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Edizione Nat. delle Opere di Puccini, Bd. III/2

Edizione Nat. delle Opere di Puccini, Bd. III/2

Critical edition of Puccini’s only Mass. Based on a comparison with the autograph score, numerous errors were corrected which had been present in previous editions of this Mass. In preparing this edition, Puccini’s additions to the instrumentation in the Benedictus and his new version of the tenor aria “Gratias agimus” from the Gloria have both been taken into consideration. The newer version of the tenor aria changes the character of the piece to such a great degree, that it has been included separately as an appendix in this edition. The doubling of the brass and string parts, the addition of two French horns and a harp, as well as the addition of an instrumental postludewhich consists of a repetition in the violoncelli of the main section of the aria, leads one to believe that possibly Puccini considered having this Aria performed outside the context of the Mass as a separate concertante piece.

DKK 2097.00
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Lebuïnus ex Daventria

Lebuïnus ex Daventria

Much like a film score, Peter Kleine Schaars’ composition paints colourful images while telling the story of the Anglo-Saxon monk, Lebu nus. In around 768 AD, Lebu nus founded a mission in the Dutch province of Deventer in an effort to convert the Pagan Saxons. Contrasting themes describe the Ijssel Valley, the Saxons and Lebu nus, construction on the church and its subsequent destruction in a clash with the Saxons. The Ijssel-Valley-theme returns one more time in a minor key before each of the themes come together again for one rousing finale. Let battle commence!

DKK 1898.00
1

Missa in g. Hasse-Werkausgabe IV/3

Missa in g. Hasse-Werkausgabe IV/3

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor [1783], with the inserted movement "Ad te levavi," is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves.

DKK 1774.00
1

La Bellezza ravveduta : nel trionfo del Tempo e del Disinganno HWV 46a (Oratorio in two parts)

La Bellezza ravveduta : nel trionfo del Tempo e del Disinganno HWV 46a (Oratorio in two parts)

With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right atthe very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “Il trionfo del Tempo e del Disinganno” (“The Triumph of Time and Enlightenment”). In keeping with the Halle HandelEdition, however, the title is that of the name given in the primary source.In many cases inspired by the melodically rich ideas of Reinhard Keiser (1674–1739), the work is unsurpassed by any other oratorio by Handel. At theend of an impressive sequence of truly captivating arias, duets and quartets, Bellezza’s reformation in favour of living a life pleasing to God is accompanied in incisive E major by her overwhelmingly beautiful, impossibly sadclosing aria “Tu del ciel ministro eletto”, the consummate pinnacle of dramatic irony in Handel’s output.By virtue of its flawless dramatic structure as well – unlike many other oratorios and all operas of the Baroque period,the story never goes off at a tangent and all arias revolve around the dispute of the four dramatic personae – the oratorio has enjoyed long runs of widely acclaimed, mostly staged performances in the last few years.

DKK 2608.00
1

Cantica de Sancto Benedicto : Saint Benedict Cantata

Cantica de Sancto Benedicto : Saint Benedict Cantata

Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint’s day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.

DKK 3488.00
1

IK Multimedia ARC Studio

IK Multimedia ARC Studio

High-end digital processor til rumkorrektion. High-definition monitorering til alle Der er en grund til, at alle nutidens ypperste studiemonitorer leveres med aktiv DSP og rumkorrektion – det forbedrer ydeevnen og sikrer, at dine mix oversættes fejlfrit. ARC Studio tilbyder det samme massive løft i ydeevne og nøjagtighed til enhver monitor i ethvert studie! Step dit mix op Dit rum har stor indflydelse på, hvordan du hører din musik. Størrelsen, formen, materialerne og møblerne forvrænger frekvenser og stereobalancen, hvilket forringer din lytteevne. ARC Studio analyserer og retter disse problemer på få minutter. Din musik kommer i fokus med mere kontrolleret low-end, finere transientrespons og præcist stereobillede. Det er som en øjeblikkelig opgradering af dine monitors. Og når du kan stole på det, du hører, mixer du hurtigere og mere selvsikkert. Installeres på få minutter ARC Studio kombinerer den nye ARC 4 målesoftware, rumanalysemikrofon og stand-alone korrektionsprocessor i en pakkeløsning. Sæt mikrofonen i dit interface, og lad dig guide gennem opmåling af akustiske punkter omkring din lytteposition. IKs prisvindende ARC-teknologi bruger denne 3D-måling til at identificere og korrigere alle de rumproblemer, der forringer dine monitorers ydeevne. Korrektionsprofilen indlæses i ARC Studio-processoren som sidder mellem dit interface og dine monitorer og korrigere alle indgående signaler. Akustiske problemer reduceres kraftigt og lader dine monitors yde deres bedste, uanset prisklasse. Fra hyggemusiker til professionel Uanset om arbejdsgangen er in-the-box eller hardweare-baseret, giver ARC Studio professionelle studier mulighed for korrektion og tilpasset tuning til ethvert monitorsystem fra nearfield til mains, mens det aldrig kompromitterer på lydkvaliteten. Og for DAW-baserede hjemmestudier frigør ARC Studio dig fra besværet med at indsætte plug-ins på master-bussen og giver latency-fri monitorering, samt mulighed for at lytte til streamingtjenester og andre kilder med akustisk korrektiom, uden at skulle rode rundt med systemdrivere. Du kan oprette en profil for hver konfiguration, lytteposition og endda monitorpar. Uanset om du er i et interimistisk studie eller et i verdensklasse, har det aldrig været nemmere at finjustere dit monitormiljø til dine præferencer. Leveres med monitor-emuluringer ARC Studio inkluderer også en monitor-emuleringsfunktion, der omdanner dit monitorsystem til ikoniske studiemonitorer, populære hi-fi-højttalere og mobile enheder, med autentiske resultater ved nøjagtigt at gengive originalernes frekvens og faserespons. Med over 20 profiler inkluderet, giver et enkelt par monitors dig nu mulighed for at teste dit mix på forskellige referencesystemer hurtigt og nemt, uden nogensinde at skulle en tur ud i bilen! Specifikationer Kompakt digital rumkorrektionsprocessor Avanceret hi-end lydkonvertering Korrektion i fuldt frekvensspektrum til enhver form for lydproduktion Nul latency til monitorering i realtid i enhver opsætning Forbedrer selv ubehandlede eller interimistiske rum Ideel til alle studier, fra in-the-box til konsolbaseret Leveres med ARC målemikrofon og software Generer korrektionsprofiler på få minutter Skift sweet spot steder, feks. mellem mixposition og kunde-sofaen Test dit mix via X-MONITOR's virtuelle monitor- og real-life consumer-profiler Premium AD/DA konvertering, fuldstændig sonisk transparens 120 dB dynamisk område, ultralav THD og jitter Naturlig eller lineær fasekorrektion Indstil øvre/nedre frekvenskorrektionsgrænser Op til 9 target-kurver til finjustering af responsen i rummet   Pakken indeholder ARC Studio rumkorrektion DSP-processor ARC målemikrofon + mikrofonklemme ARC 4 software (downloades ved online registrering) USB-kabel Strømforsyning  

DKK 2650.00
1