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Quiero Tocar La Bateria Book With Online Audio

Quiero Tocar La Bateria Book With Online Audio

Quiero Tocar La Bateria by Victor M. Barba is a fantastic book for the drums. From a simple hi-hat to a full rock beat, this book explains how to play the drums in a very simple and easy to understand way. The rhythms, beats and patterns comes with nice drum graphics, showing where to play, and as you listen to the included online audio you'll find this book is a simple yet powerful tool for learning how to play the drums. It features many beats and rhythms for rock, ballads, garage, hip-hop, funk, reggae, motown, heavy metal, country, jazz and latin jazz. At the end of the book it has a summary of all the rhythms for easy review. "Quier Tocar La Bateria" is a must have book from the series of Easy Music School and Mel Bay Publications! Includes access to online audio of examples included.

DKK 185.00
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Holiday Song Collection For Guitar Ensemble

Holiday Song Collection For Guitar Ensemble

This collection of Guitar ensemble music was originally created for the Piedmont Guitar Orchestra (PGO), a community-oriented ensemble in North Carolina. To unite the diversity of playing levels within the orchestra, each composition has been arranged with parts organized into five graded levels: Guitar I is the most advanced; Guitar III is the easiest part; Guitar V, with (6) tuned down to low D, and Guitar II and IV are intermediate level parts. These works, though easily realized with one player per part, will sound more effective with several players per part.

DKK 153.00
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Miles Okazaki: Fundamentals Of Guitar

Miles Okazaki: Fundamentals Of Guitar

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. The book is divided into two parts: Pitch (Part I) and Rhythm (Part II). Part I is concerned primarily with the positions and movements of the fretting hand, and Part II with the possibilities of sound production with the picking hand. Part I begins the study of pitch locations and formations the fretboard, from natural harmonics to sets of 1, 2, 3 and 4 pitches. Part II addresses the often neglected topic of rhythm, beginning with a complete course in my approach to symmetrical picking and continuing with studies of multiple notes per stroke on one string (slurs, slides, and ornaments) and playing on multiple strings (rhythmic counterpoint).

DKK 340.00
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