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Sax Expat - Con Chapman - Bog - University Press of Mississippi - Plusbog.dk

Sax Expat - Con Chapman - Bog - University Press of Mississippi - Plusbog.dk

Don Byas (1913–1972) may be lesser known than the counterparts he played with—Count Basie, Duke Ellington, and Dizzy Gillespie, among others—but he was an enigma. He never stayed with a band for long, and eventually went solo partly to make more money and partly due to his inability to work with bandleaders. Often drinking to excess, alcohol fueled his sometimes-erratic behavior on and off the bandstand. He went through at least thirteen different groups in fifteen years of professional play before leaving for Europe in 1946. Despite his fractious personality, in Europe he found peace and contentment as a family man in the Netherlands, where he lived out his days with his second wife and their four children. He learned at least seven languages during his years in Europe, and on traveling to a new country could pick up a few phrases in short order, soon speaking to the locals and even composing songs in their native tongue. In Sax Expat: Don Byas, author Con Chapman argues that Byas’s relative obscurity arises from his choice to live in Europe, where he missed out on recording opportunities and exposure in the US that would have made him renowned and wealthier. His numerous achievements, including his solo on Count Basie’s "Harvard Blues," which is a model of restrained invention; his interpretation of the sentimental movie theme "Laura"; and his duets with bassist Slam Stewart were included in the Smithsonian Collection of Classic Jazz and secured Byas’s place in jazz history. This biography brings to life an amazing jazz story.

DKK 292.00
1

Sax Expat - Con Chapman - Bog - University Press of Mississippi - Plusbog.dk

Sax Expat - Con Chapman - Bog - University Press of Mississippi - Plusbog.dk

Don Byas (1913–1972) may be lesser known than the counterparts he played with—Count Basie, Duke Ellington, and Dizzy Gillespie, among others—but he was an enigma. He never stayed with a band for long, and eventually went solo partly to make more money and partly due to his inability to work with bandleaders. Often drinking to excess, alcohol fueled his sometimes-erratic behavior on and off the bandstand. He went through at least thirteen different groups in fifteen years of professional play before leaving for Europe in 1946. Despite his fractious personality, in Europe he found peace and contentment as a family man in the Netherlands, where he lived out his days with his second wife and their four children. He learned at least seven languages during his years in Europe, and on traveling to a new country could pick up a few phrases in short order, soon speaking to the locals and even composing songs in their native tongue. In Sax Expat: Don Byas, author Con Chapman argues that Byas’s relative obscurity arises from his choice to live in Europe, where he missed out on recording opportunities and exposure in the US that would have made him renowned and wealthier. His numerous achievements, including his solo on Count Basie’s "Harvard Blues," which is a model of restrained invention; his interpretation of the sentimental movie theme "Laura"; and his duets with bassist Slam Stewart were included in the Smithsonian Collection of Classic Jazz and secured Byas’s place in jazz history. This biography brings to life an amazing jazz story.

DKK 876.00
1

Gender and the Superhero Narrative - - Bog - University Press of Mississippi - Plusbog.dk

Gender and the Superhero Narrative - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Dorian Alexander, Janine Coleman, Gabriel Gianola, Mel Gibson, Michael Goodrum, Tim Hanley, Vanessa Hemovich, Christina Knopf, Christopher McGunnigle, Samira Nadkarni, Ryan North, Lisa Perdigao, Tara Prescott, Philip Smith, and Maite UcareguiThe explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One , and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests.Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015's Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts--both in the creation of superhero media and in their critical and reader reception--need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel , Batwoman: Elegy , and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.

DKK 312.00
1

Gender and the Superhero Narrative - - Bog - University Press of Mississippi - Plusbog.dk

Gender and the Superhero Narrative - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Dorian Alexander, Janine Coleman, Gabriel Gianola, Mel Gibson, Michael Goodrum, Tim Hanley, Vanessa Hemovich, Christina Knopf, Christopher McGunnigle, Samira Nadkarni, Ryan North, Lisa Perdigao, Tara Prescott, Philip Smith, and Maite UcareguiThe explosive popularity of San Diego's Comic-Con, Star Wars: The Force Awakens and Rogue One , and Netflix's Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests.Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015's Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts--both in the creation of superhero media and in their critical and reader reception--need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel , Batwoman: Elegy , and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.

DKK 858.00
1

Robert Kirkman - - Bog - University Press of Mississippi - Plusbog.dk

Robert Kirkman - - Bog - University Press of Mississippi - Plusbog.dk

Robert Kirkman (b. 1978) is probably best known as the creator of The Walking Dead. The comic book and its television adaptation have reinvented the zombie horror story, transforming it from cult curiosity and parody to mainstream popularity and critical acclaim. In some ways, this would be enough to justify this career-spanning collection of interviews. Yet Kirkman represents much more than this single comic book title. Kirkman''s story is a fanboy''s dream that begins with him financing his irreverent, independent comic book Battle Pope with credit cards. After writing major titles with Marvel comics (Spider-Man, Captain America, and X-Men), Kirkman rejected companies like DC and Marvel and publicly advocated for creator ownership as the future of the comics industry. As a partner at Image, Kirkman wrote not only The Walking Dead but also Invincible, a radical reinvention of the superhero genre. Robert Kirkman: Conversations gives insight to his journey and explores technique, creativity, collaboration, and the business of comics as a multimedia phenomenon. For instance, while continuing to write genre-based comics in titles like Outcast and Oblivion Song, Kirkman explains his writerly bias for complex characters over traditional plot development. As a fan-turned-creator, Kirkman reveals a creator''s complex relationship with fans in a comic-con era that breaks down the consumer/producer dichotomy. And after rejecting company-ownership practices, Kirkman articulates a vision of the creator-ownership model and his goal of organic creativity at Skybound, his multimedia company. While Stan Lee was the most prominent comic book everyman of the previous era of comics production, Kirkman is the most prominent comic book everyman of this dynamic, evolving new era.

DKK 267.00
1