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Debussy: La Plus Que Lente Piano Solo

Debussy: La Plus Que Lente Piano Solo

Slow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy – with a twinkle in his eye – to produce his piano waltz “La plus que lente” (“The Slower-than-Slow”). Parisian publisher Durand brought Debussy’s piano waltz, issued in July 1910, to a wider public by publishing it that same year as a supplement to Le Figaro, as well as in arrangements (by others) for violin and piano and for piano, 4-hands. Debussy himself produced a version for orchestra, and in 1913 he even – at a rather faster tempo – recorded it on a piano roll for the Welte-Mignon company. This work, headed “molto rubato con morbidezza” (with much rubato, morbidly), is now available as a separate Henle Urtext. A preface, extended from those in the anthology volumes HN 1194 and HN 404, will stimulate curiosity about this charming miniature waltz.

DKK 94.00
1

Max Reger: Suite e minor for Organ op. 16 - composer ́s transcription for Piano four-hands (First Edition)

Max Reger: Suite e minor for Organ op. 16 - composer ́s transcription for Piano four-hands (First Edition)

Max Reger ’s powerful Organ work is published for the first time in the previously unknown authentic version for Piano four hands. The manuscript only came into the possession of the Reger Institute in Karlsruhe a few years ago. The famous Piano Duo Tal & Groethuysen was so impressed with the quality of the arrangement and its effect on the audience that they not only undertook to record it for the first time but also persuaded us of the necessity of publishing it. Music journalists gave it an incredible reception: “of course one would hope that through this arrangement the music of the Organ suite would also be transported into the concert halls from the churches – yet, “one must, of course, already be able to play” [Piano News, 2000].

DKK 345.00
1

Georg Philipp Telemann: Methodical Sonatas For Flute Or Violin And Continuo, Volume I

Georg Philipp Telemann: Methodical Sonatas For Flute Or Violin And Continuo, Volume I

Published in 1728, Telemann ’s sonatas are ‘methodical’ according to the meaning of the word at the time of their publication as in addition to the plain melody line given to the soloist in the first movements they also provide an ornamented variant each time. This is instructive and very enjoyable music for today’s flautists and violinists. Henle’s luxurious new publication offers a solo and basso-continuo part in which the two instrumental lines are aligned for orientation, plus another part that gives only an unrealised (but figured) bass line. The Henle edition also includes a full score with a stylistically appropriate continuo realisation.

DKK 388.00
1