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Dawn, Still Darkness : Refugee's Aria from Flight

Dawn, Still Darkness : Refugee's Aria from Flight

Taken from Flight Jonathan Dove and April de Angelis’s superb original modern-day operatic comedy Dawn, Still Darkness is an aria for countertenor telling of a refugee's longing to be reunited with his brother. Also known asthe Refugee's Aria, Dawn, Still Darkness is now available separately for countertenor and piano for the first time. The opera, Flight has had many different productions to date across the world and tells the story of a refugeewho lives in an airport inspired by the true-life story of an Iranian refugee who lived at Charles de Gaulle Airport, Paris, for 18 years as dramas unfold around characters who find themselves delayed in theterminal. Contemporary aria for countertenor and piano. Extract from Jonathan Dove's highly successful comic opera Flight. Also known as the 'Refugee's Aria'

DKK 149.00
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Jacques Ibert: Aria (Flute and Piano)

Jacques Ibert: Aria (Flute and Piano)

Aria , written in 1930 by Jacques Ibert (1890-1962), is a small study initially for Voice and Piano but arranged in this edition for Flute and Piano. This version and the one for Alto Saxophone and Piano are the ones the most commonly used. The Flute score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

DKK 118.00
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Frédéric Chopin: Grande Valse Brillante In E-Flat Op. 18

Frédéric Chopin: Grande Valse Brillante In E-Flat Op. 18

The Grande Valse Brilliante In Eb Major Op.18 was Frédéric Chopin ’s first waltz composition for solo Piano to be published although at the time of its release in 1834 he had already written at least sixteen other waltzes that were either destroyed or eventually published after his death. Chopin also gave the title Grand Valse Brillante to the next three waltzes in the Op. 34 set, published in 1838. This waltz has been orchestrated for ballet by several composers, including Igor Stravinsky, Alexander Gretchaninov, Gordon Jacob, Roy Douglas and Benjamin Britten. The Henle Urtext Edition has been edited by Ewald Zimmermann and includes fingering by Hans-Martin Theopold.

DKK 103.00
1

Grande Sonate in B-flat Major Op. 106 : "Hammerklavier"

Grande Sonate in B-flat Major Op. 106 : "Hammerklavier"

“Here’s a sonata that will challenge pianists and that one will be able to play in 50 years”: thus Beethoven is said to have written to his publisher Artaria regarding his mighty “Hammerklavier” Sonata Op.106. Given itsmonumental scale and extreme musical and pianistic demands, the term “Grande Sonate” seems almost an understatement. Dedicated to Archduke Rudolph of Austria, this sonata is famous not least for the seemingly unplayableautograph metronome marks in the opening movement and final fugue a matter on which the editor offers a new explanation. Nothing is uncomplicated in this pinnacle of the classical-romantic piano sonata, composed in“adversecircumstances” from 1817 to 1819. Even the sources pose supreme editorial challenges.Urtext edition with the latest musicological findingsDetailed Critical Commentary and source descriptions(Eng)Informative Introduction and valuable notes on central issues of period performance practice (Ger/Eng)

DKK 132.00
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