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Red Pedagogy - Sandy Grande - Bog - Rowman & Littlefield - Plusbog.dk

Red Pedagogy - Sandy Grande - Bog - Rowman & Littlefield - Plusbog.dk

Finding a New Feminism - Pamela Grande Jensen - Bog - Rowman & Littlefield - Plusbog.dk

Pirates and Buried Treasures of Florida - Jack Beater - Bog - Rowman & Littlefield - Plusbog.dk

Lighthouse Ghosts - Bruce Roberts - Bog - Rowman & Littlefield - Plusbog.dk

Where Cultures Meet - - Bog - Rowman & Littlefield - Plusbog.dk

The New Americans - Enrique T. Trueba - Bog - Rowman & Littlefield - Plusbog.dk

Ancient America - Kenneth L. Feder - Bog - Rowman & Littlefield - Plusbog.dk

Ancient America - Kenneth L. Feder - Bog - Rowman & Littlefield - Plusbog.dk

Can't Stop the Grrrls - Lily E. Hirsch - Bog - Rowman & Littlefield - Plusbog.dk

Arias, Ensembles, & Choruses - John Yaffe - Bog - Rowman & Littlefield - Plusbog.dk

Arias, Ensembles, & Choruses - John Yaffe - Bog - Rowman & Littlefield - Plusbog.dk

Conductors John Yaffé and David Daniels have created a one-stop sourcebook for orchestras, opera companies, conductors, and librarians who research and/or prepare programs of vocal excerpts—such as solos, ensembles, and choruses—for concert performance. In this book, readers will find detailed information on a vast repertoire of vocal pieces commonly extracted from operas, operettas, musicals, and oratorios—more than 1,750 excerpts from 450 parent works. Modeled on Daniels’ Orchestral Music, Arias, Ensembles, & Choruses includes basic historical details about each parent work as well as extract titles, subtitles, voice types, keys, durations, locations in the original work (with page numbers in both full scores and piano-vocal scores), and exact instrumentation. It also lists the publishers that make available the orchestral materials for just the excerpt being programmed, independent of the full parent work.Until now, conductors and orchestra librarians commonly had to first leaf through full scores, searching for one elusive three-minute aria after another, only to then consult multiple publishers'' catalogues to compile crucial information on all the excerpts proposed for a concert or recording. This book constitutes a single source for finding that information. In many cases, the individual entries include valuable insider information on common performance practice, including start- and stop-points, transpositions, and conventional cuts. Searching for repertoire is made easy with the detailed title index and appendixes devoted to ensemble excerpts, all categorized by personnel (e.g., duets, trios, quartets, quintets, sextets, choruses) and language (Czech, English, French, German, Italian, Latin, Russian).This book is the ideal tool for the working conductor and orchestral librarian, as well as music program directors at colleges and conservatories, opera companies, and symphony orchestras.As of October 2015, a new printing of this book has occurred to correct errors in the index. A PDF version of the new index is available to previous purchasers of the volume. Please contact Rowman & Littlefield''s music editor for assistance.

DKK 565.00
1

French Cinema and the Great War - - Bog - Rowman & Littlefield - Plusbog.dk

French Cinema and the Great War - - Bog - Rowman & Littlefield - Plusbog.dk

Even a century after its conclusion, the devastation of the Great War still echoes in the work of artists who try to make sense of the political, moral, ideological, and economic changes and challenges it spawned. France, the military major power of the Western Front, carries the legacy of battles on its own soil, and countless French lives lost defending the nation from the Central Powers. It is no surprise that the impact of the First World War can still be seen in French films into the present day. French Cinema and the Great War: Remembrance and Representation provides the first book-length study of World War I as it is featured in French cinema, from the silent era to contemporary films. Presented in three thematic sections—Recording and Remembering the Great War, Women at the Front, and Interrogating Commemoration—the essays in this volume explore the ways in which French film contributes to the restoration and modification of memories of the war. Films such as La Grande Illusion, King of Hearts, A Very Long Engagement, and Joyeux Noel are among those discussed in the volume’s examination of the various ways in which film mediates personal and collective memories of this critical historical event. This volume will be an invaluable resource, not only to those interested in French Cinema or the cinema of the Great War, but also to those interested in the impacts of war, more generally, on the cultural output of nations torn by the violence, death, and destruction of military conflict.

DKK 875.00
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The End of Nostalgia - - Bog - Rowman & Littlefield - Plusbog.dk

The End of Nostalgia - - Bog - Rowman & Littlefield - Plusbog.dk

" Today''s Mexico is strongly determined to become a full player in the globalizing international economy. It has increased its manufacturing output in areas such as automobiles and electronics, and both corporate and government sectors would like to take greater strides toward being a full global player. But do the underlying institutional and cultural elements exist to support such an economic effort? In The End of Nostalgia , editor Diana Villiers Negroponte and colleagues from both sides of the Rio Grande examine the path that Mexico will likely take in the near future. It remains a land in transition, from a one-party political system steeped in a colonial Spanish past toward a modern liberal democracy with open markets. What steps are necessary for this proud nation to continue its momentum toward effective participation in a highly competitive world? Contributors: Armando Chacón is the research director at the Mexican Institute for Competitiveness. Arturo Franco has worked with Cementos de Mexico (CEMEX) and the World Bank. He was a Global Leadership fellow at the World Economic Forum on Latin America, 2008–11. Eduardo Guerrero is a partner at Lantía Consultores in Mexico City, where he works on security assessment. He joined the Secretaría de Gobernación in December 2012. Andrés Rozental holds the permanent rank of Eminent Ambassador of Mexico. He is president of Rozental & Asociados and is a nonresident senior fellow at the Brookings Institution. Christopher Wilson is an associate at the Mexico Institute of the Woodrow Wilson International Center for Scholars. Duncan Wood is a member of the Mexican National Research System and editorial adviser to Reforma newspaper. Since January 2013, he has been the director of the Mexico Institute at the Woodrow Wilson International Center for Scholars. "

DKK 276.00
1

John Quincy Adams - Lynn Hudson Parsons - Bog - Rowman & Littlefield - Plusbog.dk

John Quincy Adams - Lynn Hudson Parsons - Bog - Rowman & Littlefield - Plusbog.dk

He was born in 1767, a subject of the British Empire, and died in 1848, a citizen of the United States and a member of Congress in company with Abraham Lincoln. In his dramatic career he had known George Washington and Benjamiin Franklin, La Fayette of France, Alexander I of Russia, and Castlereagh of Great Britain. He had both collaborated and quarrelled with Thomas Jefferson, Andrew Jackson, Henry Clay, John C. Calhoun, and Daniel Webster. In his lifetime Americans had fought for and established their independence, adopted a Constitution, fought two wars with Great Britain and one with Mexico. They had expanded south to the Rio Grande and west to the Pacific. At the time of his death, Adams was seen as a living connection between the present and past of the young republic and his passing severed one of the nation''s last ties with its founding generation. As son of the second president of the United States, father of the minister to the Court of St. James, and grandfather to author Henry Adams, John Quincy Adams was part of an American dynasty. In his own career as secretary of state, President, senator, and congressman, Adams was as an actor in some of the most dramatic events of the nineteenth century. In this concise biography, Lynn Hudson Parsons masterfully chronicles the life of one of America''s most absorbing figures. From the day in 1778 when, as a boy, he accompanied his father on a diplomatic mission to France, to his last years as an eloquent , cantankerous opponent of this country''s foreign and domestic policies, Adams was rarely detached from public affairs. And yet, this biography reveals Adams as a man never truly at home anywhere—in Washington he was stubborn and reclusive, in Europe he was a phlegmatic ideologue, a bulldog among spaniels. His story parallels America''s own.

DKK 229.00
1

The Sons of Grady Rourke - Douglas Savage - Bog - Rowman & Littlefield - Plusbog.dk

The Sons of Grady Rourke - Douglas Savage - Bog - Rowman & Littlefield - Plusbog.dk

THE DEAD MAN’S JOURNEY—Journada del Muerte, the locals called it: the blistering ocean of sand and sage between the Rio Grande River to the west and the Sacramento mountain range to the east. The bones of men and horses had bleached in the mile-high desert for three hundred years. Spanish conquistadors were the first white men to explore this new furnace of the Southeastern New Mexico Territory—and the first to perish. In the thin air, the riders coming down the mountain were sharply etched against the blue sky. Steam, blowing out of the ice-encrusted nostrils of their mounts and their two pack horses, surrounded the horsemen in a white veil. Descending the eastern face of the Sacramento mountains, the horses walked slowly and painfully on cracked hooves. The icy earth offered only a steep path paved with shards of glass; blood seeped around well-worn iron horseshoes.When the riders looked to the sky, they saw that the white sun would stay high enough for them to make Fort Stanton, ten miles into the valley. The riders knew the trail since boyhood. Words were not wasted in country where a man’s mouth would crack and bleed like his horse’s hooves. Beyond the fort lay the clapboard settlement of Lincoln. When Grady Rourke died, his sons, Sean, Patrick, and Liam, came back to claim the family land . . . What was left of it.It was January, 1878, when the Rourke brothers came back to this hard and dangerous land. They thought they were coming home. What they didn’t know was that they were about to become part of a vicious struggle for power. And that they would be forced to choose sides with either John Tunstall and Alexander McSween or J. J. Dolan and Sheriff William Brady. The battle would quickly become the infamous Lincoln County War—a dirty little war with no rules, no heroes, and no happy endings.Douglas Savage, the acclaimed author of Cedar City Rendezvous and Highpockets has taken the historical facts surrounding the Lincoln County War and its fascinating characters, and fashioned one of the most readable and revealing tales of the American frontier.

DKK 123.00
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The Cavalry Trilogy - Michael F. Blake - Bog - Rowman & Littlefield - Plusbog.dk

The Cavalry Trilogy - Michael F. Blake - Bog - Rowman & Littlefield - Plusbog.dk

Like other filmmakers in post-WWII Hollywood, John Ford (already a three-time Best Directing Oscar winner), longed for the freedom and independence to make his own films, away from the dictates of studio executives. Then, in 1946, Ford and producer Merian C. Cooper (King Kong) decided to form their own production company, Argosy Productions. But their first venture was a financial flop, burdening the new company with heavy debt. Ford turned to the Western genre to help his flagging company, adapting James Warner Bellah’s short story, “Massacre.” Fort Apache, released in 1948, starring John Wayne, Henry Fonda and Shirley Temple, was popular at the box office and with film critics. The following year, She Wore a Yellow Ribbon, was released to a positive critical reception a brisk business at the box office. This film was the only one in the cavalry trilogy shot in Technicolor, going on to win the Academy Award for Best Cinematography. Rio Grande (1950), the final film in the triad, was produced by Republic Pictures (the first of a three-picture deal with Argosy Productions) and marked the first pairing of John Wayne and Maureen O’Hara. Because of the film’s box office success, Republic Pictures greenlit Ford’s dream project, The Quiet Man (1952). John Ford’s cavalry trilogy is considered some of his finest work, although Ford always claimed he never intended to make a trilogy. The reality is the first two films were produced to financially help his company, while the final one served as a means to getting his dream project produced. John Ford’s Cavalry Trilogy illuminates how each film was made, from pre-production to its theatrical release. Along the way, readers learn why Ford loved his favorite location (Monument Valley), how various stunts were achieved, and how Ford used his unique style in various scenes (called a “Fordian touch” by film critics and scholars). In addition, each film includes an analysis of Ford’s scene construction and character development. Illustrated with numerous behind-the-scenes photographs, many which have never been published before, and screen captures from the cutting room floor, this book is the ultimate gift for John Ford fans and readers who love to discover the grit and glamour of Hollywood’s Golden Age.

DKK 186.00
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