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Liquitex - Professional Acrylic Matte Gel (237ml)

Liquitex - Professional Acrylic Matte Gel (237ml)

Designed for use with acrylic paints Translucent, matt finish Heavy body gel Slows drying time Increases translucency, adhesion and flexibility 237ml pot Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Professional Matte Gel enhances blending, slows drying time and increases translucency, adhesion and flexibility. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Matte Gel? Having greater adhesion than Liquitex Gloss Heavy Gel Medium, Liquitex Matte Gel is an excellent glue for collage. Mix with Liquitex Heavy Body Artist Colour to create impasto effects, and to obtain a similar colour depth to oil paint. Adding Liquitex Matte Gel to acrylic colour provides a satin sheen finish upon drying of the paint. Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Matte Gel? A highly versatile medium, Liquitex Matte Gel can be used as: An Extender: Mix with Liquitex Soft Body or Heavy Body artist colours, to extend volume and increase transparency. Liquitex Matte Gel maintains the viscosity of heavy body colour, and increases that of soft body colour. An Adhesive: Use to provide adhesion for collage material. A Ground: Use in place of Gesso, as a transparent ground, so substrate may be seen. A Binder: Use as a binder for powdered pigments, to make an inexpensive heavy body matte acrylic paint. The following video shows how matt and gloss mediums compare: Using Matt And Gloss Acrylic Mediums Insert a video here that specifically features Liquitex Matte Gel Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 14.65
1

Winsor & Newton - Galeria Heavy Structure Gel (250ml)

Winsor & Newton - Galeria Heavy Structure Gel (250ml)

Designed for use with acrylic paints Very high peak retention Designed for creating strong impasto effects Strong texture & structure Satin finish 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. The heaviest gel available in the range, Galeria Heavy Structure Gel has very high peak retention, and is ideal for creating strong, impasto surface texture.  Video: Winsor & Newton Masterclass - Heavy Structure Gel What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Heavy Structure Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Heavy Structure Gel can be mixed with acrylic colour to increase transparency and structure, without the addition of texture particles. Heavy layers are easily and quickly built, and are prevented from appearing artificially plastic by the satin finish of the medium. How do I use Winsor & Newton Galeria Heavy Structure Gel? Mixed with acrylic colour, Galeria Heavy Structure Gel can be applied with a brush or a knife. The following videos show some techniques for working with Heavy Structure Gel, and the effects that can be created: Beginner's Tutorial: Heavy Structure Gel Impasto Technique For Painting With Acrylic Colour Painting Textured Flowers Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 11.95
1

Liquitex - Professional Acrylic Gloss Super Heavy Gel 237ml

Liquitex - Professional Acrylic Gloss Super Heavy Gel 237ml

Designed for use with acrylic paints Extra heavy body gel High gloss finish Enhances blending, translucency, adhesion & flexibility Slows drying time Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Professional Gloss Super Heavy Gel produces a brilliant gloss impasto, enhances blending, slows drying time and increases translucency, adhesion and flexibility. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Gloss Super Heavy Gel? The thickest gel within the range, Liquitex Gloss Super Heavy Gel has incredibly dense, extra-heavy body, providing high peak retention and crisp brush or knife strokes. Mix with Liquitex Heavy Body Artist Colour to create impasto effects and to obtain an elevated surface drag, similar to that of oil paint. Drying to a transparent or translucent finish, depending on the thickness of application, Liquitex Gloss Super Heavy Gel keeps paint working longer than other gel mediums, and gives very little shrinkage during drying time.     Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Gloss Super Heavy Gel? An extremely versatile medium, Liquitex Gloss Super Heavy Gel can be used as: An Extender: Mix with Liquitex Soft Body or Heavy Body artist colours, to extend volume and increase transparency, viscosity, body and colour brilliance.  An Adhesive: Use to provide excellent adhesion for collage, decoupage and mixed media. A Ground: Use when creating a sculptural ground, ensuring adequate pressure is applied to force the gel into the raw canvas, to enable proper bonding. A Binder: Use as a binder for powdered pigments, to make an inexpensive extra-heavy body acrylic paint, and with additives such as sand, sawdust and stone. The following video shows how Liquitex Gloss Super Heavy Gel can be used: Insert a video here that specifically features Liquitex Gloss Super Heavy Gel Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 14.65
1

Pébéo - Studio Green Phosphorescent Gel (225ml)

Pébéo - Studio Green Phosphorescent Gel (225ml)

Size: 225ml Colour: Translucent / Glow in the Dark Phosphorescent gel Bright, intense Glow in the Dark effect Translucent application, drying to a satin/matt finish For best results, apply alone in thick layers with a palette knife Add a touch of glowing brilliance to your paintings, sculptures & more! Made use 100% recycled raw materials! Perfect for adding that little creative touch of glowing brilliance to your work, this Phosphorescent Gel from Pebeo is simple to use, easy to apply & an incredible amount of fun. Drying to a satin finish, this translucent Gel is best applied in thick layers using a palette knife & produces an intense Glow in the Dark effect that can be applied to a drawing, painting, sculpture or any other creative piece. Part of the new Studio Green range from Pebeo, these eco-designed acrylic mediums & primers are derived from 100% recycled raw material, offering a more sustainable creative alternative without sacrificing quality. Composed of several Gessos, a Binder, Fluid Medium & Phosphorescent Gel, the Studio Green range replaces the standard Petrochemical resin with a 100% recycled alternative, generating 6 - 7x less CO2 emissions than traditional binders & boasting comparable performance in terms of adhesion, strength, flexibility & durability. Additionally, all jars & bottles are also 100% recycled (not including caps & lids), and recyclable.

GBP 10.97
1

Winsor & Newton - Galeria Structure Gel (250ml)

Winsor & Newton - Galeria Structure Gel (250ml)

Designed for use with acrylic paints Adds texture & structure to your artwork Provides good peak retention Gloss finish 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Providing an excellent glossy clarity, Galeria Structure Gel has good peak retention, and is ideal for creating impasto surface texture.  What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Structure Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Structure Gel can be mixed with acrylic colour to increase gloss, transparency and structure, without the addition of texture particles. How do I use Winsor & Newton Galeria Structure Gel? Mixed with acrylic colour, Galeria Structure Gel can be applied with a brush or a knife. The following video show some techniques for working with Structure Gel, and the effects that can be created: Impasto Technique For Painting With Acrylic Colour Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 11.95
1

Liquitex - Professional Acrylic Gloss Heavy Gel (237ml)

Liquitex - Professional Acrylic Gloss Heavy Gel (237ml)

Designed for use with acrylic paints Heavy body gel Enhances blending, transparency, adhesion & flexibility Slows drying time High gloss finish 237ml pot Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Professional Gloss Heavy Gel produces a brilliant gloss impasto, enhances blending, slows drying time and increases translucency, adhesion and flexibility. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Gloss Heavy Gel? Ideal for thick glazes and brilliant gloss impasto effects, Liquitex Gloss Heavy Gel produces an elevated surface drag when mixed with acrylic colour, similar to that of oil paint. Drying to a transparent or translucent finish, depending on the thickness of application, Liquitex Gloss Heavy Gel keeps extends the artist's working time with paint.     Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Gloss Heavy Gel? An extremely versatile medium, Liquitex Gloss Heavy Gel can be used as: An Extender: Mix with Liquitex Soft Body or Heavy Body artist colours, to extend volume and increase transparency, viscosity, body and colour brilliance.  An Adhesive: Use to provide excellent adhesion for collage and decoupage. A Ground: Use in place of Gesso, as a transparent ground, so substrate may be seen. A Binder: Use as a binder for powdered pigments, to make an inexpensive extra-heavy body acrylic paint, and with additives such as sand, sawdust and stone. Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 14.65
1

Winsor & Newton - Galeria Glass Bead Texture Gel (250ml)

Winsor & Newton - Galeria Glass Bead Texture Gel (250ml)

Designed for use with acrylic paints Shiny, granular texture Create dazzling effects 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint. Small, spherical glass beads are suspended in a thick, clear acrylic gel to create Galeria Glass Beads Texture Gel. Dazzling effects can be created by mixing with transparent colour, mirroring the radiant qualities of precious jewels. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Glass Beads Texture Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. The shimmering, reflective properties of the small, glass spheres in Galeria Glass Beads Texture Gel ensure this medium is ideal for creating effects such as air bubbles in water. Drying to a clear, sparkling finish, Galeria Glass Beads Texture Gel may be used alone for colourless results, added to colour, or applied directly to canvas, and overpainted when dry. How do I use Winsor & Newton Galeria Glass Beads Texture Gel? Galeria Glass Beads Texture Gel can be applied with a brush or a knife, in the same manner as other texture mediums. The following videos further explain how to use texture mediums: 3 Tips For Using Acrylic Texture Mediums Creating Texture With Modelling Paste Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 11.95
1

Winsor & Newton - Galeria Sand Texture Gel (250ml)

Winsor & Newton - Galeria Sand Texture Gel (250ml)

Designed for use with acrylic paints Adds a distinctive, durable texture to your artwork Coarse, granular texture 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Containing fine particles of purified natural sand, Galeria Sand Texture Gel adds a distinctive, durable texture to artwork. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Sand Texture Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Although natural sand may be added to acrylic colour, the chemistry of the paint film can be seriously compromised by the presence of any impurities. Formulated with refined, purified sand Galeria Sand Texture Gel offers a reliable alternative, which may be added to colour, used alone for colourless results, or applied directly to canvas, and overpainted when dry. To increase flow, mix the Galeria Sand Texture Gel with #. How do I use Winsor & Newton Galeria Sand Texture Gel? Galeria Sand Texture Gel can be applied with a brush or a knife, in the same manner as other texture mediums. The following videos further explain how to use texture mediums: 3 Tips For Using Acrylic Texture Mediums Creating Texture With Modelling Paste Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios. 

GBP 11.95
1

Winsor & Newton - Galeria Large Grain Gel (250ml)

Winsor & Newton - Galeria Large Grain Gel (250ml)

Designed for use with acrylic paints Gives your artwork a distinctive, durable texture Coarse, granular texture 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Drying to a pronounced, textured grain effect, Galeria Large Grain Gel adds a distinctive, durable texture to artwork, and provides a visible structure to the colour. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Large Grain Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Galeria Large Grain Gel may be added to colour, used alone as a clear, textured film, or applied directly to canvas, and overpainted when dry. To increase flow, mix Galeria Large Grain Gel with Winsor & Newton Galeria Gloss Medium. How do I use Winsor & Newton Galeria Large Grain Gel? Galeria Large Grain Gel can be applied with a brush or a knife, in the same manner as other texture mediums. The following videos further explain how to use texture mediums: 3 Tips For Using Acrylic Texture Mediums Creating Texture With Modelling Paste Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios. 

GBP 11.95
1

Liquitex - Professional Acrylic Satin Gel (237ml)

Liquitex - Professional Acrylic Satin Gel (237ml)

Designed for use with acrylic paints Provides a satin finish Increases texture Extends volume Flexible & non-cracking Water resistant when dry Permanent Lightfast & archival Translucent, non-yellowing Intermixable with all other Liquitex materials Can also be used for: glazing blending collage & decoupage photo transfers Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour. Liquitex Professional Satin Gel is formulated especially for providing a satin finish to your work, along with many other benefits, found below. What is a Medium, how does it work? Generally speaking, any liquid that changes the consistency of the paint into which it's mixed with may be classed as a medium. By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Specifically, Liquitex mediums are designed for use with acrylic paints, making them suitable for a range of alternate techniques & producing effects ranging from a thin glaze to a thick impasto, with a myriad of choices in between. Another benefit is that Liquitex mediums are fully intermixable with their entire range, water resistant, archival, PH neutral, non-yellowing and permanent once dry. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Click here for a glossary of Acrylic painting terms, including the different types of medium. Why choose Liquitex Satin Gel? Although designed to give acrylic paints a satin sheen once dry, there are many other benefits, including: Maintaining paint adhesion, durability and archival quality Extending colour without affecting acrylic stability Giving heavier body paint an oil-like colour brilliance Increasing viscosity of soft body paints, giving a thicker consistency Slowing drying time while enhancing appearance of brush strokes How to use Liquitex Satin Gel: Mix as much as you like into acrylic colour to create the viscosity and transparency you want The more you add, the more transparent the colour will become Can be thinned by diluting with up to 25% water - distilled water will give best results Mix into Heavy Body Acrylic to extend volume and maintain viscosity Mix into Soft Body or Acrylic Ink to extend volume and thicken Semi-opaque when wet, transparent when dry (when used very thickly it may dry semi-opaque) Apply with a brush as a collaging glue and fixative How not to use Liquitex Satin Gel: Do not shake or vigorously over-brush as this can result in a foggy, hazy look when dry Do not use with any non-acrylic media Who are Liquitex? Founded in 1933 in Cincinnati, Ohio by Henry Levison, Permanent Pigments, then producers of oil colours, developed the first water-based artist acrylic paints in 1955. This new formulation was launched the same year, simultaneously with the new company name "Liquitex" (an abbreviation of "Liquid texture"), which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable acrylic paints, mediums, varnishes, brushes & countless other options to better enable everyone from amateurs, students, hobbyists, artists & professionals to continually explore new and innovative ways of working with Acrylic Colour. "I'm only happy when I'm trying to create something new" Henry Levison

GBP 14.65
1

Sennelier - Green for Oil Gel Medium 200ml

Sennelier - Green for Oil Gel Medium 200ml

For layering thicker oil colours Preserves consistency, preventing fluidity Also works to speed up the drying time Create depth without diluting bottom layers Available in 2 sizes Part of the "Green for Oil" range Eco-friendly, non-toxic "bio-solvent" Made using renewable raw materials Less irritating than traditional additives This amazing new eco-friendly gel medium from Sennelier has been specifically designed to help create depth in your artwork, whilst actively helping to reduce environmental damage caused by more traditional mediums. Adding to oil colours will help to preserve their consistency, along with shortening their drying time which effectively provides the opportunity to add layers to a painting without the fear of potentially diluting the bottom layers of colour. A part of their "Green for Oil" range, developed with a key focus on biomass, sanitary & environmental standards to produce safer, non-toxic, greener alternatives to traditional additives. Through an impressive combination of raw, naturally occurring materials & careful science, "Bio-Solvents" provide the same quality & effectiveness we've all come to expect from their predecessors.

GBP 13.65
1

Snazaroo - Face Paint Special FX Kit (6pc)

Snazaroo - Face Paint Special FX Kit (6pc)

Everything you need to get started creating special effects Create a number of effects including cuts, scars, grazed skin etc. Includes a handy step-by-step guide Water-based, fragrance-free and friendly on sensitive skin Washes off with soap and water The Snazaroo FX Kit is a great all round special effects set with everything you need to get started. The kit contains an 18ml moulding wax, 50ml dark gel blood, 2ml burgundy face paint, spatula tool for wax application, stipple sponge and a step-by-step guide. You can create a number of effects including grazed skin, wounds, cuts or scars. Whether it's the Wicked Witch From The West or a pirate looking conquer a ship, letting your child's imagination run wild has never been more fun. All Snazaroo face paints are water-based with easy-on/easy-off application. These quality face painting crayons wash off with soap and water, and are fully compliant with the EU and FDA toy and cosmetics regulations. They are formulated to be fragrance-free and friendly to the most delicate skin. Kit Contents: 18ml Moulding Wax, 50ml Dark Gel Blood, 2ml Paint (Burgundy), Spatula, Stipple Sponge and a Special Effects Guide.

GBP 11.99
1

Search Press - Creative Abstract Watercolour

Search Press - Creative Abstract Watercolour

Author: Kate Rebecca Leach Dimensions: 210 x 273mm Format: BC Paperback Pages: 120 Learn to create dynamic, original abstract art Step-by-step guide is broken down into projects Features 120 pages with 240 illustrations throughout Learn to create dynamic, original abstract art with nothing more than watercolours, a few pens & simple techniques with this guide from Kate Rebecca Leach. Don't get bogged down in detail or accuracy, simply let your creativity flow with this unique step-by-step guide that encourages self-expression & experimentation through various easy-to-learn techniques including colour mixing, texture & contrast. With over 200 photographs & illustrations throughout, this guide includes numerous projects including simple shapes, botanicals & landscapes, along with adding gorgeous embellishments through gel pens & metallic paints for an attractive shine to your work.

GBP 16.99
1

Pébéo - Studio Green Heavy Modelling Paste 475ml

Pébéo - Studio Green Heavy Modelling Paste 475ml

Colour: White Size(s): 225ml / 475ml sold individually Premium-Quality medium Achieve deeper, more textured effects Can be applied using a brush or palette knife Quick-drying to a durable, opaque, crack-free finish Suitable for use with acrylics, oil colours, pastels & more! Made using 100% recycled raw materials! Available in 2 sizes, this Heavy Modelling Paste from Pebeo allows for deeper, more pronounced depths & accentuated textures in your work than the standard Modelling Paste. Able to used alone or mixed with acrylic colour, this versatile heavy-bodied medium can be applied & manipulated via brush or palette knife. This medium resists cracking whilst quickly drying to an opaque, durable finish that's sure to last for years to come! Part of the new Studio Green range from Pebeo, these eco-designed acrylic mediums & primers are derived from 100% recycled raw materials, offering a more sustainable creative alternative without sacrificing quality. Composed of several Gessos, a Binder, Fluid Medium & Phosphorescent Gel, the Studio Green range replaces the standard Petrochemical resin with a 100% recycled alternative, generating 6 - 7x less CO2 emissions than traditional binders & boasting comparable performance in terms of adhesion, strength, flexibility & durability. Additionally, all jars & bottles are also 100% recycled (not including caps & lids), and recyclable.

GBP 16.99
1

Pébéo - Studio Green One Coat White Gesso 475ml

Pébéo - Studio Green One Coat White Gesso 475ml

Colour: Black Size(s): 225ml / 475ml sold individually Premium-Quality primer Excellent coverage with a smooth, matt finish Incredibly opaque, with high concentrations of Titanium White pigment Prepare any clean, non-greasy surface including canvas, paper, card, wood, plastic & more! Made use 100% recycled raw materials! Available in 2 sizes, this premium-quality One Coat White Gesso Primer is ideal for preparing surfaces for use with a variety of mediums including acrylic & oil colours. Featuring a higher concentration of Titanium White pigments, this Primer provides an incredibly opaque application for exceptional, long-lasting coverage. Drying quickly to a smooth, matt finish, it can be applied to any clean, non-greasy surface including canvas, paper, card, wood, plastic & more! Part of the new Studio Green range from Pebeo, these eco-designed acrylic mediums & primers are derived from 100% recycled raw material, offering a more sustainable creative alternative without sacrificing quality. Composed of several Gessos, a Binder, Fluid Medium & Phosphorescent Gel, the Studio Green range replaces the standard Petrochemical resin with a 100% recycled alternative, generating 6 - 7x less CO2 emissions than traditional binders & boasting comparable performance in terms of adhesion, strength, flexibility & durability. Additionally, all jars & bottles are also 100% recycled (not including caps & lids), and recyclable.

GBP 11.80
1

Liquitex - Professional Acrylic Slow-Dri Fluid Additive (118ml)

Liquitex - Professional Acrylic Slow-Dri Fluid Additive (118ml)

Designed for use with acrylic paints Allows for smoother blending of colour Slows drying time 118ml bottle Flip-top lid Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Professional Slow-Dri Fluid Additive allows smoother blending of acrylic colour, and extends the artist's working time, by slowing the drying rate of the paint. Video: Liquitex Slow-Dri Fluid Additive What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Slow-Dri Fluid Additive? Providing a fluid consistency when added to acrylic colour, medium or gel, Liquitex Slow-Dri Fluid Additive extends working time by up to 50%, and increases flexibility. Aiding colour blending and detailed brushwork, Slow-Dri Fluid Additive also prevents paint skins forming on the palette. Ideal for using with Soft Body Artist Colour, Liquitex Slow-Dri Fluid Retarder is suitable for mixing with all paint and mediums within the Liquitex Range. However, it should be noted that the thickness of Heavy Body Artist Colour and Heavy Body Gel Mediums will be reduced to a more fluid consistency.   Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Slow-Dri Fluid Additive? Liquitex Slow-Dri Fluid Additive does not contain sufficient acrylic resin to act as a binder, and should only be used in the amount needed to achieve the desired effect. Adding more than 25% Fluid Additive to colour will prevent the paint from drying. The following videos give further information on working with Liquitex Slow-Dri Fluid Additive: Liquitex Slow-Dri Products Can you explain some of the terms used when painting with Acrylic Colour? Click here for a glossary of Acrylic painting terms. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 8.85
1

Liquitex - Professional Acrylic Glass Beads (237ml)

Liquitex - Professional Acrylic Glass Beads (237ml)

Designed for use with acrylic paints Create dazzling effects Reflective, granular finish Medium body gel 237ml pot Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Glass Beads is a suspension of small, spherical aggregate beads in a clear, medium body acrylic gel. Create dazzling effects by mixing with transparent colour, to mirror the radiant qualities of precious jewels. Video: Liquitex Glass Beads Medium What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Glass Beads? A highly versatile medium, Liquitex Glass Beads can be mixed with transparent or translucent colours, to create dramatic reflective effects, or applied directly over dried paint. Suitable as a ground for both acrylic and oil paint, Liquitex Glass Beads can be added to Liquitex Gloss Medium & Varnish and small amounts of Liquitex Soft Body Artist Colour, to produce stunning, radiant textural glazes. Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Glass Beads? Mix with any paint or medium within the Liquitex Range, or apply directly to support, and overpaint when dry, for a variety of possible textures and effects. The artist's options are further extended by the different tools that can be used to apply Liquitex Glass beads, including palette knife, trowel and brush. The following videos give further information on Liquitex Glass Beads Medium: Liquitex Texture Gels Insert video specifically relating to Liquitex Glass Beads medium Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 14.65
1

Liquitex - Professional Acrylic Fabric Medium (118ml)

Liquitex - Professional Acrylic Fabric Medium (118ml)

Enhances the workability of acrylic paint on fabric Lightweight and non-toxic Dries to a water resistant, non yellowing surface Intermixable with Liquitex acrylic paint colours and mediums Safe for educational use Liquitex offers the broadest range of acrylic mediums to inspire creativity at every stage of the painting process, including fluid mediums, gel mediums, texture gels and additives which have been specifically designed to achieve various techniques, applications and effects. Liquitex Professional Fabric Medium is the ideal choice to enhance the workability of acrylic paint on fabric.  It controls the bleeding of colours thinned with water and provides a smooth, consistent flow when added to Liquitex soft body artist colours. It can also prevent uneven application of paint to rough textured fabrics and reduces the stiffness of dried acrylic paint on fabric. Fabric Medium also eliminates the need to scrub or abrade rough textured fabrics to enable paint to adhere or penetrate surface. It does not require heat setting and is formulated for maximum flexibility and adhesion, sp will not chip or crack on canvas. You can apply Fabric Medium to any material or surface that will accept traditional acrylic media, such as canvas, paper, wood, etc. Liquitex texture gels are lightweight, non-toxic and dry to a water-resistant, non-yellowing surface. Application: Painting on fabric - begin by adding medium 1:1 with Liquitex soft body artist colour. Test on fabric to see if you are getting coverage without bleeding. Colour blending on fabric - mix into acrylic colours to improve wet on wet blending techniques. Medium can be added directly onto fabric to blend colour. Watercolour on fabric - use fabric medium 5:1 with Liquitex soft body artist colour to control colour bleeding.

GBP 9.00
1

Winsor & Newton - Liquin Impasto 60ml

Winsor & Newton - Liquin Impasto 60ml

Suitable for use with Oil Colours Halves the drying time, provides transparency & gloss Thickens paint for a gel-like texture & non-drip effect Non-yellowing, "natural brown" colour doesn't affect paint colour Please note, Winsor & Newton are in the process of updating labelling, as such, packaging may differ from shown. Winsor & Newton Oil Colour Mediums is a collection of mediums designed to enhance the creations of artists working with oil colour, such as Winsor & Newton's Artist's Oil and Winton Oil colour ranges. A quick drying, semi-gloss medium, Liquin Impasto thickens and extends tube colour, retaining crisp textures and brush marks without any visible levelling. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Artistic style and technique influence the choice of medium used, so Winsor & Newton provide a wide range of traditional oils and mediums to help control Oil Colour, as well as varnishes to protect work and provide a final finish. Why use a Medium? Choosing complementary oils, mediums and varnishes for oil colours is as unique as choosing a colour palette. By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Liquin Impasto? Available in 60ml and 200ml tubes, Winsor & Newton Liquin Impasto resists colour yellowing and reduces the drying time of oil colours by 50%, leaving paint touch-dry in 1 to 6 days, depending on thickness. It should be noted that Liquin Impasto is not suitable for use as a varnish or final coat. How do I use Winsor & Newton Liquin Impasto? This video offers some tips and techniques on Working With Winsor & Newton Liquin Mediums. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 9.49
1

Winsor & Newton - Galeria Fluid Retarder (250ml)

Winsor & Newton - Galeria Fluid Retarder (250ml)

Designed for use with acrylic paints Slows drying time Allows for smoother blending of colour 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Extending the artist's working time, by slowing the drying rate of the paint, Galeria Fluid Retarder allows smoother blending of acrylic colour. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Fluid Retarder? All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Only a few drops of Galeria Fluid Retarder needs to be added to acrylic colour, medium or gel to extend working time by up to 50%, and increase flexibility. How do I use Winsor & Newton Galeria Fluid Retarder? Fluid Retarder does not contain sufficient acrylic resin to act as a binder, and should only be used in the amount needed to achieve the desired effect. Adding more than 25% Fluid Retarder to colour will prevent the paint from drying. This video shows a timeline of painting with Galeria Acrylic, using Galeria Fluid Retarder and Galeria Flow Improver: Acrylic Painting Timeline Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 10.49
1

GOLDEN - Isolation Coat (237ml)

GOLDEN - Isolation Coat (237ml)

Acrylic painting medium Physically separates the paint surface from removable varnish Seals in absorbent areas Creates an even surface for varnishing Made in the USA Video: Golden Artist Colours - Isolation Coat Application For Small Paintings An isolation coat is a clear, non-removable coating that serves to physically separate the paint surface from the removable varnish. The isolation coat serves two purposes:to protect the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal; and to seal any absorbent areas in order to create an even surface on which to apply the varnish. An isolation coat can be very beneficial to the preservation of a piece of artwork but it is not for every painting. The decision of applying an isolation coat is first an aesthetic decision: Will this serve the purpose of the work? Secondly, are the changes created by the application of an isolation coat and subsequent varnish understood and anticipated? These are important questions to consider as the isolation coat will become a permanent part of the painting. Some ways that an isolation coat may negatively affect the underlying painting are: Foam and bubbles resulting from mixing Soft Gel (Gloss) and water too vigorously. Brushstroke texture Change and/or loss of texture Change or shift of colour Testing and practice should always be done before application to insure that the isolation coat will not change or damage the piece in any way that is undesirable. Here are a couple of examples of pieces that should not receive an isolation coat: Oil paintings Any painting done with water soluble media A piece with intentional varying sheens and surface qualities Work with metallic leaf (imitation gold leaf can tarnish with exposure to gels and paints) Sealing absorbent surfaces of the painting with an isolation coat will assist in the varnish application. This will prevent the varnish from being absorbed within the surface and allow the varnish to function as an easily removable topcoat. This is especially important when using a Satin or Matte varnish because the liquid of the varnish can be absorbed into non-sealed areas leaving the matting solids exposed at the surface and creating a dusty or cloudy appearance. To determine if you have a substantial isolation coat, once the first isolation coat is dry, look at the painting at an angle and the presence of an even sheen should indicate an even surface ready for varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 13.50
1

GOLDEN - Matte Medium (237ml)

GOLDEN - Matte Medium (237ml)

Acrylic painting medium Increases transparency and decreases gloss Useful as a translucent ground Can also be use as a decoupage glue or temporary varnish Made in the USA Golden Matte Medium is a viscous, pourable acrylic medium useful for extending colours, increasing translucency and decreasing gloss. It is also useful as a translucent ground. To lower the sheen of a paint colour or another medium, begin by adding Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. Matte Medium can be used as a translucent ground, sometimes referred to as a "clear" gesso. It is thin enough to penetrate canvas and other porous substrates easily, and the matting solids provide an adequate "tooth" for additional paint layers. In thin applications it can appear quite translucent, while darkening the canvas to a small degree. The darkening effect, similar to a "wet look", is somewhat more pronounced with Matte Medium. Apply Matte Medium in much the same manner as recommended for the application of a gesso layer. Apply one or more coats, keeping in mind that additional layers will gradually make a more opaque overall film. Please note: Applying a matte product over an absorbent surface may cause a "frosted" appearance. As the acrylic medium penetrates, the matting solids are left behind on the surface. Over highly absorbent dark passages, such as on top of canvas coated with Golden Black Gesso, severe whitening may occur. This can be corrected by applying a coat of Golden GAC 100 or Gloss Medium over the frosted area, which will once again encapsulate the matting solids, returning the transparent look. The frosting can be avoided by applying a coat of GAC 100 or Gloss Medium before a matte medium is applied. Liquid and low viscosity Matte Mediums should be gently stirred or shaken before use, as settling of matting solids can occur. Use as a Decoupage Glue Golden Matte Medium has been used successfully as a decoupage glue by many collage artists. The fact that it has a very low sheen makes it ideal, as it does not impart a "plastic" gloss to the work. If the whiteness of multiple coats does become troublesome, blend in Polymer Medium (Gloss) to decrease the matting solid level. Multiple Layers of Matte Mediums The application of several layers of a matte medium will become increasingly opaque and begin to lighten the colours underneath. Multiple layers can also impart a greyish cast due to the natural colour of the matting solids if built up to an extreme. If an artist is using a matte medium as a glazing base for multiple glazes, they should consider using Polymer Medium (Gloss) instead for the best clarity. After the artwork is completed, a matte varnish can be applied to give a flat finish to the work. This will result in better film clarity because there is only one layer of matting solids to look through. Use as a Temporary Varnish Golden does not recommend using any insoluble acrylic as a final varnish. Polymer Medium (Gloss) or Soft Gel (Gloss) thinned 2:1 with water works well to establish an even coat, or a temporary varnish. Instead of applying a matte medium over the piece, the artist can use a sheet of matte Mylar to apply it over to allow them to temporarily view it in the matte state, or create a test piece. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

Liquitex - Professional Soft Body Acrylic Colour (59ml) Quinacridone Crimson 110 (S3)

Liquitex - Professional Soft Body Acrylic Colour (59ml) Quinacridone Crimson 110 (S3)

Available in 100 brilliant shades Soft body formula Satin finish Offers great flat coverage Highly pigmented intense colours Exceptionally smooth and creamy consistency Retains little to no brush marks Video: An Introduction to Liquitex Professional Soft Body Acrylic This low viscosity professional acrylic paint gives excellent coverage, a satin finish and high levels of artist-quality pigment for archival brilliance. It's incredibly versatile. Use it to paint, pour, glaze or print on almost any surface. First produced in 1955, Liquitex Professional Soft Body Acrylic is the original Liquitex acrylic formulation, and is suitable for most fine art and decorative art techniques. It's ideal for fine line details, and its smooth, creamy consistency retains little or no brush marks. Video: Discover The Differences Between Liquitex Professional Soft & Heavy Body A Brand New Design When you're working, your tools need to work for you. Soft Body's brand new ergonomic bottle and clear labelling have been designed in collaboration with artists, to help create the perfect format. It's fully reusable and recyclable - and not a drop of paint will go to waste. Each squeezable bottle is stackable either way up with an easy-open and close lid. The screw-off top reveals an extra-wide neck for easy access. There are no shoulders or corners to trap paint, allowing you to use every last drop. What's more, you can also used the tapered nozzle with a choice of cut marks to tailor your pour exactly how you like it. Versatility If you had to choose one paint then this would be the one you'd get most out of. Soft Body suits a wide range of techniques and applications. It loves almost any surface and dries flexibly and quickly for easy layering and masking. Want something new? Use a professional medium to change its character further. The Formula If you thought Soft Body was just a watered-down Heavy Body, you'd be wrong. This flowing low viscosity formula was in fact created first and actually gives triple the coverage area of Heavy Body. The two paints have compatible binders and pack the same high pigment load. But if you thin Heavy Body with water or mediums, you reduce concentration and get noticeably weaker colours. Paint feel, performance and stability are also impacted, so choose the right consistency of paint for the job. Surfaces If it sticks to it, you can use it. You can use Soft Body on stretched canvas, photo paper, plaster, brick, clay, pottery, paper, board, wood, fabric and glass. Archival On a client's wall. In a gallery. Your work needs to stay as you intended. As with all Liquitex products, the pigments in Soft Body have passed extensive tests for lightfastness. Each pigment is rated according to the American Society for Testing & Materials (ASTM), and Liquitex only use pigments rated ASTM I or II*. This means your work will have the greatest archival permanence possible – at least 50 years+ in gallery conditions – with no colour shifting or fading, to stay vibrant and true. *Some pigments, such as fluorescents, are not rated Why choose Liquitex Professional Soft Body Acrylic? Available in sets or individually in 59ml tubes, the Liquitex Soft Body Acrylic range boasts a varied spectrum of 100 colours, providing the artist with a broad mixing palette. Blog Post: Infinite Intermixability With Liquitex Acrylic Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour. What is Acrylic paint? Fast-drying and water based, Acrylic paint is comprised of a pigment suspended in an acrylic co-polymer binder. This is then applied to a support such as a canvas. The pigment fixes to the support upon evaporation of the water, producing a slight colour change in the process. Acrylic paint dries to a water-resistant, flexible finish, making it the ideal medium for a number of craft purposes including screen printing and model making. All colours can be thinned with water to pale washes, or used directly from the pot or tube. The quick drying properties of the range enable the artist to work speedily, and a hairdryer may be used to further accelerate the drying process.  All Liquitex Soft Body colours are fully intermixable and suitable for interior and exterior use, ideal for all art and craft projects. Different textures and effects can be created with these acrylic paints by adding a medium such as Super Heavy Gel or Glass Beads.  Once completed and dry, a thin layer of varnish may be applied, to protect and prese

GBP 9.40
1

Liquitex - Professional Soft Body Acrylic Colour (59ml) CADMIUM FREE Red Deep 895 (S4)

Liquitex - Professional Soft Body Acrylic Colour (59ml) CADMIUM FREE Red Deep 895 (S4)

Available in 100 brilliant shades Soft body formula Satin finish Offers great flat coverage Highly pigmented intense colours Exceptionally smooth and creamy consistency Retains little to no brush marks Video: An Introduction to Liquitex Professional Soft Body Acrylic This low viscosity professional acrylic paint gives excellent coverage, a satin finish and high levels of artist-quality pigment for archival brilliance. It's incredibly versatile. Use it to paint, pour, glaze or print on almost any surface. First produced in 1955, Liquitex Professional Soft Body Acrylic is the original Liquitex acrylic formulation, and is suitable for most fine art and decorative art techniques. It's ideal for fine line details, and its smooth, creamy consistency retains little or no brush marks. Video: Discover The Differences Between Liquitex Professional Soft & Heavy Body A Brand New Design When you're working, your tools need to work for you. Soft Body's brand new ergonomic bottle and clear labelling have been designed in collaboration with artists, to help create the perfect format. It's fully reusable and recyclable - and not a drop of paint will go to waste. Each squeezable bottle is stackable either way up with an easy-open and close lid. The screw-off top reveals an extra-wide neck for easy access. There are no shoulders or corners to trap paint, allowing you to use every last drop. What's more, you can also used the tapered nozzle with a choice of cut marks to tailor your pour exactly how you like it. Versatility If you had to choose one paint then this would be the one you'd get most out of. Soft Body suits a wide range of techniques and applications. It loves almost any surface and dries flexibly and quickly for easy layering and masking. Want something new? Use a professional medium to change its character further. The Formula If you thought Soft Body was just a watered-down Heavy Body, you'd be wrong. This flowing low viscosity formula was in fact created first and actually gives triple the coverage area of Heavy Body. The two paints have compatible binders and pack the same high pigment load. But if you thin Heavy Body with water or mediums, you reduce concentration and get noticeably weaker colours. Paint feel, performance and stability are also impacted, so choose the right consistency of paint for the job. Surfaces If it sticks to it, you can use it. You can use Soft Body on stretched canvas, photo paper, plaster, brick, clay, pottery, paper, board, wood, fabric and glass. Archival On a client's wall. In a gallery. Your work needs to stay as you intended. As with all Liquitex products, the pigments in Soft Body have passed extensive tests for lightfastness. Each pigment is rated according to the American Society for Testing & Materials (ASTM), and Liquitex only use pigments rated ASTM I or II*. This means your work will have the greatest archival permanence possible – at least 50 years+ in gallery conditions – with no colour shifting or fading, to stay vibrant and true. *Some pigments, such as fluorescents, are not rated Why choose Liquitex Professional Soft Body Acrylic? Available in sets or individually in 59ml tubes, the Liquitex Soft Body Acrylic range boasts a varied spectrum of 100 colours, providing the artist with a broad mixing palette. Blog Post: Infinite Intermixability With Liquitex Acrylic Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour. What is Acrylic paint? Fast-drying and water based, Acrylic paint is comprised of a pigment suspended in an acrylic co-polymer binder. This is then applied to a support such as a canvas. The pigment fixes to the support upon evaporation of the water, producing a slight colour change in the process. Acrylic paint dries to a water-resistant, flexible finish, making it the ideal medium for a number of craft purposes including screen printing and model making. All colours can be thinned with water to pale washes, or used directly from the pot or tube. The quick drying properties of the range enable the artist to work speedily, and a hairdryer may be used to further accelerate the drying process.  All Liquitex Soft Body colours are fully intermixable and suitable for interior and exterior use, ideal for all art and craft projects. Different textures and effects can be created with these acrylic paints by adding a medium such as Super Heavy Gel or Glass Beads.  Once completed and dry, a thin layer of varnish may be applied, to protect and prese

GBP 12.65
1