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The Child to Come - Rebekah Sheldon - Bog - University of Minnesota Press - Plusbog.dk

The Child to Come - Rebekah Sheldon - Bog - University of Minnesota Press - Plusbog.dk

Generation Anthropocene. Storms of My Grandchildren. Our Children’s Trust. Why do these and other attempts to imagine the planet’s uncertain future return us—again and again—to the image of the child? In The Child to Come, Rebekah Sheldon demonstrates the pervasive conjunction of the imperiled child and the threatened Earth and blisteringly critiques the logic of catastrophe that serves as its motive and its method. Sheldon explores representations of this perilous future and the new figurations of the child that have arisen in response to it. Analyzing catastrophe discourse from the 1960s to the present—books by Joanna Russ, Margaret Atwood, and Cormac McCarthy; films and television series including Southland Tales, Battlestar Galactica, and Children of Men; and popular environmentalism—Sheldon finds the child standing in the place of the human species, coordinating its safe passage into the future through the promise of one more generation. Yet, she contends, the child figure emerges bound to the very forces of nonhuman vitality he was forged to contain. Bringing together queer theory, ecocriticism, and science studies, The Child to Come draws on and extends arguments in childhood studies about the interweaving of the child with the life sciences. Sheldon reveals that neither life nor the child are what they used to be. Under pressure from ecological change, artificial reproductive technology, genetic engineering, and the neoliberalization of the economy, the queerly human child signals something new: the biopolitics of reproduction. By promising the pliability of the body’s vitality, the pregnant woman and the sacred child have become the paradigmatic figures for twenty-first century biopolitics.

DKK 264.00
1

Gophers Illustrated - Al Papas Jr. - Bog - University of Minnesota Press - Plusbog.dk

Gophers Illustrated - Al Papas Jr. - Bog - University of Minnesota Press - Plusbog.dk

New and Updated Edition. Beginning with their first game in the fall of 1882 against Hamline University, the Minnesota Golden Gophers are one of college football's oldest and most storied programs, winning six national championships and inspiring countless fans across generations of Minnesotans and university students. What Gophers Illustrated makes abundantly clear is just how fascinating this past century of Gophers football has been. Illustrated by a wealth of original detailed sketches, Al Papas Jr. collects both the well-remembered and long-forgotten moments that have made the Golden Gophers a Minnesota treasure. From the 1903 game against Michigan when the Little Brown Jug was first left behind (and where students were arrested and fined two dollars for practicing their "ski-u-mah" chant at a "nightly hour") and the golden era of the 1930s and early 1940s under legendary coach Bernie Bierman to the 1962 Rose Bowl and the more recent rushing exploits of Lawrence Maroney and Marion Barber III, Gophers Illustrated highlights the players and games throughout the decades that brought the crowds to their feet. With Gopher football returning to the University of Minnesota campus for the first time since the days of fabled Memorial Stadium, this book does not just celebrate the seasons past but helps usher in a new era of Gopher players, games, and fans. Wonderfully illustrated, painstakingly researched, and full of stats, game charts, and stories both whimsical and poignant, this new and completely updated edition of Gophers Illustrated is a must-have for any fan of the maroon and gold.

DKK 220.00
1

Girls In The Back Room - Kelly Hankin - Bog - University of Minnesota Press - Plusbog.dk

Girls In The Back Room - Kelly Hankin - Bog - University of Minnesota Press - Plusbog.dk

The first in-depth study of how lesbian bars are depicted in popular cultureThe lesbian bar has long been seen as a mysterious place, steeped in mythologies of clandestine meetings and sexuality that is alluring because it is wayward and sinful. In The Girls in the Back Room, Kelly Hankin focuses on the lesbian bar, looking at how it is portrayed in such films as Foxy Brown, The Killing of Sister George, Basic Instinct, Bound, and Chasing Amy; in television series like The Simpsons, Xena: Warrior Princess, Roseanne, Ellen, and Sex and the City; and in independent, lesbian-produced documentaries. Hankin examines the lesbian bar through a consideration of the ways its representation in popular culture both oppresses and nourishes lesbian cultures. In popular commercial entertainment, she finds, the view of the lesbian bar as a private space for those who practice aberrant sexuality implicitly reinforces heterosexual spatial and social privilege. Through her in-depth history of the production of The Killing of Sister George in 1968 and the deception involved in director Robert Aldrich's use of a real lesbian bar and its patrons, for example, Hankin uncovers the heterosexist preconceptions in evidence on both sides of the camera. She argues that lesbian-produced works effectively challenge this paradigm, articulating and confirming positive visions of lesbian public life and identity. The Girls in the Back Room provides an engaging historical and theoretical analysis of the visual lesbian bar as a revelatory intersection of gender, sexuality, and space.

DKK 237.00
1

Girls In The Back Room - Kelly Hankin - Bog - University of Minnesota Press - Plusbog.dk

Girls In The Back Room - Kelly Hankin - Bog - University of Minnesota Press - Plusbog.dk

The first in-depth study of how lesbian bars are depicted in popular culture The lesbian bar has long been seen as a mysterious place, steeped in mythologies of clandestine meetings and sexuality that is alluring because it is wayward and sinful. In The Girls in the Back Room, Kelly Hankin focuses on the lesbian bar, looking at how it is portrayed in such films as Foxy Brown, The Killing of Sister George, Basic Instinct, Bound, and Chasing Amy; in television series like The Simpsons, Xena: Warrior Princess, Roseanne, Ellen, and Sex and the City; and in independent, lesbian-produced documentaries.  Hankin examines the lesbian bar through a consideration of the ways its representation in popular culture both oppresses and nourishes lesbian cultures. In popular commercial entertainment, she finds, the view of the lesbian bar as a private space for those who practice aberrant sexuality implicitly reinforces heterosexual spatial and social privilege. Through her in-depth history of the production of The Killing of Sister George in 1968 and the deception involved in director Robert Aldrich's use of a real lesbian bar and its patrons, for example, Hankin uncovers the heterosexist preconceptions in evidence on both sides of the camera. She argues that lesbian-produced works effectively challenge this paradigm, articulating and confirming positive visions of lesbian public life and identity. The Girls in the Back Room provides an engaging historical and theoretical analysis of the visual lesbian bar as a revelatory intersection of gender, sexuality, and space.  Â

DKK 556.00
1

Terror and Territory - Stuart Elden - Bog - University of Minnesota Press - Plusbog.dk

The Troll With No Heart in His Body and Other Tales of Trolls from Norway - - Bog - University of Minnesota Press - Plusbog.dk

A Mishomis Book, A History-Coloring Book of the Ojibway Indians - Edward Benton Banai - Bog - University of Minnesota Press - Plusbog.dk