Joseph Haydn: Il Ritorno Di Tobia

Written 25 years prior to Haydn's late great oratorios, his first oratorio, telling the Biblical story of young Tobias who is able to cure his blind father with heavenly help, is in the tradition of the Neapolitan oratorio and already displays signs of Haydn's personal style; it is one of the most significant sacred works that he had written up to that time. This applies both to the virtuoso arias as well as to the expressive choruses. This work was long-neglected, but this Urtext Study Edition reflects its renewed popularity.

Franz Joseph Haydn: Il Mondo Della Luna - Dramma Giocoso - 3rd part - 3rd part

Franz Joseph Haydn: Il Mondo Della Luna - Dramma Giocoso - 1st act - 1st part

Franz Joseph Haydn: Il Mondo Della Luna - Dramma Giocoso - 1st act - 1st part

Franz Joseph Haydn: L'Infedeltà Delusa - Burletta Per Musica

Franz Joseph Haydn: Il Mondo Della Luna - Dramma Giocoso - 2nd and 3rd. act - 2nd part

Franz Joseph Haydn: Il Mondo Della Luna - Dramma Giocoso - 2nd and 3rd. act - 2nd part

Franz Joseph Haydn: La Vera Costanza - Dramma Giocoso Per Musica

Franz Joseph Haydn: L'Incontro Improvviso - Dramma Giocoso Per Musica - 2nd part

Franz Joseph Haydn: L'Incontro Improvviso - Dramma Giocoso Per Musica - 1st part

Franz Joseph Haydn: L'Anima Del Filosofo Ossia Orfeo Ed Euridice. Dramma Per Musica

Franz Joseph Haydn: L'Anima Del Filosofo Ossia Orfeo Ed Euridice. Dramma Per Musica

Franz Joseph Haydn: Sechs Sonaten Fur Violine Und Viola

The title “ Solo per il Violino ” which Haydn gave these sonatas in his “Entwurf-Katalog” (the handwritten catalogue he maintained of his own works), already gives us an indication: it is only the Violin which is treated as a solo instrument in these six sonatas – the Viola has an accompanying role. Haydn might have written these “soli” for himself; but they also might have been for Luigi Tomasini, the “first violinist” at Esterházy’s court. Today these duos enjoy great popularity, particularly for teaching purposes. We are now proud to present the definitive Henle edition following the text in the Complete Edition of Haydn ’s Works – with the addition of specially composed cadenzas.

Joseph Haydn: Six Divertimenti For Violin (Flute), Violin And Violoncello Hob. IV:6*-11* - Henle Urtext Study Score

Though not nearly as well-known as the "London Trios," these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's esprit, they are a treasure trove for all lovers of music-making in the home. The stylistic variety of these cheerful pièces d'occasion surely reflects the fact that they are partly based on earlier models: Haydn's baryton trios as well as arias and other items from his opera "Il mondo della luna" ("The World on the Moon").

Franz Joseph Haydn: Six Divertimenti For Violin (Flute), Violin And Violoncello Hob. IV:6*-11* - Henle Urtext Parts

Though not nearly as well-known as the "London Trios," these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's esprit, they are a treasure trove for all lovers of music-making in the home. The stylistic variety of these cheerful pièces d'occasion surely reflects the fact that they are partly based on earlier models: Haydn's baryton trios as well as arias and other items from his opera "Il mondo della luna" ("The World on the Moon").

Easy Piano Music - 18th And 19th Centuries - Volume II

I. Albeniz Zortziko from Espana op. 165; C. Ph. E. Bach Abschied vom Silbermannschen Clavier in einem Rondeau Wq 66; W. F. Bach Polonaise c from 12 Polonaises; L. van Beethoven Bagatelle C WoO 56; J. Brahms Intermezzo a op. 76,7; F. Chopin Mazurka g op. 24,1, Nocturne g op. 37,1, Waltz b op. 69,2; M. Cipra Old Dance; A. Dvovak Humoresque Ab op. 101,3; F. Liszt Il Pensieroso from Annees de Pelerinage; F. Mendelssohn Bartholdy Allegro non troppo G op. 72,1; W. A. Mozart Minuet D K. 355 (576b); M. Mussorgskij Im Dorf op. post. 70,15; F. Schubert Minuet Eb from Sonata op. post. 122 D 568; R. Schumann Walzer, Larghetto and Elfe from Album Leaves op. 124; B. Smetana Polka poetique g op. 8,2.

Ludwig Van Beethoven: Soprano Arias, Duet WoO 93, Trio Op.116

The vocal works collected in this volume were composed for very different occasions. Several of them were tailor-made for female singers of Beethoven?s acquaintance; with others he was trying his hand at Italian opera (under the guidance of none other than Antonio Salieri). In addition to core repertoire pieces such as ?Ah! perfido? op. 65, the volume also contains unknown treasures such as ?No, non turbarti? ? ?Ma tu tremi, o mio tesoro??, a scene and aria which Beethoven revised several times. In our edition, based on the Beethoven Complete Edition, the last version of the aria is made available for musicians for the first time.Contents:"Erste Liebe, Himmelslust" / "Primo amore, piacer del ciel" Aria for Soprano and Orchestra WoO92"Soll ein Schuh nicht drücken" Aria for Soprano and Orchestra WoO 91/2"Ah! perfido" - "Per pietá, non dirmi addio" Scena and Aria for Soprano and Orchestra op. 65"No, non turbarti" - "Ma tu tremi, o mio tesoro?" Scena and Aria for Soprano and Orchestra WoO 92a"Ne' giorni tuoi felici" Duet for Sopran, Tenor and Orchestra WoO 93"Tremate, empi, tremate" Trio for Soprano, Tenor, Bass and Orchestra op. 116