Canzone di Francesco

This beautiful and intense slow composition including lots of melodic and musical sequences is dedicated to Saint Francis-a figure whose life story has always impressed the composer. He had previously honoured Francis of Assisi in several works including a composition for strings, an oratorio, a mass and a Laudate for choir and concert band. Canzone di Francesco will create a moment of meditation and reflection during your concert, but is also very suitable as a warm up piece offering various possibilities to work on intonation, phrasing and sound building.

Canzone di Francesco

This beautiful and intense slow composition including lots of melodic and musical sequences is dedicated to Saint Francis-a figure whose life story has always impressed the composer. He had previously honoured Francis of Assisi in several works including a composition for strings, an oratorio, a mass and a Laudate for choir and concert band. Canzone di Francesco will create a moment of meditation and reflection during your concert, but is also very suitable as a warm up piece offering various possibilities to work on intonation, phrasing and sound building.

La Passerella di Addio

La Passerella di Addio

Il Barbiere di Siviglia : Sinofinia dall'opera

The Barber of Seville is based on the first of Beaumarchais‘ (1732- 1799) two sequential plays, The Marriage of Figaro being the second, although unusually the overture does not contain any themes from the ensuing opera. The music, however, is sparkling and tuneful encompassing the ‘spirit‘ of the story that is about to unfold. The overture follows the form of the classic Italian style, with a slow introduction followed by a brilliant Allegro. Of course, the famous crescendo, so typical of Rossini’s works, is also present.

Il Barbiere di Siviglia : Sinofinia dall'opera

The Barber of Seville is based on the first of Beaumarchais‘ (1732- 1799) two sequential plays, The Marriage of Figaro being the second, although unusually the overture does not contain any themes from the ensuing opera. The music, however, is sparkling and tuneful encompassing the ‘spirit‘ of the story that is about to unfold. The overture follows the form of the classic Italian style, with a slow introduction followed by a brilliant Allegro. Of course, the famous crescendo, so typical of Rossini’s works, is also present.

Feste Woll'n Wir Feiern (6)

Alpine March

Bertrand Moren composed Alpine March for the Hochwaliser Musikfest in Blatten, Switzerland in 2004. The march opens in a festive 6/8 time with lots of dynamic contrast and characteristic 6/8 rhythms. The Trio-section however is written in 2/4 time and is very lyrical. With a da capo this march, written by the winner of last year’s European Brass Band Composition Contest, is brought to a thrilling close.

Alpine March

Bertrand Moren composed Alpine March for the Hochwaliser Musikfest in Blatten, Switzerland in 2004. The march opens in a festive 6/8 time with lots of dynamic contrast and characteristic 6/8 rhythms. The Trio-section however is written in 2/4 time and is very lyrical. With a da capo this march, written by the winner of last year’s European Brass Band Composition Contest, is brought to a thrilling close.

Glory Fanfare

Glory Fanfare was commissioned by the Brass Band of Upper-Austria for the 2010 European Brass Band Championships in Linz, and was performed as the fi rst piece in the gala concert. The double chorus of cornets is particularly ingenious and itsvirtuosic character adds to all the excitement. Modern elements, such as funky bass lines played along with the drum kit, help drive the festive atmosphere and create a piece that will captivate your audience from the word go!

Jubiläumsheft (6) : 15 Jahre Klostermann und seine Musikanten

Mundus Novus : The Discovery of the New World

Mundus Novus (‘New World’) is a travelogue in the form of letters sent by the sailor and explorer Amerigo Vespucci in 1502 to the Florentine nobleman Lorenzo di Pierfrancesco di Medici. Vespucci is credited with four journeys to America, eventually leading to Martin Waldseemüller’s map ‘Cosmographiae Introductio' in which the name ‘America’ first appeared.

Mundus Novus : The Discovery of the New World

Mundus Novus (‘New World’) is a travelogue in the form of letters sent by the sailor and explorer Amerigo Vespucci in 1502 to the Florentine nobleman Lorenzo di Pierfrancesco di Medici. Vespucci is credited with four journeys to America, eventually leading to Martin Waldseemüller’s map ‘Cosmographiae Introductio' in which the name ‘America’ first appeared.

Andreas Gabalier in Concert

Andreas Gabalier is one of the most popular Austrian folk singers of his generation. In 2012, he won an ECHO music award and has also won the Amadeus Austrian Music Award twice. This medley contains ‘I sing a Liad für di’, ‘So liab hob i di’, ‘Amoi seg' ma uns wieder’, ‘Zuckerpuppen’ and ‘Go for Gold’.

Andreas Gabalier in Concert

Andreas Gabalier is one of the most popular Austrian folk singers of his generation. In 2012, he won an ECHO music award and has also won the Amadeus Austrian Music Award twice. This medley contains ‘I sing a Liad für di’, ‘So liab hob i di’, ‘Amoi seg' ma uns wieder’, ‘Zuckerpuppen’ and ‘Go for Gold’.

Königsklänge der Marschmusik - Heft 6 : Die Originalnoten (3. Klarinette B)

Piotta

Piotta is a lively 6/8 march from well-known concert band composer, Franco Cesarini. This exciting and musically witty piece is as impressive rhythmically as it is melodically, and will make for an elegant opening to any concert.

Piotta

Piotta is a lively 6/8 march from well-known concert band composer, Franco Cesarini. This exciting and musically witty piece is as impressive rhythmically as it is melodically, and will make for an elegant opening to any concert.

Piotta

Piotta is a lively 6/8 march from well-known concert band composer, Franco Cesarini. This exciting and musically witty piece is as impressive rhythmically as it is melodically, and will make for an elegant opening to any concert.

Step Out and Swing

This piece is a great addition to the march repertoireas it combines march music with swing. Effectiveyet easy-to-play swing rhythms in 6/8 time, as wellas catchy themes with blues elements give thepiece dynamism and drive. Your band and youraudience will love it!

Step Out and Swing

This piece is a great addition to the march repertoireas it combines march music with swing. Effectiveyet easy-to-play swing rhythms in 6/8 time, as wellas catchy themes with blues elements give thepiece dynamism and drive. Your band and youraudience will love it!

Ave Maria : Ellens Gesang/ Hymne an die Jungfrau, Op. 52 Nr. 6

The Ave Maria by Franz Schubert is known and loved worldwide and was originally written as part of the song cycle The Lady of the Lake. In the course of time, the German text has been replaced by the traditional Latin prayer so often that the song has become known as the Ave Maria by Schubert. This lyrical melody, stirring in its simplicity, is complemented by a murmuring accompaniment that imitates a harp, a feature that Thomas Doss fully does justice to in this arrangement.

Ave Maria : Ellens Gesang/ Hymne an die Jungfrau, Op. 52 Nr. 6

The Ave Maria by Franz Schubert is known and loved worldwide and was originally written as part of the song cycle The Lady of the Lake. In the course of time, the German text has been replaced by the traditional Latin prayer so often that the song has become known as the Ave Maria by Schubert. This lyrical melody, stirring in its simplicity, is complemented by a murmuring accompaniment that imitates a harp, a feature that Thomas Doss fully does justice to in this arrangement.

Neckarmarsch : Neckar March

The town of Schwenningen at the source of the Neckar inspired Wolfgang Wössner to compose this march song. In the trio he employed Friedrich Silcher’s well-known folk song Am Neckar. The march is composed in 6/8 time throughout, with the folk song theme likewise arranged in this meter. An optional performance with male choir is possible, with the _x001F_first two verses, together with the last verse, sung.

Neckarmarsch : Neckar March

The town of Schwenningen at the source of the Neckar inspired Wolfgang Wössner to compose this march song. In the trio he employed Friedrich Silcher’s well-known folk song Am Neckar. The march is composed in 6/8 time throughout, with the folk song theme likewise arranged in this meter. An optional performance with male choir is possible, with the _x001F_first two verses, together with the last verse, sung.