symphony No.25 In G Minor K.183 (Study Score)

Mozart composed two new symphonies in the Autumn of 1773, after having returned to Salzburg from Vienna. The first of the two was the Symphony No.24 In B Flat K.182 , and the second was the Symphony No.25 in G Minor K.183 This symphony was one of two which Mozart composed in a minor key – the other being the Symphony No.40 in G Minor K.550 . The latter can be identified with some of Mozart’s most troubled and agitated music, reflecting those difficult moments in his life. However, the twenty-fifth symphony is thought to have been composed as part of a sudden wave of minor-key symphonies which appeared in the later 1760s and early 1770s – among others were composed by Vanhal, Ordonez, and Joseph Haydn. Available here is the study score for one of Mozart’s two symphonies composed in a minor key, the Symphony No.25 in G Minor K.183 . This score is ideal for study and perusal usage.

SEK 106.00
1

Armando Ghidoni: Poésie et Gaîté (Horn & Piano)

Armando Ghidoni: Poésie et Gaîté (Horn & Piano)

Contemporary Italian-French composer, Armando Ghidoni brings together influences of both Italy and France in his music. Also, as an expert on jazz, the harmonies and rhythms of the composer's works reflect a huge diversity, Poésie Gaîté for French Horn and Piano being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions.  Poésie Gaîté  reflects Ghidoni 's mastery of a range of instruments, and is suitable for intermediate standard Horn players. With a typical performance lasting about 5 minutes and 15 seconds,  Poésie Gaîté  is an exciting addition to the French Horn repertoire.

SEK 206.00
1

Armando Ghidoni: Dans l'Air (Saxophone-Alto & Piano)

Armando Ghidoni: Dans l'Air (Saxophone-Alto & Piano)

Contemporary Italian-French composer, Armando Ghidoni brings together influences of both Italy and France in his music. Also, as an expert on jazz, the harmonies and rhythms of the composer's works reflect a huge diversity,  Dans L'Air  for Alto Saxophone and Piano being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions.  Dans L'Air  reflects Ghidoni 's mastery of a range of instruments, suitable for intermediate players. With a typical performance lasting about three minutes and twenty seconds,  Dans L'Air  is an exciting addition to the intermediate Alto Saxophone repertoire.

SEK 196.00
1

Jean-Marie Leclair: Sonate in C major (Saxophones 2)

Jean-Marie Leclair: Sonate in C major (Saxophones 2)

French baroque composer and violinist, Jean-Marie Leclair (1697-1764) is considered to have founded the French Violin school. His expertise led him to compose significant works for the instrument. His sublime Sonata in C is superbly arranged for Alto Saxophone by contemporary French saxophonist, Jean-Marie Londeix. Leclair 's Sonata in C for Violin is one of his most prolific and best remembered works. Londeix 's arrangement for Saxophone of Leclair 's Sonata in C includes adaptions for the instrument, such as dynamics, phrase marks, performance and tempo directions, articulation and breath marks. Londeix 's rearrangement for the Saxophone of Leclair 's popular Sonata in C is exquisite, making the baroque genre accessible to the Saxophone, a relatively modern instrument.

SEK 206.00
1

Jacques Ed. Barat: Fantaisie In E Flat Minor (Trumpet And Piano)

Jacques Ed. Barat: Fantaisie In E Flat Minor (Trumpet And Piano)

French composer Joseph Edouard Barat (1882-1964) studied at the Paris Conservatoire and went on to become a military bandmaster in Lyon. It is clear that his compositions are influenced by his work with military bands, as is the case with his popular Fantaisie in E? minor . Composed in 1958, towards the end of the composer's life, this Barat work is adaptable to both Cornet and Trumpet. The piece contains many tempo changes and lots of dynamic contrast, making for a dramatic yet enjoyable performance. Often performed for exams and solo recitals, Barat 's Fantaisie in E? minor remains popular to this day.

SEK 246.00
1

Handel Concerto In F Min Tbn/Pf Bk

Handel Concerto In F Min Tbn/Pf Bk

Concerto In F Minor  by G.F. Handel is a piece transcribed for Trombone and Piano by André Lafosse, soloist at the Paris Opera. Quite difficult, for it to be played well this piece will require the skills and abilities of advanced players. This concerto is a really melodious piece to play in recitals. It is divided into four sections: I. Grave II. Allegro III. Sarabande – Largo IV. Allegro The Piano introduces first and the third parts, which are quite slow compared to the second one and the final. G.F. Handel was a German composer famous for his operas, oratorios and concertos.

SEK 206.00
1

W. A. Mozart: Symphony No.31 In D 'Paris' K.297 (Study Score)

W. A. Mozart: Symphony No.31 In D 'Paris' K.297 (Study Score)

Following nearly 4 years without having composed a new symphony, although still writing opera overtures and works from orchestral serenades, Mozart composed the ‘Paris’ Symphony. Mozart received the commission from Joseph Legros, when him and his mother were in Paris in 1778. Mozart composed the work for the largest orchestra he’d written for until then in a symphony, marking the first time which he had used Clarinets in one of his symphonies. Mozart had taken pains to write the work in a style that would appeal to the French and, despite a dismal rehearsal, the first performance was well received. Available here is a study score of Mozart’s Symphony No.31 in D ‘Paris’ K.297 , which is ideal for study and perusal usage.

SEK 106.00
1

Classical Fugue Goes Jazz Fl Cla(Or Sax) Pno

Classical Fugue Goes Jazz Fl Cla(Or Sax) Pno

Contemporary Italian-French composer, Armando Ghidoni brings together influences of both Italy and France in his music. Also, as an expert on jazz, the harmonies and rhythms of the composer's works reflect a huge diversity, Classical Fugue Goes Jazz for Flute, Clarinet (or Alto Saxophone), and Piano is no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Classical Fugue Goes Jazz (Trio) reflects Ghidoni 's mastery of a range of instruments. With a typical performance lasting about 14 minutes, Classical Fugue Goes Jazz (Trio) for Flute, Clarinet (or Alto Saxophone), and Piano is a truly exquisite addition to the modern ensemble repertoire.

SEK 657.00
1

Wolfgang Amadeus Mozart: Serenade in C minor, transcribed for Wind Quintet by David Walter

Wolfgang Amadeus Mozart: Serenade in C minor, transcribed for Wind Quintet by David Walter

Wolfgang Amadeus Mozart 's (1756-1791) Serenade in C minor was written by the composer in 1782-83. The work remains widely performed by Wind Octets, making it one of the most significant, substantial works in the wind ensemble repertoire. David Walter 's transcription of Serenade in C minor, also known as Serenade No. 12, is for Wind Quintet, making the popular work even more accessible and versatile. Serenade in C minor comprises four movements; 1) Allegro, 2) Andante, 3) Menuet and Trio, and 4) Allegro. This edition of Mozart 's Serenade in C minor for Wind Quintet is essential to all ensembles looking for exciting, yet traditional repertoire.

SEK 558.00
1