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The Rock Music Imagination - Robert Mcparland - Bog - Lexington Books - Plusbog.dk

The Rock Music Imagination - Robert Mcparland - Bog - Lexington Books - Plusbog.dk

The Rock Music Imagination is an exploration of rock artists in their social and artistic contexts, particularly between 1964 and 1980, and of rock music in relation to literature, i.e. creative expression, fantastic imagination, and contemporary fiction about rock. Robert McParland analyzes how rock music touches our imaginative lives by looking at themes that often appear in classic rock music: freedom and liberation, utopia/dystopia, community, rebellion, the outsider, the quest for transcendence, monstrosity, erotic/spiritual love, imaginative vision, and mystery. The Rock Music Imagination examines how the sixties were a pivotal point in rock music history, recognizing the imagination and creativity of blues and jazz artists, folk-rock and hard-rock musicians, female rock musicians, and progressive rock creators. McParland explores blues imagination, countercultural dreams of utopia, rock’s critiques of society and images of dystopia, rock’s inheritance from romanticism, science fiction and mythic imagination in progressive rock, and rock’s global reach and potential to provide hope and humanitarian assistance.

DKK 925.00
1

The Rock Music Imagination - Robert Mcparland - Bog - Lexington Books - Plusbog.dk

The Rock Music Imagination - Robert Mcparland - Bog - Lexington Books - Plusbog.dk

The Rock Music Imagination is an exploration of rock artists in their social and artistic contexts, particularly between 1964 and 1980, and of rock music in relation to literature, that is, creative expression, fantastic imagination, and contemporary fiction about rock. Robert McParland analyzes how rock music touches our imaginative lives by looking at themes that appear in classic rock music: freedom and liberation, utopia and dystopia, community, rebellion, the outsider, the quest for transcendence, monstrosity, erotic and spiritual love, imaginative vision, and mystery. The Rock Music Imagination explores blues imagination, countercultural dreams of utopia, rock’s critiques of society and images of dystopia, rock’s inheritance from romanticism, science fiction and mythic imagination in progressive rock, and rock’s global reach and potential to provide hope and humanitarian assistance.

DKK 372.00
1

Rock Music Icons - - Bog - Lexington Books - Plusbog.dk

Rock Music Icons - - Bog - Lexington Books - Plusbog.dk

The music, image, performances, and cultural impact of some of the most enduring figures in popular music are explored in Rock Music Icons: Musical and Cultural Impacts. A rock music icon is readily recognizable—but intriguing and little-known stories lie behind the public’s enchantment. Readers of Rock Music Icons will encounter new perspectives on notable recording artists ranging from Elvis Presley, Paul McCartney, Bob Dylan, and Bob Marley to Elton John, David Bowie, Bruce Springsteen, Metallica, and Kurt Cobain. One meets Pink Floyd upon the fall of the Berlin Wall, the drama of Freddie Mercury, Ozzy Osborne, and Madonna, and the musical craft of Billy Joel. Rock Music Icons investigates authenticity, identity, and the power of the voices and images of these widely circulated and shared artists that have become the soundtrack of our lives. Rock Music Icons brings a reader an inside look into the creativity of some of the most prominent rock stars of our time.

DKK 839.00
1

Rock and Romanticism - - Bog - Lexington Books - Plusbog.dk

Rock and Romanticism - - Bog - Lexington Books - Plusbog.dk

Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2 is an edited anthology that seeks to explain just how rock and roll is a Romantic phenomenon that sheds light, retrospectively, on what literary Romanticism was at its different points of origin and on what it has become in the present. This anthology allows Byron and Wollstonecraft to speak back to contemporary theories of Romanticism through Bob Dylan and the Rolling Stones. Relying on Löwy and Sayre’s Romanticism Against the Tide of Modernity, it explores how hostility, loss, and longing for unity are particularly appropriate terms for classic rock as well as the origins of these emotions. In essays ranging from Bob Dylan to Blackberry Smoke, this work examines how rock and roll expands, interprets, restates, interrogates, and conflicts with literary Romanticism, all the while understanding that as a term “rock and roll” in reference to popular music from the late 1940s through the early 2000s is every bit as contradictory and difficult to define as the word Romanticism itself.

DKK 848.00
1

Rock and Romanticism - - Bog - Lexington Books - Plusbog.dk

Rock and Romanticism - - Bog - Lexington Books - Plusbog.dk

Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2 is an edited anthology that seeks to explain just how rock and roll is a Romantic phenomenon that sheds light, retrospectively, on what literary Romanticism was at its different points of origin and on what it has become in the present. This anthology allows Byron and Wollstonecraft to speak back to contemporary theories of Romanticism through Bob Dylan and the Rolling Stones. Relying on Löwy and Sayre’s Romanticism Against the Tide of Modernity, it explores how hostility, loss, and longing for unity are particularly appropriate terms for classic rock as well as the origins of these emotions. In essays ranging from Bob Dylan to Blackberry Smoke, this work examines how rock and roll expands, interprets, restates, interrogates, and conflicts with literary Romanticism, all the while understanding that as a term “rock and roll” in reference to popular music from the late 1940s through the early 2000s is every bit as contradictory and difficult to define as the word Romanticism itself.

DKK 390.00
1

Rock Music in American Fiction Writing, 1966-2011 - Martin Moling - Bog - Lexington Books - Plusbog.dk

Rock Music in American Fiction Writing, 1966-2011 - Martin Moling - Bog - Lexington Books - Plusbog.dk

Can rock music help us understand literature? Rock Music in American Fiction Writing, 1966-2011 argues that a close analysis of the rock music incorporated into a literary text–an investigation of the lyrics, a musicological exploration of the sounds and rhythms, a cultural-historical inquiry into the production and reception of a song–may yield exciting new insight into and expand our understanding of American literary production from the mid-20th century onwards. Reading major works by Joyce Carol Oates, Alice Walker, Don DeLillo, Jeffrey Eugenides, Sherman Alexie and Jennifer Egan from such a rock-musicological vantage point, Rock Music in American Fiction Writing adds a new dimension to recent work in American literary criticism by seeking to establish rock music as an analytical tool for literary investigation. The book concentrates on the way these literary artists have struggled to come to terms with the dichotomies inherent in rock music–its liberating and revolutionary impulses as well as its adherence to the bleakest laws of consumer capitalism–in their work. By combining a musicological with a literary analysis, Rock Music in American Fiction Writing highlights the crucial and complex role rock music has played in shaping the artistic outlook and cultural sensibilities of literary artists since the 1960s in America and beyond.

DKK 848.00
1

Rock Concert Performance from ABBA to ZZ Top - Peter Smith - Bog - Lexington Books - Plusbog.dk

Rock Concert Performance from ABBA to ZZ Top - Peter Smith - Bog - Lexington Books - Plusbog.dk

This book presents an analysis of 100 rock concert performances and attempts to answer the question "What makes a truly great rock performance?" Author Peter Smith, an experienced concert goer, delves into his own recollections of experiencing rock performances over the last 50+ years and, with the support of his daughter, Laura Smith, analyzes 100 selected performances covering the themes of icons, persona, energy, fandom, venues, communities, politics, art-rock, authenticity and maturity. The approach taken is based upon qualitative analysis, reflection, and autoethnography. The selected performances cover a range of diverse acts such as the Rolling Stones, ABBA, Sex Pistols, Barbara Streisand, David Bowie, and the like.

DKK 317.00
1

Rock Concert Performance from ABBA to ZZ Top - Peter Smith - Bog - Lexington Books - Plusbog.dk

Rock Concert Performance from ABBA to ZZ Top - Peter Smith - Bog - Lexington Books - Plusbog.dk

This book presents an analysis of 100 rock concert performances and answers the question "What makes a truly great rock performance?" Author Peter Smith, an experienced concert goer, delves into his own recollections of experiencing rock performances over the last 50+ years and, with the support of his daughter, Laura Smith, analyzes 100 selected performances covering the themes of icons, persona, energy, fandom, venues, communities, politics, art-rock, authenticity and maturity. The approach taken is based upon qualitative analysis, reflection, and autoethnography. The selected performances cover a range of diverse acts such as the Rolling Stones, ABBA, Sex Pistols, Barbara Streisand, David Bowie, etc.

DKK 768.00
1

Youth and Rock in the Soviet Bloc - - Bog - Lexington Books - Plusbog.dk

Youth and Rock in the Soviet Bloc - - Bog - Lexington Books - Plusbog.dk

Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that young people listened and danced to. Young people attracted to the music and subcultures of the capitalist West still shared the values and behaviors of their peers in Communist youth organizations. Despite problems providing youth with consumer goods, leaders of Soviet bloc states fostered a socialist alternative to the modernity the capitalist West promised. Underground rock musicians thus shared assumptions about culture that Communist leaders had instilled. Still, competing with influences from the capitalist West had its limits. State-sponsored rock festivals and rock bands encouraged a spirit of rebellion among young people. Official perceptions of what constituted culture limited options for accommodating rock and pop music and Western youth cultures. Youth countercultures that originated in the capitalist West, like hippies and punks, challenged the legitimacy of Communist youth organizations and their sponsors. Government media and police organs wound up creating oppositional identities among youth gangs. Failing to provide enough Western cultural goods to provincial cities helped fuel resentment over the Soviet Union’s capital, Moscow, and encourage support for breakaway nationalist movements that led to the Soviet Union’s collapse in 1991. Despite the Cold War, in both the Soviet bloc and in the capitalist West, political elites responded to perceived threats posed by youth cultures and music in similar manners. Young people participated in a global youth culture while expressing their own local views of the world.

DKK 494.00
1

Contemporary Punk Rock Communities - Ellen M. Bernhard - Bog - Lexington Books - Plusbog.dk

Contemporary Punk Rock Communities - Ellen M. Bernhard - Bog - Lexington Books - Plusbog.dk

As a music scene, punk rock faces an unfortunate stereotype which often assumes an overwhelming presence of aggression and indifference. Using interviews and personal experience, Ellen M. Bernhard argues that contemporary punk scenes are more than just music and mohawks—they operate as sites of autonomous practice and networked communities where a tireless pursuit for social action is amplified by the platforms and forces that exist within the scene today. Contemporary Punk Rock Communities explores current trends within the punk rock community and concludes that today''s scenes are spaces of autonomy and commitment where inclusiveness and diversity are prioritized. While self-sufficiency is preferred, scene-related practices are influenced and affected by the larger forces that exist within society today.

DKK 856.00
1

Rock and Roll, Social Protest, and Authenticity - Kurt Torell - Bog - Lexington Books - Plusbog.dk

Rock and Roll, Social Protest, and Authenticity - Kurt Torell - Bog - Lexington Books - Plusbog.dk

This book explores the relationships between rock and roll, social protest, and authenticity to consider how rock and roll could function as social protest music. The author begins by discussing the nature and origins of rock and roll and the nature of social protest and social protest music within the wider context of the evolution of the commercial music industry and the social and technological infrastructure developed for the mass dissemination of popular music. This discussion is followed by an examination of the causes of the public disapproval originally expressed toward rock and roll, and how they illuminate its social protest and subversive quality. By further investigating the nature of authenticity and its relationship to social protest and to commercialization, the author considers how social protest and commercialization are antithetical. This conclusion, if correct, has broad implications for human culture in advanced industrial society.

DKK 317.00
1

Rock Poetry in Post-Dictatorship Argentina - Lucas R Berone - Bog - Lexington Books - Plusbog.dk

Rock Poetry in Post-Dictatorship Argentina - Lucas R Berone - Bog - Lexington Books - Plusbog.dk

This book is a historical and discursive study of rock poetry produced in Argentina, during the “transition to democracy”, in the eighties. Lucas R. Berone analyzes the lyrics and albums of a heterogeneous group of Argentine rock artists and bands, who began their career at that time, with the purpose of demonstrating the emergence and functioning of a new grammar of discursive production, which he terms the “grammar of the incognitus (or hidden) subject”. This grammar is, when compared to the traditional “counterculture” rock discourse, a very specific and distinct way of elaborating the enunciative relationship between the artist and his audience. The author asserts that the new discursive grammar, focused on the singularity of the present and the “self,” will produce the last important revolution in the tradition of the so-called “rock nacional”; motivating critical responses in the leaders of the movement.

DKK 768.00
1

Rock Brands - - Bog - Lexington Books - Plusbog.dk

Rock Brands - - Bog - Lexington Books - Plusbog.dk

Rock Brands: Selling Sound in a Media Saturated Culture, edited by Elizabeth Barfoot Christian, is an edited collection that explores how different genres of popular music are branded and marketed today. The book''s core objectives are addressed over three sections. In the first part of Rock Brands, the authors examine how established mainstream artists/bands are continuing to market themselves in an ever-changing technological world, and how bands can use integrated marketing communication to effectively ''brand'' themselves. This branding is intended as a protection so that technology and delivery changes don''t stifle the bands'' success. KISS, AC/DC, Ozzy Osbourne, Phish, and Miley Cyrus are all popular musical influences considered in this part of the analysis. In the second section, the authors explore how some musicians effectively use attention-grabbing issues such as politics (for example, Kanye West and countless country musicians) and religion (such as with Christian heavy metal bands and Bon Jovi) in their lyrics, and also how imagery is utilized by artists such as Marilyn Manson to gain a fan base. Finally, the book will explore specific changes in the media available to market music today (see M.I.A. and her use of new media) and, similarly, how these resources can benefit music icons even after they are long gone, as with Elvis and Michael Jackson. Rock Brands further examines gaming, reality television, and social networking sites as new outlets for marketing and otherwise experiencing popular music. What makes some bands stand out and succeed when so many fail? How does one find a niche that isn''t just kitsch and can stand the test of time, allowing the musician to grow as an artist as well as grow a substantial fan base? Elizabeth Barfoot Christian and the book''s contributors expertly navigate these questions and more in Rock Brands: Selling Sound in a Media Saturated Culture.

DKK 459.00
1

Rock Aesthetics in Colombian Literature and Culture - David Marti ́nez Houghton - Bog - Lexington Books - Plusbog.dk

Rock Aesthetics in Colombian Literature and Culture - David Marti ́nez Houghton - Bog - Lexington Books - Plusbog.dk

Rock Aesthetics in Colombian Literature and Culture: Writing the Noise explores the presence of a rock aesthetic in the Colombian literary field and how its pivotal role in creating alternative creative expressions that challenge the dominance of tropicality as the prevailing artistic reference. More than a musical genre or a cultural industry, rock is also an aesthetic: a significant social practice that allows one to understand what people consider beautiful or authentic. Since its birth in the mid-1950s, rock as an aesthetic has expanded worldwide, transforming and establishing dialogues with artistic practices such as literature. Through an analysis of a series of novels, poems, and manifestos written from the 1950s to the early years of the 21st century, David Martínez Houghton embarks on a literary, musical, and historical journey. On the way, he explores complex phenomena such as urban violence, the formation of youth identities, the penetration of pop culture, national identity discourses, and even the social and physical transformation of Colombian cities.

DKK 830.00
1

Conglomerate Rock - David J. Park - Bog - Lexington Books - Plusbog.dk

Conglomerate Rock - David J. Park - Bog - Lexington Books - Plusbog.dk

Conglomerate Rock examines how the music industry is creating a new distribution infrastructure by dividing access to exclusive releases through different subscription services, hardware, and new media like audio DVDs in order to maximize profits. Author David J. Park argues that while these changes make it easier to see and hear artists from a handful of transnational corporations in commercial culture, access to music is becoming more dispersed, expensive and difficult to acquire. In addition, music and performers are increasingly being cross-promoted in films, television shows, commercials and other media owned by the Big 4 corporations. Conglomerate Rock critically analyzes these and other trends in order to provoke public discussion concerning the interaction between industry practice and music consumption. The present strategies employed by the industry will have long-term effects on the way consumers experience and access music, as well as how culture is viewed and portrayed in the United States and throughout the world.

DKK 101.00
1

Conglomerate Rock - David J. Park - Bog - Lexington Books - Plusbog.dk

Conglomerate Rock - David J. Park - Bog - Lexington Books - Plusbog.dk

Conglomerate Rock examines how the music industry is creating a new distribution infrastructure by dividing access to exclusive releases through different subscription services, hardware, and new media like audio DVDs in order to maximize profits. Author David J. Park argues that while these changes make it easier to see and hear artists from a handful of transnational corporations in commercial culture, access to music is becoming more dispersed, expensive and difficult to acquire. In addition, music and performers are increasingly being cross-promoted in films, television shows, commercials and other media owned by the Big 4 corporations. Conglomerate Rock critically analyzes these and other trends in order to provoke public discussion concerning the interaction between industry practice and music consumption. The present strategies employed by the industry will have long-term effects on the way consumers experience and access music, as well as how culture is viewed and portrayed in the United States and throughout the world.

DKK 866.00
1

Conveying Lived Experience through Rock and Pop Music Lyrics - David C. Wright Jr. - Bog - Lexington Books - Plusbog.dk

Conveying Lived Experience through Rock and Pop Music Lyrics - David C. Wright Jr. - Bog - Lexington Books - Plusbog.dk

Conveying Lived Experience through Rock and Pop Music Lyrics explores rock and pop music lyrics of the last seventy years to elucidate a broad spectrum of themes about the collective human experience. The opening chapters discuss personal topics, with a first chapter about developing a romantic relationship and a second chapter about breaking up. Subsequently, lyrics describing nostalgia, that is, the longing for the past, as well as those about leaving home, going on the road, and returning home are considered. More social topics are treated in chapters devoted to lyrics about the outsider in society, those experiencing mental illness, and alcohol and drug use. Next, songs of social and political critique are surveyed, followed by an examination of utopian and dystopian lyrics. Finally, rock and pop songs about religious topics are considered, first with a chapter on the use of the prophetic voice, and then with a description of lyrics about hell and the devil, as well as heaven, angels, and God. This broad survey of several hundred songs, using a close reading approach, shows how rock and pop lyrics convey the lived experience of people in contemporary society.

DKK 733.00
1

The Southern Rock Revival - Jason T. Eastman - Bog - Lexington Books - Plusbog.dk

The Southern Rock Revival - Jason T. Eastman - Bog - Lexington Books - Plusbog.dk

While some people find new opportunities in the postindustrial economy, many working-class men find their social and economic well-being collapse as blue-collar jobs are outsourced and offshored to the global labor market. Faced with limited options to earn a living-wage, many of these blue-collar workers are instead changing who they are, embracing a deviant, rebellious identity expressed by the contemporary southern rock revival musicians studied in this book. Although loosely based in the traditional culture and lifestyle of the southeastern United States, contemporary southerness has little to do with region but instead is a way to rebel from the very institutions blue-collar men traditionally used as the basis of their masculine pride: family, education, employment, military service, and religion. This contemporary form of southerness reflected in their music also involves deviance, as many of these men adorn themselves with the highly controversial confederate flag, binge drink alcohol, brawl with one another and use drugs. Combining interviews, participant observation and a lyrical analysis, this book explores these aspects of rebellious southerness through music as it exists in the ideal sense and as individual men try to live up to these subcultural ideals in their daily lives. The southern rock revival is a new social movement carving out a place for an alternative way to live while simultaneously perpetuating stereotypes about poor men, reinforcing social disadvantage and marginalization.

DKK 379.00
1

The Southern Rock Revival - Jason T. Eastman - Bog - Lexington Books - Plusbog.dk

The Southern Rock Revival - Jason T. Eastman - Bog - Lexington Books - Plusbog.dk

While some people find new opportunities in the postindustrial economy, many working-class men find their social and economic well-being collapse as blue-collar jobs are outsourced and offshored to the global labor market. Faced with limited options to earn a living-wage, many of these blue-collar workers are instead changing who they are, embracing a deviant, rebellious identity expressed by the contemporary southern rock revival musicians studied in this book. Although loosely based in the traditional culture and lifestyle of the southeastern United States, contemporary southerness has little to do with region but instead is a way to rebel from the very institutions blue-collar men traditionally used as the basis of their masculine pride: family, education, employment, military service, and religion. This contemporary form of southerness reflected in their music also involves deviance, as many of these men adorn themselves with the highly controversial confederate flag, binge drink alcohol, brawl with one another and use drugs. Combining interviews, participant observation and a lyrical analysis, this book explores these aspects of rebellious southerness through music as it exists in the ideal sense and as individual men try to live up to these subcultural ideals in their daily lives. The southern rock revival is a new social movement carving out a place for an alternative way to live while simultaneously perpetuating stereotypes about poor men, reinforcing social disadvantage and marginalization.

DKK 892.00
1

Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era - Beth Fowler - Bog - Lexington Books - Plusbog.dk

Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era - Beth Fowler - Bog - Lexington Books - Plusbog.dk

The rock and roll music that dominated airwaves across the country during the 1950s and early 1960s is often described as a triumph for integration. Black and white musicians alike, including Chuck Berry, Little Richard, Elvis Presley, and Jerry Lee Lewis, scored hit records with young audiences from different racial groups, blending sonic traditions from R&B, country, and pop. This so-called "desegregation of the charts" seemed particularly resonant since major civil rights groups were waging major battles for desegregation in public places at the same time. And yet the centering of integration, as well as the supposition that democratic rights largely based in consumerism should be available to everyone regardless of race, has resulted in very distinct responses to both music and movement among Black and white listeners who grew up during this period. This book traces these distinctions using archival research, musical performances, and original oral histories to determine the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.

DKK 980.00
1

The Who and Philosophy - - Bog - Lexington Books - Plusbog.dk

The Who and Philosophy - - Bog - Lexington Books - Plusbog.dk

The Who were one of the most memorable and influential of the 1960s British Invasion bands—memorable because of their loudness and because they destroyed instruments during performances, and influential because of their success in crafting “Power Pop” singles like “My Generation” and “I Can See for Miles,” long-playing albums Live at Leeds and Who’s Next, and the “rock operas” Tommy and Quadrophenia. The themes that principal songwriter Pete Townshend imparted into The Who’s music drew upon the group’s mostly working-class London upbringings and early Mod audiences: frustration, angst, irony, and a youthful inclination to lash out. Like some of his rock and roll contemporaries, Townshend was also affected by religious ideas coming from India and the existential dread he felt about the possibility of nuclear war. During a career that spanned three decades, The Who gave their fans and rock critics a lot to think about. The remarkable depth and breadth of The Who’s music and their story as one of the most exciting and provocative rock bands over the last half-century are the subjects of the philosophical explorations in this collection.

DKK 892.00
1

Portraying Performer Image in Record Album Cover Art - Ken Bielen - Bog - Lexington Books - Plusbog.dk

Portraying Performer Image in Record Album Cover Art - Ken Bielen - Bog - Lexington Books - Plusbog.dk

In Portraying Performer Image in Record Album Cover Art, Ken Bielen explains how album cover art authenticates recording artists by using elements that authenticate the performer in the particular genre. He considers albums issued from the 1950s to the 1980s, the golden era of record album cover art. The whole album package is studied including the front and back covers, the inside cover, the inner sleeve, and the text (liner notes) on the album jacket. Performers in rock and roll, folk and folk rock, soul and disco, psychedelic, Americana nostalgia, and singer-songwriter genres are included in this study of hundreds of record album covers.

DKK 804.00
1