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Lucia di Lammermoor : Ed. Critica di Gabriele Dotto e Roger Parker - Riduzione per canto e pianoforte

Lucia di Lammermoor : Ed. Critica di Gabriele Dotto e Roger Parker - Riduzione per canto e pianoforte

Gaetano Donizettis Lucia di Lammermoor, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on September 26th, 1835. It has remained in the repertory without interruption as one of Donizettis most popular operas throughout its nearly 200-year history. The edition proposes as the principal text a version of the opera that, for the most part, is as near as possible to that given at the premiere in Naples. The critical edition restores the original keys, thus maintaining Donizettis overall harmonic design, but discusses transpositions that later entered the performing and editorial tradition of the opera. What is presented here is the reduction for voice and piano.

DKK 408.00
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Fantasia Di Pasqua : Easter Fantasy

Fantasia Di Pasqua : Easter Fantasy

Fantasia di Pasqua is a fantasy in which traditional Easter melodies have been used. The work is written for brass band with a separate brass quartet which, since this music is often performed in churches, the composer suggests should be positioned on a gallery. This creates a double choir effect and perfectly fits the Renaissance-like style. Each of the melodies is played in various dance-like cadences that, partly because of the double choir effect, will result in a very lively and original performance.

DKK 666.00
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W.A. Mozart: Le Nozze Di Figaro (Vocal Score)

W.A. Mozart: Le Nozze Di Figaro (Vocal Score)

Mozart's 'The Marriage Of Figaro' was based on Beaumarchais' politically radical play - the second of the trilogy which begun with 'The Barber Of Seville' - later of course adapted into an opera by Rossini. As in 'Il Barbiere di Siviglia', 'The Marriage of Figaro' depicted the aristocracy as buffoons controlled and outwitted by their cunning servants. This time Figaro and Susanna are due to wed but must first outwit the Count, who is determined to exercise a master's ancient right to deflower the bride of his servant. This is the Schirmer edition of the Vocal Score, with an English translation by Ruth and Thomas Martin and an essay by Nathan Broder.

DKK 408.00
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L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

Drawing on the definitive scholarly-critical edition by Hendrik Schulze et al., the renowned conductor, harpsichordist and organist Jörg Halubek has joined forces with students from the State University of Music and Performing Arts Stuttgart to present a historically informed piano reduction of Claudio Monteverdi’s exciting final opera, “L’incoronazione di Poppea”.The vocal score contains all the appendices found in the full score and includes an uncluttered piano reduction that lies well on the instrument. Rounding off the edition is a detailed musicological Foreword (Ger/Eng) by Emily Hagen providing information on the work’s genesis, the history of its performance andreception. In addition there is a Foreword on performance practice by early music specialist Jörg Halubek.

DKK 421.00
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Gioachino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Opera Vocal Score

Gioachino Rossini: Il Barbiere Di Siviglia (The Barber Of Seville) - Opera Vocal Score

Gioachino Rossini (1792-1868) was an Italian composer who is best remembered for his operas. The 1815 masterpiece Il Barbiere Di Siviglia is widely considered the greatest of comic operas. The libretto was adapted by Cesore Sterbini from the first of a trilogy of plays by the French dramatist Beaumarchais, considered highly subversive for their depiction of nobility as buffoons dependant on and manipulated by their wily servants. The plot involves the efforts of the amorous young Count Almaviva to woo and win the lovely Rosina, in the process outwitting her ward, Dr. Bartolo, who fancies her for himself. This Ricordi Critical Edition of the Vocal Score is in Italian and English.

DKK 468.00
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Tolomeo, Re Di Egitto HWV 25

Tolomeo, Re Di Egitto HWV 25

Tolomeo was Handel’s last opera for the Royal Academy of Music in London. Composed between March and 19 April 1728, it was premiered on 30 April. Handel revived the opera several timesfurther: in 1730 in an extensive revision, with seven performances, and in 1733 with four performances.The historical background is the dispute between Cleopatra III and her younger son Ptolemaio X Alexander I ( Tolomeo ).In 110 BC Cleopatra drove Tolomeo out of Egypt. She died, irreconciled to him, in 101 BC.The new vocal score is based on the “Halle Handel Edition”. The main part contains the version from the premiere. Theextensiveappendix also enables later versions to be performed.Based on the Urtext of the Halle Handel Edition.Thoroughly revised, practical performing vocal score.Italian text, with German singingtranslation.Detailed foreword in two languages (German/English).Also available: full score, and performance material to hire.

DKK 558.00
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