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Standing with Standing Rock - - Bog - University of Minnesota Press - Plusbog.dk

Standing with Standing Rock - - Bog - University of Minnesota Press - Plusbog.dk

Dispatches of radical political engagement from people taking a stand against the Dakota Access PipelineIt is prophecy. A Black Snake will spread itself across the land, bringing destruction while uniting Indigenous nations. The Dakota Access Pipeline is the Black Snake, crossing the Missouri River north of the Standing Rock Indian Reservation. The oil pipeline united communities along its path-from North Dakota, South Dakota, Iowa, and Illinois-and galvanized a twenty-first-century Indigenous resistance movement marching under the banner Mni Wiconi-Water Is Life! Standing Rock youth issued a call, and millions around the world and thousands of Water Protectors from more than three hundred Native nations answered. Amid the movement to protect the land and the water that millions depend on for life, the Oceti Sakowin (the Dakota, Nakota, and Lakota people) reunited. A nation was reborn with renewed power to protect the environment and support Indigenous grassroots education and organizing. This book assembles the multitude of voices of writers, thinkers, artists, and activists from that movement. Through poetry and prose, essays, photography, interviews, and polemical interventions, the contributors, including leaders of the Standing Rock movement, reflect on Indigenous history and politics and on the movement’s significance. Their work challenges our understanding of colonial history not simply as “lessons learned” but as essential guideposts for current and future activism. Contributors: Dave Archambault II, Natalie Avalos, Vanessa Bowen, Alleen Brown, Kevin Bruyneel, Tomoki Mari Birkett, Troy Cochrane, Michelle L. Cook, Deborah Cowen, Andrew Curley, Martin Danyluk, Jaskiran Dhillon, Roxanne Dunbar-Ortiz, Liz Ellis, Nick Estes, Marcella Gilbert, Sandy Grande, Craig Howe, Elise Hunchuck, Michelle Latimer, Layli Long Soldier, David Uahikeaikalei‘ohu Maile, Jason Mancini, Sarah Sunshine Manning, Katie Mazer, Teresa Montoya, Chris Newell, The NYC Stands with Standing Rock Collective, Jeffrey Ostler, Will Parrish, Shiri Pasternak, endawnis Spears, Alice Speri, Anne Spice, Kim TallBear, Mark L. Tilsen, Edward Valandra, Joel Waters, Tyler Young.

DKK 225.00
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Out of the Vinyl Deeps - Ellen Willis - Bog - University of Minnesota Press - Plusbog.dk

Out of the Vinyl Deeps - Ellen Willis - Bog - University of Minnesota Press - Plusbog.dk

In 1968, the New Yorker hired Ellen Willis as its first popular music critic. Her column, Rock, Etc., ran for seven years and established Willis as a leader in cultural commentary and a pioneer in the nascent and otherwise male-dominated field of rock criticism. As a writer for a magazine with a circulation of nearly half a million, Willis was also the country’s most widely read rock critic. With a voice at once sharp, thoughtful, and ecstatic, she covered a wide range of artists—Bob Dylan, The Who, Van Morrison, Elvis Presley, David Bowie, the Rolling Stones, Creedence Clearwater Revival, Joni Mitchell, the Velvet Underground, Sam and Dave, Bruce Springsteen, and Stevie Wonder—assessing their albums and performances not only on their originality, musicianship, and cultural impact but also in terms of how they made her feel. Because Willis stopped writing about music in the early 1980s—when, she felt, rock ’n’ roll had lost its political edge—her significant contribution to the history and reception of rock music has been overshadowed by contemporary music critics like Robert Christgau, Lester Bangs, and Dave Marsh. Out of the Vinyl Deeps collects for the first time Willis’s Rock, Etc. columns and her other writings about popular music from this period (includingliner notes for works by Lou Reed and Janis Joplin) and reasserts her rightful place in rock music criticism. More than simply setting the record straight, Out of the Vinyl Deeps reintroduces Willis’s singular approach and style—her use of music to comment on broader social and political issues, critical acuity, vivid prose, against-the-grain opinions, and distinctly female (and feminist) perspective—to a new generation of readers. Featuring essays by the New Yorker ’s current popular music critic, Sasha Frere-Jones, and cultural critics Daphne Carr and Evie Nagy, this volume also provides a lively and still relevant account of rock music during, arguably, its most innovative period.

DKK 211.00
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Beginning to See the Light - Ellen Willis - Bog - University of Minnesota Press - Plusbog.dk

Beginning to See the Light - Ellen Willis - Bog - University of Minnesota Press - Plusbog.dk

From the New Yorker’s inimitable first pop music critic comes this pioneering collection of essays by a conscientious writer whose political realm is both radical and rational, and whose prime preoccupations are with rock ’n’ roll, sexuality, and above all, freedom. Here Ellen Willis assuredly captures the thrill of music, the disdain of authoritarian culture, and the rebellious spirit of the ’60s and ’70s.

DKK 237.00
1

Quick Breads - Beatrice Ojakangas - Bog - University of Minnesota Press - Plusbog.dk

Quick Breads - Beatrice Ojakangas - Bog - University of Minnesota Press - Plusbog.dk

Scrumptious breads perfect for today’s busy cook Easy and delicious quick breads are perfect for adding that special something to an otherwise dull meal. Renowned baker Beatrice Ojakangas presents more than sixty tasty and inventive recipes, including hearty Cheddar Apple Bread, Sour Cream Cinnamon Coffee Cake, and Hot Pepper and Bacon Corn Bread. She also serves up quick versions of such classics as aromatic Herbed Irish Soda Bread, German Stollen, Scandinavian Julekage, and the sweetly perfumed Italian Panettone. Quick breads require no kneading or rising, and most can be assembled in ten to fifteen minutes. Ojakangas provides recipes for tea breads, fruit and nut breads, sticks and rolls, coffee cakes, and holiday breads. An added bonus is her selection of recipes for spreads—flavored butters and cream cheeses—to enhance the taste of quick breads. With easy-to-follow directions and helpful hints, this is a cookbook for novice and expert bakers alike.

DKK 153.00
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Fawn Island - Douglas Wood - Bog - University of Minnesota Press - Plusbog.dk

Fawn Island - Douglas Wood - Bog - University of Minnesota Press - Plusbog.dk

Fawn Island is a place where crows serve as alarm clocks, white-throated sparrows leave the tracks of their songs upon the evening hush, and chickadees help a woodsman learn to whistle. The island is also a jumping-off place for journeys large and small, earthly and spiritual-to nearby Mallard Island, Gull Island, or Bald Rock, by sea kayak into the wild recesses of sprawling Voyageurs National Park, or on a midnight paddle in which the paddler can reach the silent wilderness of the stars themselves. In his latest book, best-selling author Douglas Wood guides the reader on a deep journey into the heart of the North Woods. For Wood, Fawn Island is not merely a charming wilderness hideaway; it is the entry to realms of thought and meaning as well. From its pine-clad shores he probes for insights into the nature of neighborliness and independence, of community and solitude. Out of an ancient Ojibwe legend comes an exploration of personal loss and life after death. Wood questions the notion of being a “force of nature” and the concept of the passage of time in the context of seemingly eternal trees, lakes, rock ledges, and stars. From beneath the ascending trunks of pines comes an inquiry into the principles of optimism and, finally, a personal response to the eternal question: Is the universe a friendly place?Embedded in the text like roots of the island’s pines is Wood’s gentle, self-effacing humor and the author’s own original pen-and-ink drawings that superbly evoke the poetry and mystery of this “small bit of rock and tree,” this “lucky place” in the wilderness.

DKK 153.00
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Chasing the Light - Mark Allister - Bog - University of Minnesota Press - Plusbog.dk

Chasing the Light - Mark Allister - Bog - University of Minnesota Press - Plusbog.dk

“Cloud Cult’s grand, unkempt indie rock is at once jam band, emo, and avant-garde. Their songs, born out of personal tragedy, are otherworldly lessons in being human.” —Pitchfork During the past decade, Minnesota-grown band Cloud Cult has become one of the most inspirational indie bands, with a deeply devoted fan base and an approach to music and the environment that is hard not to admire. Beyond a musical biography, Chasing the Light tells the story of the heartbreaking yet affirming journey of lead singer and songwriter Craig Minowa and delves into the career of the band known by music lovers as the least cynical and most idealistic band in the country. Tracing Cloud Cult’s rise to critical acclaim, author Mark Allister details the band’s defining moments, beginning with the death of Craig and Connie Minowa’s two-year-old son and the hundreds of songs that grew out of the tragic loss. Allister describes the band’s unique philosophy and principles, including how Minowa created a zero carbon footprint for the band’s recording and touring, adopting DIY and green-sustainable practices well before the ideas became mainstream. Allister also presents a first-person account of a day in the life of a quintessential indie band and conveys the immense emotional impact of Cloud Cult’s albums and live shows. Described by a fan in the book as “the anthem for the soul searcher in us all,” Cloud Cult’s music and message are both stirring and sincere. Featuring rarely seen photos from Cloud Cult’s history and passionate testimonials by fans, Chasing the Light is a testament to the profound influence one band’s personal evolution can have on its followers and on indie rock aficionados in search of beauty, meaning, and redemption.

DKK 161.00
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The Needle and the Lens - Nate Patrin - Bog - University of Minnesota Press - Plusbog.dk

The Needle and the Lens - Nate Patrin - Bog - University of Minnesota Press - Plusbog.dk

How the creative use of pop music in film—think Saturday Night Fever or Apocalypse Now—has shaped and shifted music history since the 1960s Quick: What movie do you think of when you hear “The Sounds of Silence”? Better yet, what song comes to mind when you think of The Graduate? The link between film and song endures as more than a memory, Nate Patrin suggests with this wide-ranging and energetic book. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture. Rock ’n’ roll, reggae, R&B, jazz, techno, and hip-hop: each had its moment—or many—as music deployed in movies emerged as a form of interpretive commentary, making way for the legitimization of pop and rock music as art forms worthy of serious consideration. These commentaries run the gamut from comedic irony to cheap-thrills excitement to deeply felt drama, all of which Patrin examines in pairings such as American Graffiti and “Do You Want to Dance?”; Saturday Night Fever and “Disco Inferno”; Apocalypse Now and “The End”; Wayne’s World and “Bohemian Rhapsody”; and Jackie Brown and “Didn't I Blow Your Mind This Time?”. What gives power to these individual moments, and how have they shaped and shifted music history, recasting source material or even stirring wider interest in previously niche pop genres? As Patrin surveys the scene—musical and cinematic—across the decades, expanding into the deeper origins, wider connections, and echoed histories that come into play, The Needle and the Lens offers a new way of seeing, and hearing, these iconic soundtrack moments.

DKK 202.00
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Burgers in Blackface - Naa Oyo A. Kwate - Bog - University of Minnesota Press - Plusbog.dk

Burgers in Blackface - Naa Oyo A. Kwate - Bog - University of Minnesota Press - Plusbog.dk

Exposes and explores the prevalence of racist restaurant branding in the United States Aunt Jemima is the face of pancake mix. Uncle Ben sells rice. Chef Rastus shills for Cream of Wheat. Stereotyped Black faces and bodies have long promoted retail food products that are household names. Much less visible to the public are the numerous restaurants that deploy unapologetically racist logos, themes, and architecture. These marketing concepts, which center nostalgia for a racist past and commemoration of our racist present, reveal the deeply entrenched American investment in anti-blackness. Drawing on wide-ranging sources from the late 1800s to the present, Burgers in Blackface gives a powerful account, and rebuke, of historical and contemporary racism in restaurant branding. Forerunners: Ideas FirstShort books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

DKK 130.00
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Wake Up, Island - Mary Casanova - Bog - University of Minnesota Press - Plusbog.dk

Wake Up, Island - Mary Casanova - Bog - University of Minnesota Press - Plusbog.dk

Wake up, little one , a soft voice beckons, the world around you is already stirring . As Wake Up, Island gently rouses the sleepy child, it summons a world of nature coming to life on a summer island in the magical North Woods. Sunlit fingers touch the shores, pine trees stretch their limbs, and lichen warms on ancient rock. Doe and fawn rise from their grass bed and pearls of dew bead a spider’s finely woven web. Mallards skim the water’s surface. Ravens perch and gargle greetings, chickadees call dee, dee, dee , and a heron swoops—minnows flee! The moose and her calf wade, munching on plants. The red squirrel chatters. The black bear lazily scratches her back against a tree. Conjuring the morning life around a cabin fragrant with berry pancakes, this timeless book wakens the child in every reader to the wonders of nature that greet every new day in the charmed world of a northern woodland island.

DKK 153.00
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As We Have Always Done - Leanne Betasamosake Simpson - Bog - University of Minnesota Press - Plusbog.dk

As We Have Always Done - Leanne Betasamosake Simpson - Bog - University of Minnesota Press - Plusbog.dk

Winner: Native American and Indigenous Studies Association's Best Subsequent Book 2017 Honorable Mention: Labriola Center American Indian National Book Award 2017 Across North America, Indigenous acts of resistance have in recent years opposed the removal of federal protections for forests and waterways in Indigenous lands, halted the expansion of tar sands extraction and the pipeline construction at Standing Rock, and demanded justice for murdered and missing Indigenous women. In As We Have Always Done, Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking. Indigenous resistance is a radical rejection of contemporary colonialism focused around the refusal of the dispossession of both Indigenous bodies and land. Simpson makes clear that its goal can no longer be cultural resurgence as a mechanism for inclusion in a multicultural mosaic. Instead, she calls for unapologetic, place-based Indigenous alternatives to the destructive logics of the settler colonial state, including heteropatriarchy, white supremacy, and capitalist exploitation.

DKK 182.00
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Feminine Endings - Susan Mcclary - Bog - University of Minnesota Press - Plusbog.dk

Feminine Endings - Susan Mcclary - Bog - University of Minnesota Press - Plusbog.dk

A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. ". . . this is a major book . . . [McClary's] achievement borders on the miraculous." The Village Voice"No one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals." Choice"Feminine Endings, a provocative 'sexual politics' of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClary's] book presents. All music-lovers should read it, and cheer." The Women's Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity."-The New York Review of Books

DKK 208.00
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The Dylan Tapes - Anthony Scaduto - Bog - University of Minnesota Press - Plusbog.dk

The Dylan Tapes - Anthony Scaduto - Bog - University of Minnesota Press - Plusbog.dk

The raw material and interviews behind Anthony Scaduto’s iconic biography of Bob Dylan draw an intimate and multifaceted portrait of the singer-songwriter who defined his era When Anthony Scaduto’s Bob Dylan: An Intimate Biography was first published in 1971, the Nobel Prize–winning songwriter, at thirty, had already released some of the most iconic albums of the 1960s, including Highway 61 Revisited and Blonde on Blonde. Scaduto’s book was one of the first to take an investigative journalist’s approach to its subject and set the standard for rock music biography. The Dylan Tapes, compiled from thirty-six hours of interviews, is a behind-the-scenes look at the making of Scaduto’s landmark book-and a close-up encounter with pivotal figures in Dylan’s life. These reel-to-reel tapes, found in a box in Scaduto’s basement, are a never-bootlegged trove of archival material about Dylan, drawn from conversations with those closest to him during the early years of his career. In the era of ten-second takes, these interviews offer uncommon depth and immediacy as we listen to friends and lovers recall the Dylan they knew as he created his professional persona and perfected his craft-from folk music, protest songs, and electric rock through the traumatic impact of a motorcycle crash to his later, more self-reflecting songwriting. Echo Helstrom, Dylan’s “Girl from the North Country,” is here, as are Suze Rotolo, who graced the cover of the Freewheelin’ album, and Joan Baez, remembering her relationship “to Bobby.” We hear from Mike Porco, who gave Dylan his first gig in New York City; Sid and Bob Gleason, who introduced him to his hero Woody Guthrie; folk artists from Greenwich Village, like Phil Ochs and Ramblin’ Jack Eliot; John Hammond Sr., who gave him his first record contract; plus a host of musicians, activists, folk historians, and archivists-and, of course, Dylan himself. From these reflections and frank conversations, many published here for the first time, a complex, finely observed picture emerges of one of the best known yet most enigmatic musicians of our time.

DKK 269.00
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Technoculture - Constance Penley - Bog - University of Minnesota Press - Plusbog.dk

Technoculture - Constance Penley - Bog - University of Minnesota Press - Plusbog.dk

Wary, on the one hand, of the disempowering habit of viewing technology as a satanic mill of domination, and weary, on the other, of postmodernist celebrations of the technologically sublime, Constance Penley and Andrew Ross have compiled a group of provocative case studies by contributors whose critical knowledge provides a realistic assessment of the politics currently at stake in those cultural practices touched by advanced technology. The groups examined here range from high-tech office workers, "Star Trek" fans, and Japanese technoporn producers, to teenage hackers, AIDS activists, rap groups, and rock stars. Each has something to tell us about both the production and the management of repressive technocultures and about the politics of creative appropriation. But above all, "Technoculture" suggests some new and timely possibilities for the encouragement of technoliteracy - a crucial requirement not just for postmodern survival but also for the decolonization, demonopolization and democratization of social communication. Constance Penley teaches English and Film Studies at the University of Rochester. Andrew Ross teaches English at Princeton University.

DKK 228.00
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The Lure of Whitehead - - Bog - University of Minnesota Press - Plusbog.dk

The Lure of Whitehead - - Bog - University of Minnesota Press - Plusbog.dk

Once largely ignored, the speculative philosophy of Alfred North Whitehead has assumed a new prominence in contemporary theory across the humanities and social sciences. Philosophers and artists, literary critics and social theorists, anthropologists and computer scientists have all embraced Whitehead’s thought, extending it through inquiries into the nature of life, the problem of consciousness, and the ontology of objects, as well as into experiments in education and digital media. The Lure of Whitehead offers readers not only a comprehensive introduction to Whitehead’s philosophy but also a demonstration of how his work advances our emerging understanding of life in the posthuman epoch. Contributors: Jeffrey A. Bell, Southeastern Louisiana U; Nathan Brown, U of California, Davis; Peter Canning; Didier Debaise, Free U of Brussels; Roland Faber, Claremont Lincoln U; Michael Halewood, U of Essex; Graham Harman, American U in Cairo; Bruno Latour, Sciences Po Paris; Erin Manning, Concordia U, Montreal; Steven Meyer, Washington U; Luciana Parisi, U of London; Keith Robinson, U of Arkansas at Little Rock; Isabelle Stengers, Free U of Brussels; James Williams, U of Dundee.

DKK 287.00
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Dancing in the Distraction Factory - Andrew Goodwin - Bog - University of Minnesota Press - Plusbog.dk

Dancing in the Distraction Factory - Andrew Goodwin - Bog - University of Minnesota Press - Plusbog.dk

Cultural Studies“Entertaining proof that good sense means good theory, this book is the first to treat music TV as vision and sound. Academically, I had most fun applauding Andrew Goodwin’s elegant skewering of postmodernists; as a rock fan I was constantly startled by Goodwin’s exposes of my most deeply held prejudices. I’m now convinced; there’s much more to MTV than meets the eye.”Simon FrithThe John Logie Baird Centre“Dancing in the Distraction Factory is the best study of MTV I have read. At a time when many critics dismiss music videos either as advertisements for interchangeable commodities or as tiny, soundless movies, Goodwin manages both to analyze the business components of this new medium and also to take videos seriously as complex cultural texts involving music, visuals, stars, and much else. Dancing in the Distraction Factory is a smart book; it will have an impact on the debates surrounding popular culture, and also offers a great deal that will interest the pop music fan.”Susan McClaryMcGill University

DKK 195.00
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Blood in the Tracks - Rick Shefchik - Bog - University of Minnesota Press - Plusbog.dk

Blood in the Tracks - Rick Shefchik - Bog - University of Minnesota Press - Plusbog.dk

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something’s not right, it’s wrong,” as Dylan puts it in “You’re Gonna Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five songs, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians participated in that two-night recording session at Sound 80, bringing their unique sound to some of Dylan’s best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, introduces the musicians who gave the album so much of its ultimate form and sound, and describes their decades-long fight for recognition. Blood in the Tracks takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan’s until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and then set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work required to finally obtain the official credit that they were due. A rare look at the making—or remaking—of an all-time great album, and a long overdue recognition of the musicians who made it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players.

DKK 243.00
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Scandinavian Cooking - Beatrice Ojakangas - Bog - University of Minnesota Press - Plusbog.dk

Scandinavian Cooking - Beatrice Ojakangas - Bog - University of Minnesota Press - Plusbog.dk

Traditional Scandinavian home cooking—now in paperback! Beatrice Ojakangas brings to life the cuisines and customs of Norway, Sweden, Finland, and Denmark, countries that share borders and bounty. Danes lead with smørrebrød (an open-faced sandwich), which may be topped with cheese, green pepper, and sliced fresh strawberries. Finns specialize in earthy, chewy whole grain bread. Norwegians have wonderfully fresh fish and seafood, and the Swedes gave the world smörgåsbord! Ojakangas offers us true Scandinavian home cooking that features the best of what is in season. Scandinavian Cooking provides traditional menus for different occasions and seasons—from a Farmhouse Brunch with Buttered Potato Soup to an Old-Fashioned Christmas Smörgåsbord with Dip-in-the-Kettle Soup and Norwegian Cream Pudding, to a sumptuous Midsummer’s Day Buffet with Salmon-in-a-Crust and Fruit-Juice Glögg. A good Scandinavian cook has a flair for color, texture, shape, and simplicity in creating the food that these menus show off to perfection. Beatrice Ojakangas describes her experiences gathering recipes at the tables of friends on her visits to Scandinavia and the beautifully crafted tools and tableware that will help to make the Scandinavian dishes you prepare authentic.

DKK 178.00
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Culture Incorporated - Mark W. Rectanus - Bog - University of Minnesota Press - Plusbog.dk

Culture Incorporated - Mark W. Rectanus - Bog - University of Minnesota Press - Plusbog.dk

An exposé of the hidden costs of corporate funding of the artsPhotographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has blurred. These mergers of art, business, and museums, he argues, are examples of the worldwide privatization of cultural funding. In Culture Incorporated, Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternatives. Rectanus exposes how sponsorship helps maintain social legitimation in a time when corporations are the target of significant criticism. He provides wide-ranging examples of artists and institutions grappling with corporate sponsorship, including artists’s collaboration with sponsors, corporate sponsorship of museum exhibitions, festivals, and rock concerts, and cybersponsoring. Throughout, Rectanus analyzes the convergence of cultural institutions with global corporate politics and its influence on our culture and our communities.

DKK 237.00
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Culture Incorporated - Mark W. Rectanus - Bog - University of Minnesota Press - Plusbog.dk

Culture Incorporated - Mark W. Rectanus - Bog - University of Minnesota Press - Plusbog.dk

An exposé of the hidden costs of corporate funding of the artsPhotographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has blurred. These mergers of art, business, and museums, he argues, are examples of the worldwide privatization of cultural funding. In Culture Incorporated, Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternatives. Rectanus exposes how sponsorship helps maintain social legitimation in a time when corporations are the target of significant criticism. He provides wide-ranging examples of artists and institutions grappling with corporate sponsorship, including artists’s collaboration with sponsors, corporate sponsorship of museum exhibitions, festivals, and rock concerts, and cybersponsoring. Throughout, Rectanus analyzes the convergence of cultural institutions with global corporate politics and its influence on our culture and our communities.

DKK 539.00
1

Hollywood Independents - Denise Mann - Bog - University of Minnesota Press - Plusbog.dk

Hollywood Independents - Denise Mann - Bog - University of Minnesota Press - Plusbog.dk

Hollywood Independents explores the crucial period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry. Denise Mann examines the impact of the radically changed filmmaking climate—the decline of the studios, the rise of television, and the rise of potent talent agencies like MCA—on a group of prominent talent-turned-producers including Burt Lancaster, Joseph Mankiewicz, Elia Kazan, and Billy Wilder. In order to show how these newly independent filmmakers negotiated through an increasingly fraught, reactionary creative atmosphere, Mann analyzes the reflexive portraits of their altered working conditions in such films as A Face in the Crowd, Sweet Smell of Success, and Will Success Spoil Rock Hunter? These artists, she shows, took on the corporate middle-managers at television networks and talent agencies as a way of challenging the status quo without risking censorship or blacklisting. This period saw the evolution of film production from the studio-governed system to one of entrepreneurs. Out of this new arrangement, which encouraged greater creative freedom, emerged a nascent form of independent art cinema that sowed the seeds of the Hollywood Renaissance that followed. Denise Mann is associate professor of film, TV and digital media at UCLA. She is coeditor of Private Screenings: Television and the Female Consumer (Minnesota, 1992).

DKK 237.00
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