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Off the Record - Neal Peres Da Costa - Bog - Oxford University Press Inc - Plusbog.dk

Off the Record - Neal Peres Da Costa - Bog - Oxford University Press Inc - Plusbog.dk

Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known pianist Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Saëns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnotated arpeggiation, rhythmic alteration, tempo fluctuation--and unfolds the background and lineage of significant performer/pedagogues. Throughout, Peres Da Costa demonstrates that these early recordings do not simply capture the idiosyncrasies of aging musicians as has been commonly asserted, but in fact represent a range of established expressive practices of a lost age. An extensive collection of these rare and never-before-heard professional recordings of the Romantic age masters are available on a companion web site, and in addition, Peres Da Costa, himself a renowned period keyboardist, illustrates points made throughout the book with his own playing. Of essential value to student and professional pianists, historical musicologists of 19th and early 20th century performance practice, and also to the general music aficionado audience, Off the Record is an indispensable resource for scholarly research, performance inspiration, and listening enjoyment.

DKK 689.00
1

Fundamentals of Entrepreneurial Finance - Marco (associate Professor Of Finance Da Rin - Bog - Oxford University Press Inc - Plusbog.dk

Truth and Fiction in The Da Vinci Code - Bart D. Ehrman - Bog - Oxford University Press Inc - Plusbog.dk

Truth and Fiction in The Da Vinci Code - Bart D. Ehrman - Bog - Oxford University Press Inc - Plusbog.dk

This book is the most authoritative, arguably the definitive appraisal of some of the claims that are directly made or are imbedded in the incredibly successful work of popular fiction by Dan Brown, ^ The Da Vinci Code^; it is not an essentially partisan Christian rebuttal of ^ The Da Vinci Code^ (as are virtually all the books currently available) but a truly historical assessment by a noted early Christian scholar. Brown''s novel is unusual in that the author makes the statement up front that the historical information in the book is all factually accurate, and many readers presumably have taken the author at his word. Some of these "facts" are surprising and provocative, such as that Jesus was married to Mary Magdalene, that this union produced an offspring whose holy lineage has been preserved down to today, that Emperor Constantine suppressed secret Gospels that attest to these stories, etc. Ehrman discusses the historical truth behind these claims from a scholar''s perspective. His focus is on the historical Jesus, the historical Mary, the development of the early Christian church, the writings of the early Christian Gospels, and the role played by Constantine in the formation of what has come down to us as the beliefs and scriptures of the Christian religion. Ehrman writes: "I should stress that I am not objecting to Dan Brown''s inventing claims about early Christian documents as part of his fictional narrative; the problem is that he indicates that his accounting of early Christian documents is historically accurate, and readers who don''t know the history of early Christianity will naturally take him at his word. But there is more fiction than fact, not just in the plot of ^ The Da Vinci Code^, but also in its discussion of the early documentary record about Jesus."

DKK 237.00
1

Rabbit's Blues - Con Chapman - Bog - Oxford University Press Inc - Plusbog.dk

The Ponzi Scheme Puzzle - Tamar Frankel - Bog - Oxford University Press Inc - Plusbog.dk

The Ponzi Scheme Puzzle - Tamar Frankel - Bog - Oxford University Press Inc - Plusbog.dk

In a Ponzi scheme, new investments are used to pay existing investors, to cover the cost of salespersons, and to finance the Ponzi schemer''s satisfying lifestyle. Although Charles Ponzi recruited investors in Boston in 1919 and died in 1949, his design and mode of operation are alive and well today. Indeed, losses from Ponzi schemes in the United States are equal to losses from shoplifting. Ponzi schemes catch in their net highly sophisticated individuals and institutions as well as low-income and middle-income investors, and these schemes have attracted investors all over the world, in Russia, England, India, Albania, Romania, Portugal, Costa Rica, and elsewhere.Looking into the innumerable cases of Ponzi schemes throughout the years, Tamar Frankel observes that even though patterns began to emerge in the stories of con artists and their victims'' behavior, the main puzzles still remain: How do con artists dazzle and lure wealthy and educated individuals and representatives of large institutions to hand over huge sums of money? How do con artists divert investors'' attention from the soft spots of their stories? And while there are so many books and articles about Ponzi schemes, their warnings and constant advice on how to detect and avoid con artists go unheeded. In The Ponzi Scheme Puzzle, Frankel explores con artists'' fascinating power of persuasion and deception, and analyzes their subtle signals that mimic truth and honesty. She identifies the reasons for the local and global success and longevity of such schemes and seeks to understand the nature of the con artists and their victims. She combines the many stories of Ponzi schemes, derived mostly from court cases and newspaper articles, to show the patterns of such frauds, the nature of the con artists, and character of their victims. These patterns tell us much about human nature, about our society, and about ourselves. The book first analyzes the design and pattern of the con artists'' attractive offers and how they hide deceptions, then deals with the ways in which schemes are advertised and sold. Next, it focuses on the core of con artists'' success, then discusses the characters of con artists and their victims. Finally, Frankel offers a number of observations on the lessons we can learn from these stories and analyses. She concludes that our attitude to con artists is ambivalent and uncertain perhaps because their behavior is so close to the behavior of honest people; or perhaps because they act like the social leaders with whom they are likely to mingle, or perhaps their actions are necessary to shake up a complacent society. Therefore, she writes, self-protection from charming, dangerous con artists must involve self-examination: once we recognize our own tendencies we can better protect ourselves from their toxic attraction.

DKK 531.00
1

A Historical Guide to Edgar Allan Poe - - Bog - Oxford University Press Inc - Plusbog.dk

A Historical Guide to Edgar Allan Poe - - Bog - Oxford University Press Inc - Plusbog.dk

Oxford American Handbook of Clinical Dentistry - John D. Da Silva - Bog - Oxford University Press Inc - Plusbog.dk

Crowns of Glory, Tears of Blood - Emilia Viotti Da Costa - Bog - Oxford University Press Inc - Plusbog.dk

English Romantic Poets - - Bog - Oxford University Press Inc - Plusbog.dk

On the Air - John Dunning - Bog - Oxford University Press Inc - Plusbog.dk

On the Air - John Dunning - Bog - Oxford University Press Inc - Plusbog.dk

Now long out of print, John Dunning''s Tune in Yesterday was the definitive one-volume reference on old-time radio broadcasting. Now, in On the Air, Dunning has completely rethought this classic work, reorganizing the material and doubling its coverage, to provide a richer and more informative account of radio''s golden age. Here are some 1,500 radio shows presented in alphabetical order. The great programs of the ''30s, ''40s, and ''50s are all here--Amos ''n'' Andy, Fibber McGee and Molly, The Lone Ranger, Major Bowes'' Original Amateur Hour, and The March of Time, to name only a few. For each, Dunning provides a complete broadcast history, with the timeslot, the network, and the name of the show''s advertisers. He also lists major cast members, announcers, producers, directors, writers, and sound effects people--even the show''s theme song. There are also umbrella entries, such as "News Broadcasts," which features an engaging essay on radio news, with capsule biographies of major broadcasters, such as Lowell Thomas and Edward R. Murrow. Equally important, Dunning provides a fascinating account of each program, taking us behind the scenes to capture the feel of the performance, such as the ghastly sounds of Lights Out (a horror drama where heads rolled and bones crunched), and providing engrossing biographies of the main people involved in the show. A wonderful read for everyone who loves old-time radio, On the Air is a must purchase for all radio hobbyists and anyone interested in 20th-century American history. It is an essential reference work for libraries and radio stations.

DKK 634.00
1

After Khomeini - Said Amir Arjomand - Bog - Oxford University Press Inc - Plusbog.dk

After Khomeini - Said Amir Arjomand - Bog - Oxford University Press Inc - Plusbog.dk

For many Americans, Iran is our most dangerous enemy--part of George W. Bush''s "axis of evil" even before the appearance of Ahmadinejad. But what is the reality? How did Ahmadinejad rise to power, and how much power does he really have? What are the chances of normalizing relations with Iran? In After Khomeini, Saïd Amir Arjomand paints a subtle and perceptive portrait of contemporary Iran. This work, a sequel to Arjomand''s acclaimed The Turban for the Crown, examines Iran under the successors of Ayatollah Khomeini up to the present day. He begins, as the Islamic Republic did, with Khomeini, offering a brilliant capsule biography of the man who masterminded the revolution that overthrew the Shah. Arjomand draws clear distinctions between the moderates of the initial phrase of the revolution, radicals, pragmatists, and hardliners, the latter best exemplified by Mahmud Ahmadinejad. Taking a chronological and thematic approach, he traces the emergence and consolidation of the present system of collective rule by clerical councils and the peaceful transition to dual leadership by the ayatollah as the supreme guide and the subordinate president of the Islamic Republic of Iran. He explains the internal political quarrels among Khomeini''s heirs as a struggle over his revolutionary legacy. And he outlines how the ruling clerical elite and the nation''s security forces are interdependent politically and economically, speculating on the potential future role of the Revolutionary Guards. Bringing the work up to current political events, Arjomand analyzes Iran''s foreign policy as well, including the impact of the fall of Communism on Iran and Ahmadinejad''s nuclear policy. Few countries loom larger in American foreign relations than Iran. In this rich and insightful account, an expert on Iranian society and politics untangles the complexities of a nation still riding the turbulent wake of one of history''s great revolutions.

DKK 315.00
1

Play the Way You Feel - Kevin (jazz Critic Whitehead - Bog - Oxford University Press Inc - Plusbog.dk

Play the Way You Feel - Kevin (jazz Critic Whitehead - Bog - Oxford University Press Inc - Plusbog.dk

Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years--from biopics like Miles Ahead and HBO''s Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points. Examining the ways historical films have painted a clear picture of the past or overtly distorted history, Play the Way You Feel serves up capsule discussions of sundry topics including Duke Ellington''s social life at the Cotton Club, avant-garde musical practices in 1930s vaudeville, and Martin Scorsese''s improvisatory method on the set of New York, New York. Throughout the book, Whitehead brings the same analytical bent and concise, witty language listeners know from his jazz segments on NPR''s Fresh Air with Terry Gross. He investigates well-known songs, traces the development of the stock jazz film ending, and offers fresh, often revisionist takes on works by such directors as Howard Hawks, John Cassavetes, Shirley Clarke, Francis Ford Coppola, Clint Eastwood, Spike Lee, Robert Altman, Woody Allen and Damien Chazelle. In all, Play the Way You Feel is a feast for film-genre fanatics and movie-watching jazz enthusiasts.

DKK 348.00
1

Behaving - Kenneth F. Schaffner - Bog - Oxford University Press Inc - Plusbog.dk

Behaving - Kenneth F. Schaffner - Bog - Oxford University Press Inc - Plusbog.dk

Behaving presents an overview of the recent history and methodology of behavioral genetics and psychiatric genetics, informed by a philosophical perspective. Kenneth F. Schaffner addresses a wide range of issues, including genetic reductionism and determinism, "free will," and quantitative and molecular genetics. The latter covers newer genome-wide association studies (GWAS) that have produced a paradigm shift in the subject, and generated the problem of "missing heritability." Schaffner also presents cases involving pro and con arguments for genetic testing for IQ and for Attention Deficit Hyperactivity Disorder (ADHD). Schaffner examines the nature-nurture controversy and Developmental Systems Theory using C. elegans or "worm" studies as a test case, concluding that genes are special and provide powerful tools, including "deep homology," for investigating behavior. He offers a novel account of biological knowledge emphasizing the importance of models, mechanisms, pathways, and networks, which clarifies how partial reductions provide explanations of traits and disorders. The book also includes examinations of personality genetics and of schizophrenia and its etiology, alongside interviews with prominent researchers in the area, and discusses debates about psychosis that led to changes in the DSM-5 in 2013.Schaffner concludes by discussing additional philosophical implications of the genetic analyses in the book, some major worries about "free will," and arguments pro and con about why genes and DNA are so special. Though genes are special, newer perspectives presented in this book will be needed for progress in behavioral genetics- perspectives that situate genes in complex multilevel prototypic pathways and networks. With a mix of optimism and pessimism about the state of the field and the subject, Schaffner''s book will be of interest to scholars in the history and philosophy of science, medicine, and psychiatry.

DKK 966.00
1

Our Superheroes, Ourselves - - Bog - Oxford University Press Inc - Plusbog.dk

And Then Came Dance - - Bog - Oxford University Press Inc - Plusbog.dk

And Then Came Dance - - Bog - Oxford University Press Inc - Plusbog.dk

Islam and the West - Bernard ) Lewis - Bog - Oxford University Press Inc - Plusbog.dk

Islam and the West - Bernard ) Lewis - Bog - Oxford University Press Inc - Plusbog.dk

Hailed in The New York Times Book Review as "the doyen of Middle Eastern studies," Bernard Lewis has been for half a century one of the West''s foremost scholars of Islamic history and culture, the author of over two dozen books, most notably The Arabs in History, The Emergence of Modern Turkey, The Political Language of Islam, and The Muslim Discovery of Europe. Eminent French historian Robert Mantran has written of Lewis''s work: "How could one resist being attracted to the books of an author who opens for you the doors of an unknown or misunderstood universe, who leads you within to its innermost domains: religion, ways of thinking, conceptions of power, culture--an author who upsets notions too often fixed, fallacious, or partisan." In Islam and the West, Bernard Lewis brings together in one volume eleven essays that indeed open doors to the innermost domains of Islam. Lewis ranges far and wide in these essays. He includes long pieces, such as his capsule history of the interaction--in war and peace, in commerce and culture--between Europe and its Islamic neighbors, and shorter ones, such as his deft study of the Arabic word watan and what its linguistic history reveals about the introduction of the idea of patriotism from the West. Lewis offers a revealing look at Edward Gibbon''s portrait of Muhammad in Decline and Fall of the Roman Empire (unlike previous writers, Gibbon saw the rise of Islam not as something separate and isolated, nor as a regrettable aberration from the onward march of the church, but simply as a part of human history); he offers a devastating critique of Edward Said''s controversial book, Orientalism; and he gives an account of the impediments to translating from classic Arabic to other languages (the old dictionaries, for one, are packed with scribal errors, misreadings, false analogies, and etymological deductions that pay little attention to the evolution of the language). And he concludes with an astute commentary on the Islamic world today, examining revivalism, fundamentalism, the role of the Shi''a, and the larger question of religious co-existence between Muslims, Christians, and Jews. A matchless guide to the background of Middle East conflicts today, Islam and the West presents the seasoned reflections of an eminent authority on one of the most intriguing and little understood regions in the world.

DKK 200.00
1

Choral Monuments - Dennis Shrock - Bog - Oxford University Press Inc - Plusbog.dk

Choral Monuments - Dennis Shrock - Bog - Oxford University Press Inc - Plusbog.dk

Choral Monuments provides extensive material about eleven epoch-making choral masterworks that span the history of Western culture. Included are: Missa Pange lingua (Josquin Desprez); Missa Papae Marcelli (G. P. da Palestrina); B Minor Mass (J. S. Bach); Messiah (G. F. Handel); The Creation (Joseph Haydn); Symphony #9 (Ludwig van Beethoven); St. Paul (Felix Mendelssohn); Ein deutsches Requiem (Johannes Brahms); Messa da Requiem (Giuseppe Verdi); Mass (Igor Stravinsky); and War Requiem (Benjamin Britten). The works are presented in separate chapters, with each chapter divided into three basic sections-history, analysis, and performance practice. Discussions of history are focused on relevancies-the genesis of the designated work in reference to the composer''s total choral output, the work''s place within the musical environment and social climate of its time, and essential features of the work that make it noteworthy. In addition, the compositional history addresses three other factors: the work''s public reception and critical response, both at the time of its composition and in ensuing years; the history of score publications, detailing the various differences between editions; and the texts of the composition. The material regarding textual treatment, which often includes the complete texts of the works being discussed, concentrates on primary concerns of the text''s usage; also included in the discussion are noteworthy aspects of texts separate from the music as well as biographical details of librettists and poets, if appropriate. The analysis section of each chapter outlines and describes musical forms and other types of compositional organization, including parody technique, mirror structures, and motto repetitions, as well as salient compositional characteristics that directly relate and contribute to the work''s artistic stature. Numerous charts and musical examples illustrate the discussions. The discussion of performance practices includes primary source quotations about a wide range of topics, from performing forces, tempo, and phrasing of each work to specific issues such as tactus, text underlay, musica ficta, metric accentuation, and ornamentation.

DKK 657.00
1

Choral Monuments - Dennis Shrock - Bog - Oxford University Press Inc - Plusbog.dk

Choral Monuments - Dennis Shrock - Bog - Oxford University Press Inc - Plusbog.dk

Choral Monuments provides extensive material about eleven epoch-making choral masterworks that span the history of Western culture. Included are: Missa Pange lingua (Josquin Desprez); Missa Papae Marcelli (G. P. da Palestrina); B Minor Mass (J. S. Bach); Messiah (G. F. Handel); The Creation (Joseph Haydn); Symphony #9 (Ludwig van Beethoven); St. Paul (Felix Mendelssohn); Ein deutsches Requiem (Johannes Brahms); Messa da Requiem (Giuseppe Verdi); Mass (Igor Stravinsky); and War Requiem (Benjamin Britten). The works are presented in separate chapters, with each chapter divided into three basic sections-history, analysis, and performance practice. Discussions of history are focused on relevancies-the genesis of the designated work in reference to the composer''s total choral output, the work''s place within the musical environment and social climate of its time, and essential features of the work that make it noteworthy. In addition, the compositional history addresses three other factors: the work''s public reception and critical response, both at the time of its composition and in ensuing years; the history of score publications, detailing the various differences between editions; and the texts of the composition. The material regarding textual treatment, which often includes the complete texts of the works being discussed, concentrates on primary concerns of the text''s usage; also included in the discussion are noteworthy aspects of texts separate from the music as well as biographical details of librettists and poets, if appropriate. The analysis section of each chapter outlines and describes musical forms and other types of compositional organization, including parody technique, mirror structures, and motto repetitions, as well as salient compositional characteristics that directly relate and contribute to the work''s artistic stature. Numerous charts and musical examples illustrate the discussions. The discussion of performance practices includes primary source quotations about a wide range of topics, from performing forces, tempo, and phrasing of each work to specific issues such as tactus, text underlay, musica ficta, metric accentuation, and ornamentation.

DKK 1193.00
1

Zen and the Way of the Sword - Winston L. King - Bog - Oxford University Press Inc - Plusbog.dk

Zen and the Way of the Sword - Winston L. King - Bog - Oxford University Press Inc - Plusbog.dk

Zen--serene, contemplative, a discipline of meditation associated with painting, rock gardens, and flower arranging--seems an odd ingredient in the martial psyche of the Japanese samurai. "One who is a samurai must before all things keep constantly in mind...the fact that he has to die," wrote a seventeenth-century warrior. "That is his chief business." But the demands of that "business," writes Winston King, found the perfect philosophical match in the teachings of Zen Buddhism. In Zen and the Way of the Sword, King offers a fascinating look into the mind of the samurai swordsman in a far-reaching account of the role of Zen in the thought, culture, and the martial arts of Japan''s soldier elite. An esteemed scholar of Eastern religions, King deftly traces the development of Zen and discusses the personal nature of its practice, its emphasis on individual discovery and attainment. He then presents an accomplished capsule history of the samurai class, from its rise in the middle ages to formal abolition in the nineteenth century--an account filled with details of wars, political maneuvering, and cultural achievements. King also looks at the arms and vocation of the individual samurai, placing the details of armor and weapons in the context of the samurai conception of warfare. In particular, King focuses on the sword--the soul of the samurai, as it was called--describing how it was forged, the honor given famous swordsmiths, the rise of schools of swordsmanship, and breathtaking feats of the great swordsmen. Throughout, King shows how the samurai cultivated Zen, relating its teaching of a free and spontaneous mind to the experience of a warrior in individual combat, and finding philosophical strength in Zen as they prepared themselves for death. "What mind can penetrate his opponent''s mind?" one authority has written. "It is a mind that has been trained and cultivated to the point of detachment with perfect freedom....His mind should reflect his opponent''s mind like water reflecting the moon." In other words, a mind trained by Zen. King goes on to trace the role of Zen in samurai life through the peaceful eighteenth and nineteenth centuries, examining the absorption of Zen into World War II psychology and broader Japanese culture. Throughout, he provides a thoughtful perspective, both sympathetic and aware of the ethical problems inherent in a school of Buddhism turned to the needs of a military class. A scholarly, absorbing account, Zen and the Way of the Sword provides fascinating insight into the samurai ethos, and the culture of Japan today.

DKK 237.00
1

How Fantasy Becomes Reality - Karen E. Dill Shackleford - Bog - Oxford University Press Inc - Plusbog.dk

Cabals and Satires - Dr. Ian Woodfield - Bog - Oxford University Press Inc - Plusbog.dk

Autos and Progress - Joel Wolfe - Bog - Oxford University Press Inc - Plusbog.dk

Autos and Progress - Joel Wolfe - Bog - Oxford University Press Inc - Plusbog.dk

Autos and Progress studies the automobile as both a tool and a cultural symbol of Brazil''s status as a modern "developed" nation. As such it addresses debates on state-making, the role of multi-national corporations in the region, middle-class consumerism, working-class politics, and sports and leisure in the crafting of national identity, among others. Such a study is key for understanding the twentieth century because auto-based transportation became the central facet of Brazilian attempts to gain control over its massive national space. The most obvious expressions of this include the building of Brasília to be the new, interior national capital, the extensive road building throughout the Amazon in the 1970s, the nation''s development of one of the world''s leading alternative fuel industries, Brazilian dominance in world Formula One racing, and the fact that the current president, Luiz Inácio Lula da Silva, is a former auto worker and trade union leader. This focus on Brazilians'' fascination with automobiles and their reliance on auto production and consumption as keys to their economic and social transformation, explains how Brazil -- which enshrined its belief in science and technology in its national slogan of Order and Progress -- has differentiated itself from other Latin American nations. This embrace of automobility allowed the Brazilian elite to use industrialism and the increased mobility of an auto-based society to attempt to remake the nation''s poor into a more homogeneous population. Autos and Progress engages key issues in the Brazil around the meaning and role of race in society and also addresses several classic debates in Brazilian studies about the nature of Brazil''s great size and diversity and how they shaped state-making. Autos and Progress unifies Brazilian economics, politics, and culture in the twentieth century. It provides a unique historical context for understanding Brazilian modernism in politics and culture. Moreover, by analyzing the origins of auto-oriented industrialism and consumerism, the book is an economic, cultural and social history of Brazilian attempts to remake the nation into a middle-class democracy. This aspect of the study presents a new interpretation for the rise of Brazil''s New Unionism, which was born in Brazil''s auto, truck, and bus factories. It also provides important context for understanding the place of the Partido dos Trabalhadores (Workers'' Party) in national politics and culture, and the rise of President Luiz Inácio Lula da Silva, a former auto worker.

DKK 312.00
1