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Tear Down the Walls - Patrick Burke - Bog - The University of Chicago Press - Plusbog.dk

Tear Down the Walls - Patrick Burke - Bog - The University of Chicago Press - Plusbog.dk

From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In Tear Down the Walls, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969. The book sheds new light on a significant but overlooked facet of 1960s rock—white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These artists’ attempts to cast themselves as revolutionary were often naïve, misguided, or arrogant, but they could also reflect genuine interest in African American music and culture and sincere investment in anti-racist politics. White musicians such as those in popular rock groups Jefferson Airplane, the Rolling Stones, and the MC5, fascinated with Black performance and rhetoric, simultaneously perpetuated a long history of racial appropriation and misrepresentation and made thoughtful, self-aware attempts to respectfully present African American music in forms that white leftists found politically relevant. In Tear Down the Walls Patrick Burke neither condemns white rock musicians as inauthentic nor elevates them as revolutionary. The result is a fresh look at 1960s rock that provides new insight into how popular music both reflects and informs our ideas about race and how white musicians and activists can engage meaningfully with Black political movements.

DKK 986.00
1

Tear Down the Walls - Patrick Burke - Bog - The University of Chicago Press - Plusbog.dk

Tear Down the Walls - Patrick Burke - Bog - The University of Chicago Press - Plusbog.dk

From the earliest days of rock and roll, white artists regularly achieved fame, wealth, and success that eluded the Black artists whose work had preceded and inspired them. This dynamic continued into the 1960s, even as the music and its fans grew to be more engaged with political issues regarding race. In Tear Down the Walls, Patrick Burke tells the story of white American and British rock musicians’ engagement with Black Power politics and African American music during the volatile years of 1968 and 1969. The book sheds new light on a significant but overlooked facet of 1960s rock—white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These artists’ attempts to cast themselves as revolutionary were often naïve, misguided, or arrogant, but they could also reflect genuine interest in African American music and culture and sincere investment in anti-racist politics. White musicians such as those in popular rock groups Jefferson Airplane, the Rolling Stones, and the MC5, fascinated with Black performance and rhetoric, simultaneously perpetuated a long history of racial appropriation and misrepresentation and made thoughtful, self-aware attempts to respectfully present African American music in forms that white leftists found politically relevant. In Tear Down the Walls Patrick Burke neither condemns white rock musicians as inauthentic nor elevates them as revolutionary. The result is a fresh look at 1960s rock that provides new insight into how popular music both reflects and informs our ideas about race and how white musicians and activists can engage meaningfully with Black political movements.

DKK 284.00
1

Beyond Conformity or Rebellion - Gary Schwartz - Bog - The University of Chicago Press - Plusbog.dk

Beyond Conformity or Rebellion - Gary Schwartz - Bog - The University of Chicago Press - Plusbog.dk

By the late 1970s, drugs, blue jeans, rock and roll, and sexual precocity appeared to be all that remained of the cultural ferment of the 1960s. In this classic new study of high school-aged youth in the eartly 70s, Gary Schwartz reveals subtle yet significant changes in the style of deviance in adolescent culture. He argues that a new sort of peer-group pluralism emerged from the counter-culture movement of the 60s, a deviance defined less by persistent violations of the law than by disengagement from traditional images of success and civic responsibility.

DKK 539.00
1

Talking to Strangers - Danielle S. Allen - Bog - The University of Chicago Press - Plusbog.dk

Talking to Strangers - Danielle S. Allen - Bog - The University of Chicago Press - Plusbog.dk

"Don't talk to strangers" is the advice long given to children by parents of all classes and races. Today it has blossomed into a fundamental precept of civic education, reflecting interracial distrust, personal and political alienation, and a profound suspicion of others. In this powerful and eloquent essay, Danielle Allen, a 2002 MacArthur Fellow, takes this maxim back to Little Rock, rooting out the seeds of distrust to replace them with "a citizenship of political friendship." Returning to the landmark Brown v. Board of Education decision of 1954 and to the famous photograph of Elizabeth Eckford, one of the Little Rock Nine, being cursed by fellow "citizen" Hazel Bryan, Allen argues that we have yet to complete the transition to political friendship that this moment offered. By combining brief readings of philosophers and political theorists with personal reflections on race politics in Chicago, Allen proposes strikingly practical techniques of citizenship. These tools of political friendship, Allen contends, can help us become more trustworthy to others and overcome the fossilized distrust among us. Sacrifice is the key concept that bridges citizenship and trust, according to Allen. She uncovers the ordinary, daily sacrifices citizens make to keep democracy working—and offers methods for recognizing and reciprocating those sacrifices. Trenchant, incisive, and ultimately hopeful, Talking to Strangers is nothing less than a manifesto for a revitalized democratic citizenry.

DKK 272.00
1

Otherworldly Antarctica - Edmund Stump - Bog - The University of Chicago Press - Plusbog.dk

Otherworldly Antarctica - Edmund Stump - Bog - The University of Chicago Press - Plusbog.dk

With stunning original photographs, an Antarctic scientist and explorer takes us to one of the most sublime, remote, and pristine regions on the planet. The interior of Antarctica is an utterly pristine wilderness, a desolate landscape of ice, wind, and rock; a landscape so unfamiliar as to seem of another world. This place has been known to only a handful of early explorers and the few scientists fortunate enough to have worked there. Edmund Stump is one of the lucky few. Having climbed, photographed, and studied more of the continent-spanning Transantarctic Mountains than any other person on Earth, this geologist, writer, and photographer is uniquely suited to share these alien sights. With stories of Stump’s forty years of journeys and science, Otherworldly Antarctica contains 130 original color photographs, complemented by watercolors and sketches by artist Marlene Hill Donnelly. Over three chapters—on the ice, the rock, and the wind—we meet snowy paths first followed during Antarctica’s Heroic Age, climb the central spire of the Organ Pipe Peaks, peer into the crater of the volcanic Mount Erebus, and traverse Liv Glacier on snowmobile, while avoiding fatal falls into the blue interiors of hidden crevasses. Along the way, we see the beauty of granite, marble, and ice-cored moraines, meltwater ponds, lenticular clouds, icebergs, and glaciers. Many of Stump’s breathtaking images are aerial shots taken from the planes and helicopters that brought him to the interior. More were shot from vantages gained by climbing the mountains he studied. Some were taken from the summits of peaks. Many are of places no one had set foot before—or has since. All seem both permanent and precarious, connecting this otherworld to our fragile own.

DKK 255.00
1

Juju - Christopher Alan Waterman - Bog - The University of Chicago Press - Plusbog.dk

Juju - Christopher Alan Waterman - Bog - The University of Chicago Press - Plusbog.dk

Now known internationally through the recordings of King Sunny Ade and others, juju music originated more than fifty years ago among the Yoruba of Nigeria. This history and ethnography of juju is the first detailed account of the evolution and social significance of a West African popular music. Enhanced with maps, color photographs of musicians and dance parties, musical transcriptions, interviews with musicians, and a glossary of Yoruba terms, Juju is an invaluable contribution to scholarship and a boon to fans who want to discover the roots of this vibrant music. "What's most impressive about Juju is how much Waterman makes of his purism. By concentrating on one long- lived, well-defined genre, he helps the Western reader experience 'rock' the way any proud Yoruba would--as a tributary of African music rather than vice versa."--Robert Christgau, The Village Voice

DKK 357.00
1