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Alfred Désenclos: Aria et Rondo (Double Bass & Piano)

Alfred Désenclos: Aria et Rondo (Double Bass & Piano)

Modern French composer, Alfred Desenclos (1912-1971) created exceptional works for a variety of instruments. Aria Et Rondo  for Double Bass and Piano, published in 1952, is no exception. Desenclos won the 1942 Prix de Rome following studies at the Conservatory in Roubaix. The composer's compositional style is highly expressive and atmospheric, with uses of extended technique. Aria Et Rondo  reflects these aspects, with a typical performance lasting about 12 minutes. For all advanced Double Bass players, Desenclos 's Aria Et Rondo  is an exciting, alternative piece for the repertoire.

DKK 229.00
1

John Corigliano: Aria For Oboe And Strings (Score And Parts)

John Corigliano: Aria For Oboe And Strings (Score And Parts)

Aria for Oboe and Strings may be performed in either two versions: with string orchestra or with string quintet. The materials provided here include footnotes indicating how the piece should be performed dependning on which version is selected.The first performance of Aria was given by the Connecticut String Orchestra on January 6th, 1977 with Bert Lucarelli, oboe and Renato Bonacini, conductor. Aria was adapted from the composer's Concerto for Oboe and Orchestra which is available on rental from the publisher. Duration: ca. 6 minutes.

DKK 368.00
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César Franck: Prélude, Aria et Final

César Franck: Prélude, Aria et Final

César Franck’s last piano work was published in 1888, two years before his death. The fact that this cycle did not enjoy the success of the Prélude, Choral et Fugue is hard to believe, given the expressive content of the first two movements (Prélude and Aria). Franck’s creative process is striking for being grounded in religion and in church music, the profoundly devout composer was for several decades organist of Sainte-Clotilde in Paris.

DKK 175.00
1

Eugène Bozza: Aria (Book/Download Card)

Eugène Bozza: Aria (Book/Download Card)

Composer and conductor Eugène Bozza (1905-1991) was a pupil of Henri Büsser and Henri Rabaud at the Conservatoire de Paris, and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano – an adaptation of the third movement of Johan Sebastian Bach’s Organ Pastorale in F Major BWV 590, which was to tour the world. This nostalgia-imbued melody, which expands over a regular meter, has, in turn, been the subject of numerous transcriptions, first for clarinet, then for Violin (or Flute) and Piano. Éditions Leduc have chosen to republish this last version, with the added bonus of an audio version that should be of valuable assistance to all musicians!

DKK 181.00
1

Eugène Bozza: Aria (Book/Download Card)

Eugène Bozza: Aria (Book/Download Card)

Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano – a free adaptation of the third movement of Johann Sebastian Bach’s Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played Saxo­phone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxo­phonists to carry out “full-scale” practice.

DKK 181.00
1

Grande Symphonie. Orchesterwerke und Arien

Grande Symphonie. Orchesterwerke und Arien

Frieder Bernius, more than anyone else, knows how to focus more attention on lesser known composers who were not active in the great musical centers and make their voices heard. After his much acclaimed recording of the opera Die Aeolsharfe by Justin Heinrich Knecht [1752 1817] in 2009, he is once more dedicating himself to works by this contemporary of Mozart. The orchestral works and arias recorded here demonstrate that Knecht, both during his time in Biberach and later in Stuttgart, was neither totally cut off from the musical developments in the musical centers nor indifferent to them, but creatively enriched them with his own approach and solutions. The Grande Symphonie fromKnecht is often mentionend as an important precursor to Beethoven’s 6th Symphony. Because the work is still practically unknown, the present CD rectifies a genuine omision.

DKK 200.00
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