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Dividing Paris - Esther Da Costa Meyer - Bog - Princeton University Press - Plusbog.dk

Dividing Paris - Esther Da Costa Meyer - Bog - Princeton University Press - Plusbog.dk

A groundbreaking work of scholarship that sheds critical new light on the urban renewal of Paris under Napoleon IIIIn the mid-nineteenth century, Napoleon III and his prefect, Georges-Eugène Haussmann, adapted Paris to the requirements of industrial capitalism, endowing the old city with elegant boulevards, an enhanced water supply, modern sewers, and public greenery. Esther da Costa Meyer provides a major reassessment of this ambitious project, which resulted in widespread destruction in the historic center, displacing thousands of poor residents and polarizing the urban fabric. Drawing on newspapers, memoirs, and other archival materials, da Costa Meyer explores how people from different social strata—both women and men—experienced the urban reforms implemented by the Second Empire. As hundreds of tenements were destroyed to make way for upscale apartment buildings, thousands of impoverished residents were forced to the periphery, which lacked the services enjoyed by wealthier parts of the city. Challenging the idea of Paris as the capital of modernity, da Costa Meyer shows how the city was the hub of a sprawling colonial empire extending from the Caribbean to Asia, and exposes the underlying violence that enriched it at the expense of overseas territories. This marvelously illustrated book brings to light the contributions of those who actually built and maintained the impressive infrastructure of Paris, and reveals the consequences of colonial practices for the city's cultural, economic, and political life.

DKK 413.00
1

The Chinese Tragedy of King Lear - Nan Z. Da - Bog - Princeton University Press - Plusbog.dk

Leonardo da Vinci - Stephen Campbell - Bog - Princeton University Press - Plusbog.dk

Leonardo da Vinci - Stephen Campbell - Bog - Princeton University Press - Plusbog.dk

How our image of the Renaissance’s most famous artist is a modern myth Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value.In this original and provocative book, Campbell examines the strangeness of Leonardo’s words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo’s contemporaries, workshop, and writings, Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo’s life that a less familiar and far more historically significant figure appears.

DKK 304.00
1

Giuliano da Sangallo and the Ruins of Rome - Cammy Brothers - Bog - Princeton University Press - Plusbog.dk

Giuliano da Sangallo and the Ruins of Rome - Cammy Brothers - Bog - Princeton University Press - Plusbog.dk

An illuminating reassessment of the architect who se innovative drawings of ruins shaped the enduring image of ancient Rome Giuliano da Sangallo (1443–1516) was one of the first architects to draw the ruins and artifacts of ancient Rome in a systematic way. Cammy Brothers shows how Giuliano played a crucial role in the Renaissance recovery of antiquity, and how his work transformed the broken fragments of Rome''s past into the image of a city made whole.Drawing new insights from the Codex Barberini and the Taccuino Senese—two exquisite collections of Giuliano''s drawings on parchment—Brothers reveals how the Florentine architect devoted enormous energy to the representation of ruins, and how his studies of Rome formed an integral part of his work as a designer. She argues that Giuliano''s inventive approach, which has often been mischaracterized as fantastical or naive, infused the architect''s craft with the sensibilities of a poet and painter. Brothers demonstrates how his drawings form the basis for a reevaluation of the meaning and method of the Renaissance study of ancient artifacts, and brings to life the transformative moment when artists and architects began to view the fragments of ancient Rome not as broken artifacts of little interest but as objects of aesthetic contemplation.Featuring a wealth of Giuliano''s magnificent drawings, this compelling book provides an incomparable lens through which to explore essential questions about the aesthetic value, significance, and the uses of the past for today''s architects.

DKK 613.00
1

The Portrait in the Renaissance - John Wyndham Pope Hennessy - Bog - Princeton University Press - Plusbog.dk

Paul Valery: An Anthology - Paul Valery - Bog - Princeton University Press - Plusbog.dk

Courts on Trial - Jerome Frank - Bog - Princeton University Press - Plusbog.dk

Verrocchio - - Bog - Princeton University Press - Plusbog.dk