Nigel Osborne: Balkan Dances And Laments (6 Performance Scores)

6 performance scores for Balkan Dances And Laments by Nigel Osborne. For Oboe, violin, viola, 'cello and piano.

Trevor Wishart: Vox 1, 2, 3, 4, 6 (All In One Volume)

Vox 1, 2, 3, 4, 6 (all in one volume)

Jo Kondo: Aquarelle

For Piano and Percussion. Published 1990. Commissioned by Kit Young and Tom Goldstein. First performance: New York, 1993, Tom Goldstein, et al.

Libro di fiammelle e ombre

Trevor Wishart: Fidelio

For Flute, Mime, 6 Suitcases and 6 Cassette Tape Recorders.First performed at the University of York in 1977.

Trevor Wishart: Vox 6

For 4 amplified voices and tape.First published in 1989.First performed by Electric Phoenix at the BBC Prom, Kensington Town Hall, 1989.

Sadie Harrison: ..On A Name..

Sadie Harrison's ..On A Name.. for solo Piano. Duration: Approximately 6 mins

Evis Sammoutis: Pixel (Full Score)

Evis Sammoutis ' Pixel for 12 pianists on 6 Pianos. Full score. This work is dedicated to Piandaemonium.

Trevor Wishart: Anticredos (Study Score/CD)

For 6 amplified voice and minimal percussion.First published in 1980.First performed by Singcircle at St. John's, Smith Square, 1980.

Paul Mealor: Till Time Shall Cease (Parts)

For Soprano and 6 instruments.Published in 2001.Texts: Plath, Rilke, Rossetti and Lewis.First performance by Olga Ostergaard and Ensemble C, the Basement, Copenhagen, 2001.Parts.

Sadie Harrison: Via Della Fortuna (Score)

Via Della Fortuna by Sadie Harrison. 3 Musical sketches after access maps by mark Grahame. Premiere: 25 April 2013, St. Katharine's Church, Vilnius, St. Christopher Chamber Orchestra, conducted by Donatus Katkus.6; for string orchestra

Evis Sammoutis: ???????? (Dimorphism)

???????? (Dimorphism) by Evis Sammoutis was written in memoriam Giacinto Scelsi (1905-1988) and was commissioned by the Athens Concert Hall. First performance: 6 March 2004 at Athens Concert Hall (Athens, Greece), by Members of the Camerata Friends of Music Orchestra13'; for two violins

Philip Venables: Fight Music

A scene from an opera, for 8 playersCommissioned by Endymion, for their 30th Anniversary in 2009. First performance in Kings Place, London by Endymion, 5/6/09. Available on NMC. Flute, Clarinet, Trumpet, Trombone, Percussion (4 tom-toms), Piano, Cello, and Contrabass.

Robert Saxton: Passacaglia On The Name John McCabe

Robert Saxton 's Passacaglia On The Name John McCabe for Organ. Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE. First performed in Faversham Church, Kent, on 28th June 2015 by Edward Kemp-Luck. Duration: 6 mins ca.

Anne Boyd: A Vision - Jesus Reassures His Mother

Anne Boyd 's A Vision: Jesus Reassures His Mother for 6 unaccompanied voices (SSATBB). Composed in 1999, published in 2001. Duration: 14 minutes. Commissioned by the Song Company and performed by them in Australia, Italy and the UK. Recorded and broadcast by the BBC and the ABC.

Benjamin Gait: Three Inventions

Three Inventions for Flute, Clarinet and Vibraphone. Composed 2014, published 2016. Also included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 6-7 minutes. Three Inventions is a short collection of three melodies, one each for Flute, Clarinet and Vibraphone. Each of these has a different character, and is accompanied by the other two instruments. Performers are invited to make many decisions about the music, small and large, ranging from when to place certain chords, to what order to play the three movements in. Some of these decisions are individual, and many of them are collective, inviting the performers to engage with the material and create their own interpretation. The piece was written for Dark Inventions and premiered in February 2014 at the Rotunda Museum in Scarborough.

Benjamin Gait: Three Inventions (Three Performing Scores)

Three Inventions for Flute, Clarinet and Vibraphone. Composed 2014, published 2016. Also included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 6-7 minutes. Three Inventions is a short collection of three melodies, one each for Flute, Clarinet and Vibraphone. Each of these has a different character, and is accompanied by the other two instruments. Performers are invited to make many decisions about the music, small and large, ranging from when to place certain chords, to what order to play the three movements in. Some of these decisions are individual, and many of them are collective, inviting the performers to engage with the material and create their own interpretation. The piece was written for Dark Inventions and premiered in February 2014 at the Rotunda Museum in Scarborough.

Christopher Leedham: The Cruel Mother

The Cruel Mother for Voice, Flute, Clarinet, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 6-7 minutes. The murderous tale of infanticide that is told in The Cruel Mother ballad is widely known in a number of forms. It has been performed and recorded by folk singers such as Martin Carthy, Maddy Prior, and Bella Hardy amongst many others, and inspired Down by the Greenwood Side by Harrison Birtwistle. The particular melody used in this arrangement was collected by H.E.D. Hammond in Dorset in 1907. The matter-of-fact representation of the terrible tale that characterizes the tune is augmented by the quintuple metre and cheerful instrumental refrain. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester.

Christopher Leedham: The Cruel Mother

The Cruel Mother for Voice, Flute, Clarinet, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 6-7 minutes. The murderous tale of infanticide that is told in The Cruel Mother ballad is widely known in a number of forms. It has been performed and recorded by folk singers such as Martin Carthy, Maddy Prior, and Bella Hardy amongst many others, and inspired Down by the Greenwood Side by Harrison Birtwistle. The particular melody used in this arrangement was collected by H.E.D. Hammond in Dorset in 1907. The matter-of-fact representation of the terrible tale that characterizes the tune is augmented by the quintuple metre and cheerful instrumental refrain. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester.

Elisabeth Lutyens: The Tears of Night Op.82

For Counter-Tenor, 6 Sopranos and 3 Quintets.Quintet 1 - Treble Recorder, Lute, Bass-String Viol, Regal/Flute Organ, and Percussion.Quintet 2 - 2 Trumpets, 2 Trombones (1 Tenor, 1 Bass), and Double Bass.Quintet 3 - Flute, Clarinet, French Horn, Violin, and Cello.First performed by James Bowman, Early Music Consort Of London, directed by David Munrow, Sinfonietta Chorus and Orchestra, conucted by David Atherton, 3rd March 1972.Score.

Robert Saxton: Hortus Musicae - Book 2

Hortus Musicae - Book 2 by Robert Saxton for solo Piano. Composed and published in 2016. Duration: 35 minutes. 1: The Flowers appear on the Earth 2: Light on the Water Garden 3: The Garden of Changing Perspective 4: Beech Bank (a la recherché)… 5: Light in the hedge garden 6: The Garden at twilight 7: Hortus Animae Alis Fugacis [The Garden of the Swift-Winged Spirit] Hortus Musicae Book 2 was premiered by Clare Hammond at the 2016 Presteigne festival, with funds provided by the RVW Trust.

Martin Scheuregger: Death And The Lady

Martin Scheuregger 's Death And The Lady for Voice, Clarinet and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 4 minutes. This is a simple arrangement of the traditional folksong for Voice, Clarinet and Cello, which aims to let the haunting melody take centre stage. The cautionary tale tells of a woman who meets Death earlier than she wishes. Commissioned by Dark Inventions, first performed by them on 8th May 2014 at The Engine House, Manchester.

Martin Scheuregger: Death And The Lady

Martin Scheuregger 's Death And The Lady for Voice, Clarinet and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 4 minutes. This is a simple arrangement of the traditional folksong for Voice, Clarinet and Cello, which aims to let the haunting melody take centre stage. The cautionary tale tells of a woman who meets Death earlier than she wishes. Commissioned by Dark Inventions, first performed by them on 8th May 2014 at The Engine House, Manchester.

Sadie Harrison: Four Jazz Portraits

Sadie Harrison wrote these jazzy miniatures especially for Helen Burford as a thank you for her performance of ʻ..around and a round..ʼ in 2014. Helen is renowned for her innovative programmes which combine jazz classics with new commissions and works by little known contemporary composers and these pieces celebrate this joyful approach to repertoire. The pieces are titled: I - Pavillion Ferris Stride (Fats Waller) II - Just air and water (Bill Evans) III - Erroneous Monkish (Thelonius Monk) IV - Boogie Woogie Barcarolle (Albert Ammons) Duration: c. 6 minutes Four Jazz Portraits was premiered by Helen at the Brighton Fringe Festival on 10th May 2015 at the Friendʼs Meeting House, Brighton.

Sadie Harrison: Three Dances For Diana Nemorensis

Sadie Harrison 's Three Dances For Diana Nemorensis for solo Viola. Composed and published 2013. Duration: 6 minutes. Three Dances is based on the Greco-Romano tripartite representation of Diana-Selene-Hecate, known as Diana Nemorensis . I: Diana 'She carries a quiver on her shoulder, and overtops all the other goddesses as she walks' Virgil, Aeneid 1. 494 ff. II: Hecate 'Hecate whose name is howled by night at the city cross-roads.' Virgil, Aeneid 4. 609 ff. III: Selene 'Daughter of Helios, Mene [Selene] of many turnings.' Nonnus, Dionysiaca 44. 198 ff The work was premiered by Diana Mathews on 19th August 2013 at St. James’ Piccadilly, London.