Klaviertrio Opus 6

Since 2019, G. Henle Publishers has been the proud agent for Evgeny Kissin’s compositions, which have reached work number 6 with this Piano Trio composed in 2022. Following piano pieces, a violoncello sonata, a string quartet and vocal works with piano accompaniment, with this Trio Kissin presents us with his contribution to another important classical genre. The technically demanding three-movement composition was written against the backdrop of the war in Ukraine. In dramatic, gripping musical language Kissin describes here the horrors of the battlefield, but also gives moving expression to the hope for an early peace. The trio, which he has already performed on numerous occasions with his musician friends, has thus became his most personal work to date.

Sonate F-dur Opus 6 für Violoncello und Klavier : Sonata in F major op. 6 for Violoncello and Piano

Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss’ early œuvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, “My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.”

Briefwechsel Band 6 : Briefwechsel Band 6

This complete edition of Beethoven's correspondence has been edited by Sieghard Brandenburg on commission from the Beethoven House in Bonn. It forms a milestone in the study of Beethoven, being the first complete edition in Germanto be compiled and fully annotated in accordance with modern scholarly-critical criteria. The edition includes all of Beethoven's known letters (1,789 items of primary correspondence), all obtainable letters written to him (370items of secondary correspondence) and numerous documents written on Beethoven's behalf by third parties (163 items of tertiary correspondence). It provides the text in a diplomatic transcription critically corroborated againstthe original sources, including deleted passages, addresses and drafts. The texts are presented in chronological order in six volumes and are made readily accessible by a seventh volume containing indices of names, places, works,senders, recipients, and text incipits as well as a list of sources and concordances to other editions of Beethoven's letters.

Haydn-Studien Einb.-Decke 6 : Haydn Studies Cover 6

String Quartet No. 6

String Quartet No. 6

Haydn-Studien Bd. 6 Heft 1 : Haydn Studies Vol. 6 No. 1

Haydn-Studien Bd. 6 Heft 2 : Haydn Studies Vol. 6 No. 2

Haydn-Studien Bd. 6 Heft 4 : Haydn Studies Vol. 6 No. 4

Haydn-Studien Bd. 6 Heft 3 : Haydn Studies Vol. 6 No. 3

Samtliche Klavierwerke Band 6 (Clothbound)

To commemorate the 200th anniversary of Robert Schumann’s birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879 93, all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works, comprising six volumes,are now available in paperbound or clothbound editions, as well as a study edition set in a slipcase. Clearly ordered by opus numbers, the complete edition includes not only all of Schumann’spiano works, revised to reflect the latest scholarlyfindings, but also informative commentary texts, alternative versions and many things more.Contents: Exercises - Etüden in Form freier Variationen über ein Thema von Beethoven- Variationen über ein eigenes Thema in Es [Geistervariationen]Es-dur - Drei Fantasiestücke op. 111- Drei Klaviersonaten für die Jugend op. 118- Albumblätter op. 124- Sieben Klavierstücke in Fughettenform op. 126- Gesänge der Frühe op. 133 - "Einsame Blume" aus Waldszenen op. 82- Bunte Blätter op. 99

Variationen f-moll (Sonata) Hob. XVII:6 : Variations f minor (Sonata) Hob. XVII:6

It was by a roundabout route that the autograph score of Haydn’s most important piano work ended up in the New York Library via a collector. Its four leaves contain a fair copy of the work- two leaves with a sketch-like character follow. Haydn composed the work, at the time still entitled “Sonate”, for “Signora de Ployer” (probably the pianist Barbara Ployer associated with Mozart). The variation movement was apparently intended as the beginning of a sonata with several movements. As can be seen from the second part of the autograph score, Haydn later extended the movement and ended it with an expansive Capriccio Coda. The first print already bears the title “Variations”. Themoving masterpiece has been played all over the world under the title “Variations in f minor” ever since.

Partita 6 E-Moll BWV 830

Klaviersonate Nr. 6 F-dur Opus 10 Nr. 2 : Piano Sonata no. 6 in F major op. 10 no. 2

After composing the three Piano Sonatas op. 2 between 1794/95, Beethoven presumably planned a further trilogy without delay. Because of its enormous scope, the Grande Sonata op. 7 was removed from this new project and published separately. But by the beginning of 1798, the next group of three, the Sonatas in C minor, F major, and D major, had already been completed and it was published in Vienna that year as opus 10. Like the Sonata in C minor, op. 10 no. 1, the Sonata in F major has only three movements, diverging from the four-movement model established in opuses 2 and 7 - the result of intensive experimentation with different variants of the minuet, all of which would ultimately be discarded. Beethoven’s autograph manuscripts for opus 10 no longer survive, leaving the team Perahia/Gertsch to turn primarily to the first edition. As always, our edition has an extensive commentary and proven fingerings by Murray Perahia.

Partita 6 E-Moll BWV 830 : Ausgabe Ohne Fingersatz

KBM 11/6 Eichstätt: Bischöfliches Seminar : Catalogues of Music Collections in Bavaria

Wedding Day at Troldhaugen op. 65 no. 6 : Single Edition from HN 1136

With his 66 Lyric Pieces Edvard Grieg created a multifaceted treasury of piano miniatures and character pieces. Many have become piano classics, none more so than The Wedding at Troldhaugen, which Henle publishers offers here in a separate edition. In this boisterous piece Grieg recalls a glittering celebration at the Villa Troldhaugen on the occasion of his silver wedding, something which attracted hundreds of guests and well-wishers. The fingerings by Norwegian Grieg specialist Einar Steen-Nøkleberg will be of help in mastering the fairly high-level technical challenges of this piece.

KBM 14/6 Bibliothek Franz Xaver Haberl : Catalogues of Music Collections in Bavaria

KBM 6 Fürst Thurn und Taxis Hofbibliothek : Catalogues of Music Collections in Bavaria

The Theory of Music - Addenda, Corrigenda : Répertoire International des Sources Musicales Volume III,6

Sonate C-dur Opus 40 Nr. 1 : für Violoncello und Bass (Klavier)

At the end of the eighteenth century, cellist and composer Jean-Baptiste Bréval wrote not only virtuosic concerti for his instrument, but also easier sonatas and duets that still belong to the core repertoire of pedagogical cello literature. Opening with impressive chords, the Sonata in C-major op. 40 no. 1 also offers beginners the chance to savour beautiful melodies and master smaller shifts in position. The Parisian first edition of 1799 leaves the choice of accompanying instrument open. For this reason, this Urtext edition offers several options: a two-part score from which a second cello may comfortably provide accompaniment during lessons, as well as a moderate setting for piano that may be used in concerts. Rounding off this starter kit for cello literature is a carefully marked solo part.

Choral Works : Béla Bartók Complete Critical Edition Volume 9

Contents: Choral Works Evening BB 30 Four Old Hungarian Folk Songs BB 60 Four Slovak Folk Songs BB 77 Slovak Folk Songs BB 78 Hungarian Folk Songs BB 99 Székely Folk Songs BB 106 Twenty-Seven Two- and Three-Part Choruses BB 111aFrom Olden Times BB 112 Appendix: Two Romanian Folk Songs BB 57 Early version of Four Old Hungarian Folk Songs BB 60 Simplified version of nos. 3-6 of Székely Folk Songs with German words BB 106 4 + 7 Choruses from Twenty-SevenTwo- and Three-Part Choruses with English words BB 111a

Zapateado

For the elaboration of his eight Spanish Dances (HN 1370), Sarasate employed extant material – folk melodies or songs by well-known composers – which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23, which make up nos. 5 and 6 of the third volume of Spanish Dances, were composed in the summer 1879. Zapateado is a breath-taking, highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer’s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition, this piece has not lost any of its allureand continues to enjoy great popularity. For the elaboration of his eight Spanish Dances (HN 1370), Sarasate employed extant material – folk melodies or songs by well-known composers – which he then blended with his own delightful brand of tonal language. Playera and Zapateado op. 23, which make up nos. 5 and 6 of the third volume of Spanish Dances, were composed in the summer 1879. Zapateado is a breath-taking, highly virtuosic dance in which the violin is able to show off all its technical possibilities. This is why the work also quickly became one of the composer’s most successful performance pieces for himself as violinist. Now offered by Henle as a stand-alone edition, this piece has not lost any of its allureand continues to enjoy great popularity.

Romance in F major : Romance in F major for Violoncello and Orchestra

Just a few months after completing his Cello Sonata op. 6, Strauss composed another work for this instrument: a Romance for cello and orchestra, which remained unpublished during his lifetime. According to the autograph manuscript, the composition was finished on June 27, 1883, and Strauss also prepared the piano reduction himself. The Romance is regarded as one of Strauss’ most mature youthful works, though it was long overshadowed by the cello sonata, despite several quite successful performances given by the then-famous principal cellist of the Munich Court Orchestra, Hanuš Wihan. Only since the posthumous first edition of 1986 has the music world been rediscoveringthis striking work, which now also appears in a Henle Urtext edition.

Chaconne aus der Partita Nr. 2 d-moll : Bearbeitung für Klavier, linke Hand

The D-minor Chaconne is undoubtedly the most famous movement of all of Bach's 6 Sonatas and Partitas for violin solo. So it is hardly surprising that it has seen many arrangements. Johannes Brahms marvelled at how a single staffof music could offer a whole world of the deepest thoughts and the mightiest emotions. He promptly made his own arrangement - it is for left hand alone, in order to come close to the restrictive framework of the original. He wroteenthusiastically: A similar degree of difficulty, the manner of technique, the arpeggios - everything comes together to make me feel like a violinist! This Henle Urtext edition by Valerie Woodring-Goertzen is based on the text ofthe new Brahms Complete Edition. In her foreword she also offers fascinating details aboutthe compositional history of this unusual work.