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Dolce & Gabbana Alta Gioielleria - Carol Woolton - Bog - Mondadori Electa - Plusbog.dk

La Dolce Vita - Matt Lever - Bog - ACC Art Books - Plusbog.dk

Little Book of Dolce & Gabbana - Jessica Bumpus - Bog - Headline Publishing Group - Plusbog.dk

Caffe latte-reglen - Jon Sigurd Wegener - Bog - Gyldendal - Plusbog.dk

Slim Aarons: La Dolce Vita - Slim Aarons - Bog - Abrams - Plusbog.dk

Slim Aarons: La Dolce Vita - Slim Aarons - Bog - Abrams - Plusbog.dk

“Nostalgia-soaked images.” — Harper’s Bazaar “Sumptuous images.” — Publishers Weekly “It’s the next best thing to time travel.” — DuJour magazine This lavish volume of Slim Aarons photography revels in this photographer’s decades-long love affair with Italy. From breathtaking aerials of the Sicilian countryside to intimate portraits of celebrities and high society taken in magnificent villas, Slim Aarons: La Dolce Vita captures the essence of “the good life.” Slim Aarons first visited Italy as a combat photographer during World War II and later moved to Rome to shoot for Life magazine, yet even after relocating to New York, he would return to Italy almost every year for the rest of his life. The images collected here document the aristocracy, cultural elite, and beautiful people, such as Marcello Mastroianni, Ursula Andress, Joan Fontaine, and Tyrone Power, who lived la dolce vita in Italy’s most fabulous places during the last 50 years. Tracing a journey from the 1940s to the 1990s, Slim Aarons: La Dolce Vita takes us to Italy’s fashionable resorts, to its magnificent historic cities and small atmospheric towns, and to glorious landscapes, all reflecting the pleasures of the Italian art of living. Here is a rare glimpse into the lives of the preeminent families’ formal and informal circumstances, photographed in their palaces and on their estates, at their vacation villas and favorite haunts. Handsome men are in tuxedoes. Voluptuous women wear their most glorious gowns. Families walk beautiful gardens. Here is your chance to experience la dolce vita in this one-of-a-kind coffee table celebration of all things Italian.

DKK 686.00
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The Devotion of Dolce & Gabbana - Thomas Persson - Bog - Mondadori Electa - Plusbog.dk

La Vita e Dolce - Letitia Clark - Bog - Hardie Grant Books (UK) - Plusbog.dk

Il Dolce Far Niente - Lucy Laucht - Bog - Workman Publishing - Plusbog.dk

La dolce vita - Richard (king's College London Dyer - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Bettie Page: La Dolce Vita - Mirka Andolfo - Bog - Dynamite Entertainment - Plusbog.dk

Dolce Vita Confidential - Shawn Levy - Bog - Orion Publishing Co - Plusbog.dk

Gusto - - Bog - Taylor & Francis Ltd - Plusbog.dk

Ferrari - Manden & bilerne - Jakob Andersen - Bog - Bella Macchina - Plusbog.dk

Ferrari - Manden & bilerne - Jakob Andersen - Bog - Bella Macchina - Plusbog.dk

Siden jeg var en ganske lille dreng, har jeg været fascineret af italienske biler og dermed også af Ferrari. Min far måtte således gang efter gang oplæse billedteksten på side 60 i Bil-Aarbogen 1954, som jeg fik i julegave kort efter min 4-års fødselsdag, og som stadig er at finde i min bogsamling. På den side er med billede og tekst beskrevet henholdsvis Ferrari 375 America og Ferrari 250 Europa, og jeg kunne bruge timer på at betragte disse biler. Min livslange passion for Ferrari tændtes for alvor i begyndelsen af 1966. Jeg havde skrabet lommepenge nok sammen til at kunne købe det dengang nye magasin Illustreret Motorrevue, som indeholdt en artikel om Ferrari. Der var billeder og beskrivelser af Ferraris prototyper, Ferrari P3 og Dino 206 S, som skulle forsvare både fabrikkens og Italiens farver i sæson 1966. Der var imidlertid også et stort billede af en Ferrari 275 GTB, som var klar til gadebrug for velhavende kunder, og som var lunten, der tændte Ferraridrømmene i en 15-årig biltosses hjerne. Ét er dog at se bilerne i et blad, et andet er at se dem i virkeligheden, men endelig i april 1966 så jeg ”min” første Ferrari. En englænder var på besøg i Vejle, hvor jeg er født og opvokset, og han var kørende i en Ferrari 250 GTE 2+2. Denne Ferrari var to dage i træk parkeret ud for Grand Hotel, og jeg tilbragte hele min fritid, men desværre også en del af skoletiden med at betragte denne bil. Dengang gik det op for mig, min unge alder til trods, hvad det betyder, når en bil ikke blot er en bil, men et kunstværk. Stående over for denne 250 GTE 2+2 og helt indhyllet i min egen drømmeverden, besluttede jeg mig for selv en dag at blive ejer af en Ferrari. I skolen måtte jeg tage min straf for at prioritere en Ferrari 250 GTE 2+2 højere end undervisningen, men jeg var ligeglad - jeg havde set en Ferrari. Og ja, undervisningen var der jo både dagen og ugen efter, men det var Ferrarien ikke!. Mine drømme gik i opfyldelse, da jeg efter 32 års ’ventetid’ kunne sætte mig bag rattet i min egen Ferrari. Det var en Mondial Quattrovalvole, men det var nok verdens mest specielle Mondial. Den blev indrettet og godkendt som skolevogn til glæde for mange unge kørekortaspiranter i Nakskov og omegn på et tidspunkt, hvor der kun var 16 Ferrarier indregistreret på danske nummerplader. Senere kom en 328 GTS og en Fiat Dino til at fylde lidt op i garagen, og på den måde har jeg været både privilegeret og heldig med at kunne udleve mine Ferraridrømme.

DKK 234.00
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La Dolce Morte - Mikel J. Koven - Bog - Scarecrow Press - Plusbog.dk

La Dolce Morte - Mikel J. Koven - Bog - Scarecrow Press - Plusbog.dk

With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers'' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternative approach to studying these films, by approaching them as vernacular cinema—distinct from "popular cinema." According to Koven, to look at a film from a vernacular perspective removes the assumptions about what constitutes a "good" film and how a particular film is in some way "artistic." In La Dolce Morte: Vernacular Cinema and the Italian Giallo Film, Koven explores the history and evolution of this aspect of cinema, and places these films within the context of Italian popular filmmaking. He addresses various themes, motifs, and tropes in these films: their use of space, the murders, the role of the detective, the identity of the killer, issues of belief, excess, and the set-piece. In addition to being the first academic study of the giallo film in English, this book surveys more than fifty films of this subgenre. In addition to filmmakers like Mario Bava and Dario Argento, Koven also looks at the films of Lucio Fulci, Sergio Martino, Pupi Avati, Umberto Lenzi, and others. In all, the works of twenty-five different filmmakers are considered in this book. Also explored are the inter-relationships between these films: how one influences others, how certain filmmakers take ideas and build off of them, and how those ideas are further transformed by other filmmakers. Koven also explores the impact of the giallo on the later North American slasher genre.

DKK 556.00
1