NORGARD PER MOMENTUM CELLO CONCERTO NO2 CELLO & ENSEMBLE SCORE

NORGARD PER MOMENTUM CELLO CONCERTO NO2 CELLO & ENSEMBLE SCORE

Vivo Per Lei

A passionate desire for Andrea Bocelli’s voice has spread across the world like wildfire for Andrea Bocelli possesses a truly remarkable voice. A voice as palpably powerful, as it is almost ethereal. Vivo Per Lei (I live for Her) tells of a passion so great that it is felt in every action, every moment of the day. This excellent arrangement will bring a moment of tender passion to any concert.

NORGARD PER EN LYS TIME A LIGHT HOUR 2008 PERCUSSION SCORE

NORGARD PER EN LYS TIME A LIGHT HOUR 2008 PERCUSSION SCORE

Per Nørgård: Piano Concerto - Concerto In Due Tempi

Per Nørgård PIANO CONCERTO 'Concerto in due Tempi' was composed 1994-95 and dedicated to Per Salo, the pianist who also gave the world premiere on May 5, 1996 with the Danish National Radio Symphony Orchestra conducted by Leif Segerstam.The work has a duration of appr. 30 minutes. It unfolds itself as an uninterrupted interplay between the piano and the orchestral instruments, often in soloistic or chamber music combinations. An alto saxophone separates itself from the rest of the instruments, but contributes in a dramatic way to the ensemble playing, as a kind of ?anti-soloist?. ?Due tempi? does not refer to the number of movements, of which there is only one. This movement, however, invites a three-part interpretation (downwards, solo cadenza in the bass register, upwards!). The ?two tempi? in fact exist simultaneously and are in the ratio 7:5 (approximately the square root of two).Per Nørgård

Per Nørgård: Between - Cello Concerto No. 1 (Score)

Between - Cello Concerto No. 1 - 3 movements for Violoncello and Orchestra, composed by Per Nørgård in 1984-85. Premiered by Frances-Marie Uitti and the Danish Radio Symphony Orchestra conducted by Michael Schönwandt, August 30th 1985. Programme note: 1. In Between 2. Turning point 3. Among The title of each movement suggests one aspect of the relationship between soloist and orchestra. In the first movement the solist is caught up in a conflict between the expression of inner feelings (solo) and influences from external sources (orchestra), the latter of which the soloist in a simple accompanying role, but after a turning point in the middle of the movement the soloist assumes a dominating role. In the final movement a balance is finally achieved, with the soloist at last being on equal terms with the orchestra. Per Nørgård

Vivo Per Lei

Fantasie per Sei

Syntax : per orchestra (2014)

Sinfonia per Banda : (1872)

This overture, called Sinfonia, is without doubt one of the best original works for concert band to emerge from the 19th century. It is characterised by its fluid spontaneity as well as its rich texture. This arrangement off ers bands the opportunity to perform a work of high artistic value, which otherwise would be forgotten.

Per Nørgård: String Quartet No.9 - Into The Source (parts)

PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement, whose basic mood of meditative rest is challenged by occasional centrifugal utbursts, while the third movement takes the inherent conflicts to a higher level, contrasting material of introspective lyricism with excessively pathetic moods.The final ?way out? is a retrograde one, (back) ?into the source?: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The ?into the source? of the title may be visualized as a reversed fountain-action: the broad fan-like spread of the first movement, a more coherent-solid second movement, and finally - in the third movement - a return-run, ever more vehemently, like a suction into the spring itself ?The musical motifs are varied; there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different, but simultaneous tempi, and there are more abstract upwards and downwards half-tone-scales, with changing accents, creating glimpses of melodies.INTO THE SOURCE, String Quartet No. 9, was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003.Per Nørgård

200 Sonate per clavicembalo (pianoforte)

Package price for the four-volume set.

Concerto Italiano : Per Pianoforte E Orchestra

Per Nørgård: Symphony No.4 (Score)

Indischer Roosengaarten und Chineesischer Hexensee. Work for Orchestra dating from 1981.

Per Nørgård: Symphony No.8 (Score)

2010-2011for OrchestraDuration: c. 35 min.Parts are for hire: hire@ewh.dkOrchestra4 Flutes (Fl.2&3 dbl. Alto Flute, Fl.4 dbl. Piccolo)3 Oboes1 English Horn3 Clarinets in Bb (Cl.3 dbl. Cl.in Eb)Bass Clarinet3 BassoonsContrabassoon4 Horns in F4 Trumpets in C (Tpt.1 dbl. Tpt. piccolo)3 TrombonesTubaTimpaniPercussion (4 players):Celesta, Glockenspiel, Vibraphone, Xylophone, Marimba, Crotales, Chimes (Tub.Bells), 8 Thai Gongs,Gong (low), Tam-tam, Wind Chimes, Oil Drum (Steel Drum), Suspended Cymbal, 3 Cymbals, Small Cowbells,Maracas, Woodblock, 2 Chinese Blocks, 2 Metal Staves, 2 Tambourines, 4 Bongos, 4 Small Drums,Military Drum, Bass DrumHarpPianoViolin 1Violin 2ViolaVioloncelloDouble BassThe score is notated in C

Ballata n° 7 : per ensemble (2018)

Per Nørgård: 'Remembering Child' - Viola Concerto (Score)

Two movements for Viola and Chamber Orchestra.

Per Nørgård: Symfoni Nr.5 (Full Score)

Full orchestra score.

Per Nørgård: Bach To The Future (Score)

For two Percussion soloists and ten instruments.Commissioned by and dedicated to Safri Duo. A Concerto in three movements based on Preludes by J.S. Bach, for Percussion Duo and Orchestra. Reduced version, 2010, by Steve Ferre, approved by the composer for Percussion Duo (unchanged) and ten instruments (5 woodwind, 5 strings)1 Flute dbl. Piccolo and Alto Flute in G1 Oboe dbl. Cor Anglaid in FY1 Clarinet in Bb dbl. Bass Clarinet in Bb1 Bassoon1 Horn in F1 Violin 11 Violin 21 Viola1 Cello1 Double BassThe score is written in C

Requiem : per coro e 17 strumenti (2020)

Quasi una bagatella : per Pianoforte ed Orchestra (2019)

Per Nørgård: 'Recall' Concerto For Accordion And Orchestra (Score)

Accordion and Piano version available: WH30062.

Idomeneo K. 366 : Dramma per musica in three acts (Hardcover)

„Idomeneo”(KV 366), erstmals aufgeführt am 29. Januar 1781 im Münchner Cuvilliés-Theater, ist nach der Opera buffa „La finta giardiniera“ von 1775 Mozarts zweite Oper für den Münchner Hof. Der Opernstoff („Idoménée” von Antoine Danchet) und dessen Umformung zu einem Libretto war in einer schriftlichen Anweisung, dem leider verschollenen „Plan“, wie sie im Briefwechsel zwischen Vater und Sohn genannt wird, fixiert worden. Der Bärenreiter-Klavierauszug enthält im Anhang die Striche und Änderungen anlässlich der Uraufführung in München und der Wiener Revision 1786. Vorschläge für Kadenzen oder zur Auszierung von Fermaten in den Singstimmen sind als Fußnoten wiedergegeben.

Per Nørgård: Symphony No.1 'Sinfonia Austera' Op.13 (Full Score)

Norgard's Symphony No.1 Op.13 - revised 1956 edition in full score.

Franz Joseph Haydn: L'Incontro Improvviso - Dramma Giocoso Per Musica - 1st part

Composizioni per pianoforte : Edizione Nazionale delle Opere di Giacomo Puccini, II/2.2