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Frédéric Chopin: Ballades (Henle Urtext Edition)

Frédéric Chopin: Ballades (Henle Urtext Edition)

In 1836 Chopin introduced the term "ballad" into piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music. Indeed, all four of Chopin's ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work, reaching a powerful climax at the end. This Henle Urtext edition has been revised to include the latest scholarly findings.

DKK 226.00
1

Franz Schubert: Three Piano Pieces - Impromptus - D946 Post. (Henle Urtext)

Franz Schubert: Three Piano Pieces - Impromptus - D946 Post. (Henle Urtext)

In the last years of his life, Schubert increasingly succeeded in finding publishers for his works. His Impromptus and Moments musicaux, for example, appeared in print in 1827 and 1828. Probably to pick up on the success of these editions, he wrote three further pieces in May 1828, though no less outstanding than their predecessors, they were not printed until Brahms’edition of 1868, which is perhaps one reason a completely unjustifiable one why they are still not very well known today.

DKK 154.00
1

Franz Joseph Haydn: Streichtrios Heft II

Franz Joseph Haydn: Streichtrios Heft II

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The second contains Trios Hob. V:15 21. The Critical Report provides valuable information about the trios’ genesis and sources.

DKK 371.00
1

Johannes Brahms: Händel-Variations Op. 24

Johannes Brahms: Händel-Variations Op. 24

We know that Brahms took an active interest in Baroque music throughout his life. It can thus hardly be by chance that he chose a theme from one of Handel’s harpsichord suites for his 25 variations. The variations allow for iridescent colours and moods in the style of Beethoven’s characteristic variations. In keeping with the source, however, the work also features allusions to Baroque models embellishments, pedal points and ends in a grandly laid-out fugue with a triumphant build-up. Opus 24 unquestionably deserves its reputation as the composer’s most important variation cycle.

DKK 162.00
1

Joseph Haydn: Il Ritorno Di Tobia

Joseph Haydn: Il Ritorno Di Tobia

Written 25 years prior to Haydn's late great oratorios, his first oratorio, telling the Biblical story of young Tobias who is able to cure his blind father with heavenly help, is in the tradition of the Neapolitan oratorio and already displays signs of Haydn's personal style; it is one of the most significant sacred works that he had written up to that time. This applies both to the virtuoso arias as well as to the expressive choruses. This work was long-neglected, but this Urtext Study Edition reflects its renewed popularity.

DKK 549.00
1

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume III K.26-31 - Piano Solo

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume III K.26-31 - Piano Solo

The Six Sonatas for Piano K. 26?31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the ?Wunderkind? Mozart have only been known in the form of Violin sonatas up to now (also see Henle Urtext edition HN 1079). Henle's edition for solo Piano, the first time it has ever been printed in this form, is now available for Piano teachers to make use of in their lessons, as well as for all lovers of Mozart.

DKK 218.00
1

Sergei Rachmaninoff: 24 Préludes

Sergei Rachmaninoff: 24 Préludes

Based on the Prélude in C sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as a complete volume in 1911. Based on the corresponding models by Chopin, Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys, but unlike the other ones are not organised systematically according to keys. A final highlight of late Romantic Piano music, which no pianist can ignore.

DKK 315.00
1

Gabriel Faure: Sonata No.1 for Violin and Piano in A Major

Gabriel Faure: Sonata No.1 for Violin and Piano in A Major

Fauré composed his Violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music. In a review, Saint-Saëns expressed his enthusiasm for this work by his friend and pupil: "In this sonata you can find everything to tempt a gourmet: new forms, excellent modulations, unusual tone colours, and the use of unexpected rhythms. And a magic floats above everything, encompassing the whole work, causing the crowd of usual listeners to accept the unimagined audacity as something quite normal. With this work Monsieur Fauré takes his place amongst the masters."

DKK 273.00
1

Ludwig van Beethoven: Piano Sonata C major op. 53 [Waldstein]

Ludwig van Beethoven: Piano Sonata C major op. 53 [Waldstein]

A further edition in our highly regarded Beethoven revisions bears witness to our fruitful collaboration with the renowned artist Murray Perahia. This time the established editorial team Gertsch/Perahia has devoted itself to a truly monumental work:Beethoven’s famous “Waldstein Sonata” was composed in close proximity to the “Eroica” and the first sketches for “Fidelio”. The boldness of the first movement already surpasses anything that had been ventured up to that point. Beethoven dedicated itto his friend and patron Count Waldstein. As always, Murray Perahia not only provides valuable fingering suggestions but also shares his personal thoughts on this work in a short essay.

DKK 133.00
1

W.A. Mozart: Andante KV 616 (Urtext)

W.A. Mozart: Andante KV 616 (Urtext)

Automata of all types, including musical automata, had their moment of fame in the 18th century, in “art cabinets” that exhibited, inter alia, musical clocks equipped with a wind-up cylinder and a bellows mechanism. Clockmakers often invited celebrated composers to write pieces for such a clock. This led to the composition of little works by Carl Philipp Emanuel Bach, Haydn, Mozart and many others. Mozart’s three works for the Flötenuhr K. 594, 608 and the Andante K. 616 are nothing less than pearls of this literature, which also includes the arrangement for piano presented here.

DKK 124.00
1

Franz Joseph Haydn: Klaviersonaten Auswahl Band I (Urtext)

Franz Joseph Haydn: Klaviersonaten Auswahl Band I (Urtext)

Joseph Haydn’s piano sonatas are a compendium of masterly compositional and pianistic technique as well as a collection of charming and witty ideas. With our two-volume edition of selected works, we would like to introduce pianists to the most interesting of the altogether 52 sonatas. Volume I contains twelve sonatas from the first two volumes of Henle’s three-volume collection of Haydn’s complete piano sonatas. The editor has also chosen pieces that, while less known, are no less stunning. The sonatas are organized in chronological order, making it easy to follow the development of Haydn’s piano style up to 1780.

DKK 291.00
1

Franz Schubert: Piano Pieces - Piano Variations (Henle Urtext Edition)

Franz Schubert: Piano Pieces - Piano Variations (Henle Urtext Edition)

This volume gathers together, in chronological order, a selection of solo piano pieces that Schubert, to be sure, created as “shorter” occasional works but which form an important part of his complete oeuvre and often dazzle with their bold harmonies. Our Urtext volume includes compositions from his youth up to shortly before his death. The selected pieces are of a wide spectrum of difficulty (from level 3 to level 7). They offer the more advanced pupil many options by which to approach Schubert’s piano works, and the less advanced pupil a good introduction and some worthwhile challenges.

DKK 294.00
1

Frédéric Chopin: Ballades - Clothbound (Henle Urtext Edition)

Frédéric Chopin: Ballades - Clothbound (Henle Urtext Edition)

In 1836 Chopin introduced the term "ballad" into Piano music with the publication of his Ballad op. 23, although up to then it had only been used in literature and in vocal music.Indeed, all four of Chopin's ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work, reaching a powerful climax at the end. Following the "Préludes", Henle have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus; the detailed version can be downloaded from the Henle website.

DKK 337.00
1

Franz Joseph Haydn: Streichtrios Heft I

Franz Joseph Haydn: Streichtrios Heft I

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The first contains Trios Hob. V:1 8 and 10 13. The preface to this Urtext edition offers valuable information about the genesis of the trios. Moreover, it contains numerous hints on performance practice, concerning for example the execution of embellishments.

DKK 477.00
1

Isaac Albéniz: Asturias

Isaac Albéniz: Asturias

Albéniz? piano music is truly irresistible, in particular because of its dance-like elements and its Spanish atmosphere. Asturias combines these elements in a most sophisticated manner. It first appeared in 1892 as the Prélude to the Chants d?Espagne (HN782), and again in 1901, this time with the title Asturias in the Suite Espagnole (HN783), and the piece soon became one of the composer?s best-loved works. Who isn?t familiar with the mysterious guitar sounds that conjure up a Flamenco scene in Andalusia? The piece has often been arranged, but we are publishing it in the original Urtext version for solo piano ? in an affordable single edition.

DKK 103.00
1

Nicolò Paganini: 24 Capricci Op.1 (Urtext Study Score)

Nicolò Paganini: 24 Capricci Op.1 (Urtext Study Score)

Nicolò Paganini?s milestone in violin literature is now not only available in a practical Urtext edition (HN450) but also as a study score. Published in 1820 as his Opus 1, Paganini gave the violin world a timeless masterpiece, which no up-and-coming violin virtuoso can ignore. As well as the musical text, our edition also contains a must for all interested performers: a detailed commentary by the Paganini expert Renato de Barbieri. With numerous examples and illustrations for each of the 24 Capricci from the autograph, he knowledgeably explains the characteristics of Paganini?s notation and its significance for its interpretation today.

DKK 218.00
1

Franz Joseph Haydn: Streichquartette Op.33 (Urtext Score)

Franz Joseph Haydn: Streichquartette Op.33 (Urtext Score)

Joseph Haydn's string quartet Op.33 occupy a special place amongst his works for quartet. After not having composed any string quartets for almost ten years, this series, written in 1781, marked the beginning of a long phase of continuous work on the genre up to the last unfinished Quartet Op.103 in 1803.Moreover, they are the first string quartets that we definitely know he wrote with publication in mind. A new contract of service in 1779 not only permitted the Kapellmeister at Prince Esterhazy's court to take on external commissions for compositions but also to arrange for the circulation of his works, thus generating extra income.

DKK 256.00
1

Robert Schumann: Intermezzi Op.4 (Piano)

Robert Schumann: Intermezzi Op.4 (Piano)

Encouraged by the success of his “Papillons”, Schumann composed his Intermezzi op. 4 , also known as “longer Papillons”, in 1832. Despite the at times improvisatory style, Schumann worked very carefully on this composition, “The Intermezzi are going to be something special – each note is going to be weighed up carefully”. The fact that Schumann was very preoccupied with counterpoint at the time cannot be missed. Bach’s influence can be especially felt in numbers 1 and 5, something that contemporary critics greatly appreciated. This edition has been revised in Schumann ’s anniversary year to reflect the latest scholarly findings. An extensive source critical text has also been included.

DKK 162.00
1

Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Following the enthusiastic reception of his first Violin Sonata (HN980), it was clear to Fauré that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as the slow movement for a sonata. However, Fauré gave up the sonata project, instead publishing the piece under the title Élégie. It was so successful that Fauré was urged by the publisher to write further pieces. The conductor Édouard Colonne commissioned a version of the Élégie for orchestra in 1895, which was premièred two years later. As usual, our Urtext edition contains both a marked and an unmarked solo part.

DKK 120.00
1

Claude Debussy: La Cathédrale Engloutie Preludes 1 No.10

Claude Debussy: La Cathédrale Engloutie Preludes 1 No.10

This single edition – it is number 10 in the first volume of the Préludes (HN 383) of 1910 – shows the extent of Debussy ’s imagination as he conjures up the old city of Ys that has sunk into the sea. Debussy enjoyed playing this piece himself and also left behind a recording on Piano roll. This gives important insights into his tempi. The term prélude, reminiscent of Chopin, makes clear the return to traditional forms, which the now established composer was slowly embracing once again. The programmatic title, as with all of the Préludes, is only given at the end of the piece, thus underlining its passing significance.

DKK 103.00
1

Frederic Chopin: Ballades (Study Score)

Frederic Chopin: Ballades (Study Score)

In 1836 Chopin introduced the term "ballad" into Piano music with the publication of his Ballad op. 23 , although up to then it had only been used in literature and in vocal music. Indeed, all four of Chopin ’s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work, reaching a powerful climax at the end. Following the "Préludes", we have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus; the detailed version can be downloaded from the Internet.

DKK 141.00
1

Felix Mendelssohn: Violin Concerto In E Minor Op.64 (Violin/Piano)

Felix Mendelssohn: Violin Concerto In E Minor Op.64 (Violin/Piano)

For the first time this celebrated concerto will now appear in a source-critical edition. Ullrich Scheideler depicts how the work evolved, describes its sources, and comments on the musical text. The well-known violinist Igor Ozim has marked up Mendelssohn ’s approved Violin part, adding fingering and bowing marks as an aid to today’s performers. He has also supplied a separate commentary showing that Mendelssohn ’s autograph already contains useful suggestions for shaping the solo part. The Piano reduction – a revised version of the one that accompanied the first edition – lies well under the fingers while remaining as faithful as possible to the original text.

DKK 281.00
1

Ludwig Van Beethoven: Piano Sonata No.21 C Op.53 "Waldstein" - Urtext Edition

Ludwig Van Beethoven: Piano Sonata No.21 C Op.53 "Waldstein" - Urtext Edition

A further edition in Henle's highly regarded Beethoven revisions bears witness to their fruitful collaboration with the renowned artist Murray Perahia. This time the established editorial team Gertsch/Perahia has devoted itself to a truly monumental work: Beethoven?s famous ?Waldstein Sonata? was composed in close proximity to the ?Eroica? and the first sketches for ?Fidelio?. The boldness of the first movement already surpasses anything that had been ventured up to that point. Beethoven dedicated it to his friend and patron Count Waldstein. As always, Murray Perahia not only provides valuable fingering suggestions but also shares his personal thoughts on this work in a short essay.?

DKK 133.00
1

Alexander Scriabin: Piano Sonata No.9 Op.68 - Henle Urtext

Alexander Scriabin: Piano Sonata No.9 Op.68 - Henle Urtext

Skrjabin?s 9th Sonata is often referred to as the ?Black Mass?. Unlike the 7th Sonata, the so-called ?White Mass?, this name did not stem from the composer. He writes: ?In the ninth sonata I came closer than ever before to the Satanic ...?. The mystic-dark sphere fascinated Skrjabin. Anyone who listens to this bizarre work will involuntarily become caught up in the diabolical vortex ? the music heads towards the sonata?s dramatic conclusion as if being pulled in an undertow. The highly expressive work was given its first performance by the composer himself. Following its first publication he revised it, and this new edition was the primary source for our edition.

DKK 154.00
1