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The Colonization of the Amazon - Anna Luiza Ozorio De Almeida - Bog - University of Texas Press - Plusbog.dk

The Colonization of the Amazon - Anna Luiza Ozorio De Almeida - Bog - University of Texas Press - Plusbog.dk

Deforestation in the Amazon, one of today''s top environmental concerns, began during a period of rapid colonization in the 1970s. Throughout that decade, Anna Luiza Ozorio de Almeida, a Stanford-trained economist, conducted a complex and massive economic study of what was going on in the Amazon, who was investing what, what was gained, and what it cost in all its aspects. The Colonization of the Amazon , the resulting work, brings together information on the physical, demographic, institutional, and economic dimensions of directed settlement in the Amazon Basin and raises significant questions about the gains and losses of the settlers, the reasons for these outcomes, and the economic rationale behind the devastation of the rainforest. Particularly illuminating is Almeida''s exploration of the role of the frontier in Brazil and her distinction between types of migrants and migrations. She concludes that the political costs avoided by not undertaking agrarian reform are being paid by devastating the Amazon, with the conflict between distribution and conservation steadily worsening. Today, it can no longer be circumvented.

DKK 290.00
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Real del Monte - Robert W. Randall - Bog - University of Texas Press - Plusbog.dk

Real del Monte - Robert W. Randall - Bog - University of Texas Press - Plusbog.dk

To speak of mining in newly independent Mexico is to speak of silver. And silver, historically abundant in the Real del Monte–Pachuca district, was the object of the Company of Adventurers in the Mines of Real del Monte. Organized in response to a plea by Pedro Romero de Terreros for help in rehabilitating his famous family’s once-rich properties, the English Real del Monte was led by men convinced that the application of English capital, management practices, and technology to those ruined mines and mills would reap them a profit and would revitalize the new nation’s most promising industry. The adventurers were to be disappointed. The story of the English company is one of financial disaster: the loss of more than $5 million between its beginning in 1824 and its dissolution in 1849. Yet this failure was ironic, for upon the foundations of the English company was built a modern concern that yielded great rewards to Mexican and American successors to the hapless Englishmen. A full account of a single risky venture, this inquiry is a microcosm of early foreign economic penetration into the Mexican mining industry. It offers specific solutions to poorly understood historical problems concerning the wave of capital that flowed from Great Britain into Latin America upon the disruption of the Spanish Empire, problems hitherto treated only in generalizations.

DKK 224.00
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Cetamura Del Chianti - Nancy Thomson De Grummond - Bog - University of Texas Press - Plusbog.dk

Cetamura Del Chianti - Nancy Thomson De Grummond - Bog - University of Texas Press - Plusbog.dk

Expanding the study of Etruscan habitation sites to include not only traditional cities but also smaller Etruscan communities, Cetamura del Chianti examines a settlement that flourished during an exceptional time period, amid wars with the Romans in the fourth to first centuries BCE. Situated in an ideal hilltop location that was easy to defend and had access to fresh water, clay, and timber, the community never grew to the size of a city, and no known references to it survive in ancient writings; its ancient name isn’t even known. Because no cities were ever built on top of the site, excavation is unusually unimpeded. Intriguing features described in Cetamura del Chianti include an artisans’ zone with an adjoining sanctuary, which fostered the cult worship of Lur and Leinth, two relatively little known Etruscan deities, and ancient wells that reveal the cultural development and natural environment, including the vineyards and oak forests of Chianti, over a period of some six hundred years. Deeply enhancing our understanding of an intriguing economic, political, and cultural environment, this is a compelling portrait of a singular society.

DKK 246.00
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Cetamura Del Chianti - Nancy Thomson De Grummond - Bog - University of Texas Press - Plusbog.dk

Cetamura Del Chianti - Nancy Thomson De Grummond - Bog - University of Texas Press - Plusbog.dk

Expanding the study of Etruscan habitation sites to include not only traditional cities but also smaller Etruscan communities, Cetamura del Chianti examines a settlement that flourished during an exceptional time period, amid wars with the Romans in the fourth to first centuries BCE. Situated in an ideal hilltop location that was easy to defend and had access to fresh water, clay, and timber, the community never grew to the size of a city, and no known references to it survive in ancient writings; its ancient name isn’t even known. Because no cities were ever built on top of the site, excavation is unusually unimpeded. Intriguing features described in Cetamura del Chianti include an artisans’ zone with an adjoining sanctuary, which fostered the cult worship of Lur and Leinth, two relatively little known Etruscan deities, and ancient wells that reveal the cultural development and natural environment, including the vineyards and oak forests of Chianti, over a period of some six hundred years. Deeply enhancing our understanding of an intriguing economic, political, and cultural environment, this is a compelling portrait of a singular society.

DKK 777.00
1

A Century of Brazilian Documentary Film - Darlene J. Sadlier - Bog - University of Texas Press - Plusbog.dk

A Century of Brazilian Documentary Film - Darlene J. Sadlier - Bog - University of Texas Press - Plusbog.dk

Since the late nineteenth century, Brazilians have turned to documentaries to explain their country to themselves and to the world. In a magisterial history covering one hundred years of cinema, Darlene J. Sadlier identifies Brazilians’ unique contributions to a diverse genre while exploring how that genre has, in turn, contributed to the making and remaking of Brazil. A Century of Brazilian Documentary Film is a comprehensive tour of feature and short films that have charted the social and political story of modern Brazil. The Amazon appears repeatedly and vividly. Sometimes—as in a prize-winning 1922 feature—the rainforest is a galvanizing site of national pride; at other times, the Amazon has been a focus for land-reform and Indigenous-rights activists. Other key documentary themes include Brazil’s swings from democracy to dictatorship, tensions between cosmopolitanism and rurality, and shifting attitudes toward race and gender. Sadlier also provides critical perspectives on aesthetics and media technology, exploring how documentaries inspired dramatic depictions of poverty and migration in the country’s Northeast and examining Brazilians’ participation in streaming platforms that have suddenly democratized filmmaking.

DKK 430.00
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Reckoning with Harm - Amelia M. Fiske - Bog - University of Texas Press - Plusbog.dk

Reckoning with Harm - Amelia M. Fiske - Bog - University of Texas Press - Plusbog.dk

An ethnography of the Ecuadorian Amazon that demonstrates the need for a relational, place-based, contingent understanding of harm and toxicity. Reckoning with Harm is a striking ethnographic analysis of the harm resulting from oil extraction. Covering fifty years of settler colonization and industrial transformation of the Ecuadorian Amazon, Amelia Fiske interrogates the relations of harm. She moves between forest-courtrooms and oily waste pits, farms and toxic tours, to explore both the ways in which harm from oil is entangled with daily life and the tensions surrounding efforts to verify and redress it in practice. Attempts to address harm from the oil industry in Ecuador have been consistently confounded by narrow, technocratic understandings of evidence, toxicity, and responsibility. Building on collaborators’ work to contest state and oil company insistence that harm is controlled and principally chemical in nature, Fiske shows that it is necessary to refigure harm as relational in order to reckon with unremediated contamination of the past while pushing for broad forms of accountability in the present. She theorizes that harm is both a relationship and an animating feature of relationships in this place, a contingent understanding that is needed to contemplate what comes next when living in a toxic world.

DKK 783.00
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Reckoning with Harm - Amelia M. Fiske - Bog - University of Texas Press - Plusbog.dk

Reckoning with Harm - Amelia M. Fiske - Bog - University of Texas Press - Plusbog.dk

An ethnography of the Ecuadorian Amazon that demonstrates the need for a relational, place-based, contingent understanding of harm and toxicity. Reckoning with Harm is a striking ethnographic analysis of the harm resulting from oil extraction. Covering fifty years of settler colonization and industrial transformation of the Ecuadorian Amazon, Amelia Fiske interrogates the relations of harm. She moves between forest-courtrooms and oily waste pits, farms and toxic tours, to explore both the ways in which harm from oil is entangled with daily life and the tensions surrounding efforts to verify and redress it in practice. Attempts to address harm from the oil industry in Ecuador have been consistently confounded by narrow, technocratic understandings of evidence, toxicity, and responsibility. Building on collaborators' work to contest state and oil company insistence that harm is controlled and principally chemical in nature, Fiske shows that it is necessary to refigure harm as relational in order to reckon with unremediated contamination of the past while pushing for broad forms of accountability in the present. She theorizes that harm is both a relationship and an animating feature of relationships in this place, a contingent understanding that is needed to contemplate what comes next when living in a toxic world.

DKK 295.00
1

Rainforest Cowboys - Jeffrey Hoelle - Bog - University of Texas Press - Plusbog.dk

Rainforest Cowboys - Jeffrey Hoelle - Bog - University of Texas Press - Plusbog.dk

This ambitious interdisciplinary study is the first to examine the interlinked economic uses and cultural practices and beliefs surrounding cattle in Western Amazonia, where cattle raising is at the center of debates about economic development and environWinner, Brazil Section Book Award, Latin American Studies Association, 2016The opening of the Amazon to colonization in the 1970s brought cattle, land conflict, and widespread deforestation. In the remote state of Acre, Brazil, rubber tappers fought against migrant ranchers to preserve the forest they relied on, and in the process, these “forest guardians” showed the world that it was possible to unite forest livelihoods and environmental preservation. Nowadays, many rubber tappers and their children are turning away from the forest-based lifestyle they once sought to protect and are becoming cattle-raisers or even caubois (cowboys). Rainforest Cowboys is the first book to examine the social and cultural forces driving the expansion of Amazonian cattle raising in all of their complexity. Drawing on eighteen months of fieldwork, Jeffrey Hoelle shows how cattle raising is about much more than beef production or deforestation in Acre, even among “carnivorous” environmentalists, vilified ranchers, and urbanites with no land or cattle. He contextualizes the rise of ranching in relation to political economic structures and broader meanings to understand the spread of “cattle culture.” This cattle-centered vision of rural life builds on local experiences and influences from across the Americas and even resembles East African cultural practices. Written in a broadly accessible and interdisciplinary style, Rainforest Cowboys is essential reading for a global audience interested in understanding the economic and cultural features of cattle raising, deforestation, and the continuing tensions between conservation and development in the Amazon.

DKK 181.00
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Guillermo Cabrera Infante - Raymond D. Souza - Bog - University of Texas Press - Plusbog.dk

Guillermo Cabrera Infante - Raymond D. Souza - Bog - University of Texas Press - Plusbog.dk

A native Cuban who has lived in London since 1966, Guillermo Cabrera Infante is, in every sense, a multilingual and multicultural author. Equally at ease in both Spanish and English, he has distinguished himself with daring and innovative novels, essays, short stories, and film scripts written in both languages. His work has won major literary awards in France, Italy, and Spain, as well as a Guggenheim fellowship in the United States. This biography is the first comprehensive exploration of the life and works of Guillermo Cabrera Infante. Drawing on wide-ranging interviews with the author and his family and friends, as well as extensive study of both published and unpublished works, Raymond D. Souza creates an intimate portrait of Cabrera Infante and the cultural and political milieus that shaped his writing, including Three Trapped Tigers (Tres tristes tigres), View of Dawn in the Tropics (Vista del amanecer en el tropico), Infante's Inferno (La Habana para un Infante difunto), Holy Smoke, A Twentieth Century Job (Un oficio del siglo XX), Writes of Passage (Asi en la paz como en la guerra), and Mea Cuba.

DKK 214.00
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History of the Inca Empire - Father Bernabe Cobo - Bog - University of Texas Press - Plusbog.dk

History of the Inca Empire - Father Bernabe Cobo - Bog - University of Texas Press - Plusbog.dk

The Historia del Nuevo Mundo, set down by Father Bernabe Cobo during the first half of the seventeenth century, represents a singulary valuable source on Inca culture. Working directly frorn the original document, Roland Hamilton has translated that part of Cobo's massive manuscripts that focuses on the history of the kingdom of Peru. The volume includes a general account of the aspect, character, and dress of the Indians as well as a superb treatise on the Incas-their legends, history, and social institutions.

DKK 230.00
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Relatos y relaciones de Hispanoamerica colonial - - Bog - University of Texas Press - Plusbog.dk

Relatos y relaciones de Hispanoamerica colonial - - Bog - University of Texas Press - Plusbog.dk

This anthology of foundational sixteenth-century Spanish-language texts presents the European side of the discovery and colonization of the New World. Otto Olivera has chosen representative selections from the works of eighteen authors, including Garcilaso de la Vega, Bartolomé de Las Casas, Bernal Díaz del Castillo, Hernán Cortés, and Alvar Núñez Cabeza de Vaca. Their writings present an impressive panorama of the first years of a real New World that could compete with any portrayed in European novels of chivalry or travel. To put these texts in historical context, Olivera has written an introduction that links the literature of colonization in its first century to the classical and medieval myths that helped shape Spaniards'' thinking about the New World. He also provides a brief history of the discovery and conquest and a discussion of the social organization of the Spanish colonies.

DKK 177.00
1

The New Latin American Cinema - Zuzana M. Pick - Bog - University of Texas Press - Plusbog.dk

The New Latin American Cinema - Zuzana M. Pick - Bog - University of Texas Press - Plusbog.dk

During the 1967 festival of Latin American Cinema in ViÑa del Mar, Chile, a group of filmmakers who wanted to use film as an instrument of social awareness and change formed the New Latin American Cinema. Nearly three decades later, the New Cinema has produced an impressive body of films, critical essays, and manifestos that uses social theory to inform filmmaking practices. This book explores the institutional and aesthetic foundations of the New Latin American Cinema. Zuzana Pick maps out six areas of inquiry-history, authorship, gender, popular cinema, ethnicity, and exile-and explores them through detailed discussions of nearly twenty films and their makers, including Camila (MarÍa Luisa Bemberg), The Guns (Ruy Guerra), and Frida (Paul Leduc). These investigations document how the New Latin American Cinema has used film as a tool to change society, to transform national expressions, to support international differences, and to assert regional autonomy.

DKK 214.00
1

History and Society in Central America - Edelberto Torres Rivas - Bog - University of Texas Press - Plusbog.dk

History and Society in Central America - Edelberto Torres Rivas - Bog - University of Texas Press - Plusbog.dk

First published in Chile in 1969 as Interpretación del desarrollo social centroamericano , this classic is now available in English. The first attempt at an integrated analysis of modern Central America''s socioeconomic structure, Torres Rivas''s work traces the social development of Central America from independence (1871) up to the 1960s. Using a dependency framework, but not limited by it, Torres Rivas describes the various divisions of Central American society and their evolution within the liberal development model that has been so much a part of the past century of Central American economic history. The book is compelling in its explanation of the relationship between foreign and native elements in the social development of the region. Torres Rivas describes and analyzes the resulting long-term problems this development has posed for Central America. With a new chapter added for the English edition, History and Society in Central America remains vital for readers interested in the region.

DKK 209.00
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Lourdes Portillo - - Bog - University of Texas Press - Plusbog.dk

Lourdes Portillo - - Bog - University of Texas Press - Plusbog.dk

Filmmaker Lourdes Portillo sees her mission as "channeling the hopes and dreams of a people." Clearly, political commitment has inspired her choice of subjects. With themes ranging from state repression to AIDS, Portillo''s films include: Después del Terremoto, the Oscar-nominated Las Madres: The Mothers of the Plaza de Mayo, La Ofrenda: The Days of the Dead, The Devil Never Sleeps, and Corpus: A Home Movie for Selena. The first study of Portillo and her films, this collection is collaborative and multifaceted in approach, emphasizing aspects of authorial creativity, audience reception, and production processes typically hidden from view. Rosa Linda Fregoso, the volume editor, has organized the book into three parts: interviews (by Fregoso and Kathleen Newman and B. Ruby Rich); critical perspectives (essays by Fregoso, Yvonne Yarbro-Bejarano, Sylvie Thouard, Norma Iglesias, and Barbara McBane); and production materials (screenplays, script notes, storyboards, etc.). This innovative collection provides "inside" information on the challenges of making independent films. By describing the production constraints Portillo has surmounted, Fregoso deepens our appreciation of this gifted filmmaker''s life, her struggles, and the evolution of her art.

DKK 268.00
1

In the Eyes of God - Fernando Escalante Gonzalbo - Bog - University of Texas Press - Plusbog.dk

In the Eyes of God - Fernando Escalante Gonzalbo - Bog - University of Texas Press - Plusbog.dk

"Every culture needs to appropriate the universal truth of human suffering," says Fernando Escalante, ". . . to give its own meaning to this suffering, so that human existence is bearable." Originally published in Spanish as La mirada de Dios: Estudios sobre la cultura del sufrimiento , this book is a remarkable study of the evolution of the culture of suffering and the different elements that constitute it, beginning with a reading of Rousseau and ending with the appearance of the Shoah in the Western consciousness—"The memory endures, and this constitutes a fundamental transition for the Western conscience: we have witnessed." Drawing on writings from the Greeks to Cervantes, Voltaire to Nietzsche, and Freud to William James, Escalante combines his considerable knowledge of politics and political theory with a vast array of literary examples to arrive at an intellectual understanding of the history and meaning of suffering. His investigation encompasses the rise of popular politics, the role of messianism in modern nationalism, and the contemporary implications of the Shoah. This book will appeal to a wide audience: students of political theory, humanism, and philosophy, as well as the general reader interested in a glimpse into the mind of a highly original Latin American thinker.

DKK 225.00
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Eating Soup Without a Spoon - Jeffrey H. Cohen - Bog - University of Texas Press - Plusbog.dk

Eating Soup Without a Spoon - Jeffrey H. Cohen - Bog - University of Texas Press - Plusbog.dk

Significant scholarship exists on anthropological fieldwork and methodologies. Some anthropologists have also published memoirs of their research experiences. Renowned anthropologist Jeffrey Cohen’s Eating Soup without a Spoon is a first-of-its-kind hybrid of the two, expertly melding story with methodology to create a compelling narrative of fieldwork that is deeply grounded in anthropological theory. Cohen’s first foray into fieldwork was in 1992, when he lived in Santa Anna del Valle in rural Oaxaca, Mexico. While recounting his experiences studying how rural folks adapted to far-reaching economic changes, Cohen is candid about the mistakes he made and the struggles in the village. From the pressures of gaining the trust of a population to the fear of making errors in data collection, Cohen explores the intellectual processes behind ethnographic research. He offers tips for collecting data, avoiding pitfalls, and embracing the chaos and shocks that come with working in an unfamiliar environment. Cohen’s own photographs enrich his vivid portrayals of daily life. In this groundbreaking work, Cohen discusses the adventure, wonder, community, and friendships he encountered during his first year of work, but, first and foremost, he writes in service to the field as a place to do research: to test ideas, develop theories, and model how humans cope and react to the world.

DKK 246.00
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Filming Difference - - Bog - University of Texas Press - Plusbog.dk

Filming Difference - - Bog - University of Texas Press - Plusbog.dk

Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects. Selections range from C. A. Griffith''s "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu''s "Pain and Pleasure in the Flesh of Machiko Saito''s Experimental Movies" to Christopher Bradley''s "I Saw You Naked: ''Hard'' Acting in ''Gay'' Movies," along with Kevin Sandler''s interview with Paris Barclay, Yuri Makino''s interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting. Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference . Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media.

DKK 224.00
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Satire in Colonial Spanish America - Julie Greer Johnson - Bog - University of Texas Press - Plusbog.dk

Satire in Colonial Spanish America - Julie Greer Johnson - Bog - University of Texas Press - Plusbog.dk

Satire, the use of criticism cloaked in wit, has been employed since classical times to challenge the established order of society. In colonial Spanish America during the sixteenth through the eighteenth centuries, many writers used satire to resist Spanish-imposed social and literary forms and find an authentic Latin American voice. This study explores the work of eight satirists of the colonial period and shows how their literary innovations had a formative influence on the development of the modern Latin American novel, essay, and autobiography. The writers studied here include Sor Juana InÉs de la Cruz, Juan del Valle y Caviedes, CristÓbal de Llerena, and Eugenio Espejo. Johnson chronicles how they used satire to challenge the "New World as Utopia" myth propagated by Spanish authorities and criticize the Catholic church for its role in fulfilling imperialistic designs. She also shows how their marginalized status as Creoles without the rights and privileges of their Spanish heritage made them effective satirists. From their writings, she asserts, emerges the first self-awareness and national consciousness of Spanish America. By linking the two great periods of Latin American literarure-the colonial writers and the modern generation-Satire in Colonial Spanish America makes an important contribution to Latin American literature and culture studies. It will also be of interest to all literary scholars who study satire.

DKK 214.00
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Broadcasting the Civil War in El Salvador - Carlos Henriquez Consalvi - Bog - University of Texas Press - Plusbog.dk

Broadcasting the Civil War in El Salvador - Carlos Henriquez Consalvi - Bog - University of Texas Press - Plusbog.dk

During the 1980s war in El Salvador, Radio Venceremos was the main news outlet for the Frente Farabundo Martí para la Liberación Nacional (FMLN), the guerrilla organization that challenged the government. The broadcast provided a vital link between combatants in the mountains and the outside world, as well as an alternative to mainstream media reporting. In this first-person account, "Santiago," the legend behind Radio Venceremos, tells the story of the early years of that conflict, a rebellion of poor peasants against the Salvadoran government and its benefactor, the United States. Originally published as La Terquedad del Izote , this memoir also addresses the broader story of a nationwide rebellion and its international context, particularly the intensifying Cold War and heavy U.S. involvement in it under President Reagan. By the war''s end in 1992, more than 75,000 were dead and 350,000 wounded—in a country the size of Massachusetts. Although outnumbered and outfinanced, the rebels fought the Salvadoran Army to a draw and brought enough bargaining power to the negotiating table to achieve some of their key objectives, including democratic reforms and an overhaul of the security forces. Broadcasting the Civil War in El Salvador is a riveting account from the rebels'' point of view that lends immediacy to the Salvadoran conflict. It should appeal to all who are interested in historic memory and human rights, U.S. policy toward Central America, and the role the media can play in wartime.

DKK 236.00
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