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The Alice Behind Wonderland - Simon Winchester - Bog - Oxford University Press Inc - Plusbog.dk

The Alice Behind Wonderland - Simon Winchester - Bog - Oxford University Press Inc - Plusbog.dk

On a summer''s day in 1858, in a garden behind Christ Church College in Oxford, Charles Dodgson, a lecturer in mathematics, photographed six-year-old Alice Liddell, the daughter of the college dean, with a Thomas Ottewill Registered Double Folding camera, recently purchased in London.Simon Winchester deftly uses the resulting image--as unsettling as it is famous, and the subject of bottomless speculation--as the vehicle for a brief excursion behind the lens, a focal point on the origins of a classic work of English literature. Dodgson''s love of photography framed his view of the world, and was partly responsible for transforming a shy and half-deaf mathematician into one of the world''s best-loved observers of childhood. Little wonder that there is more to "Alice Liddell as the Beggar Maid" than meets the eye. Using Dodgson''s published writings, private diaries, and of course his photographic portraits, Winchester gently exposes the development of Lewis Carroll and the making of his Alice.Acclaim for Simon Winchester"An exceptionally engaging guide at home everywhere, ready for anything, full of gusto and seemingly omnivorous curiosity."--Pico Iyer, The New York Times Book Review "A master at telling a complex story compellingly and lucidly."--USA Today"Extraordinarily graceful."--Time"Winchester is an exquisite writer and a deft anecdoteur."--Christopher Buckley"A lyrical writer and an indefatigable researcher." --Newsweek

DKK 133.00
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Vital Crises in Italian Cinema - P. Adams Sitney - Bog - Oxford University Press Inc - Plusbog.dk

Vital Crises in Italian Cinema - P. Adams Sitney - Bog - Oxford University Press Inc - Plusbog.dk

First published in 1995 b, P. Adams Sitney''s Vital Crises in Italian Cinema has become a work of enduring importance in the study of Italian films produced from 1945-1963. Examining over twenty key works of the period, Sitney identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini. The debate over regional dialects and a unified national language find reflection in Visconti''s La terra trema and its source, the novel I Malavoglia. The father-son relationship serves as an opportunity to consider the tension between filial loyalty and individuality in works such as Uccellacci e uccellini and Ladri di biciclette. Romantic love juxtaposed with lust against the background of Roman Catholic iconography exemplifies another recurring predicament in the nation''s cinema. Rocco i suoi fratelli, La dolce Vita, and Accatone all feature female and male characters grappling with the idea of woman as either the epitome of Marian virtue or Magdalene-like sexuality. With each film under discussion, Sitney provides the relevant political and cultural context to demonstrate how the changes in Italian life found their way into cinematic art. A new afterword extends the range of the study to the early 1970s, as it considers the pastoral ideal deflated by urban reality in Padre Padrone and L''albero degli zoccoli.

DKK 377.00
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