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Re-reading Italian Americana - Anthony Julian Tamburri - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Huck Finn in Italian, Pinocchio in English - Iain Halliday - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Body of State - Marco Baliani - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Body of State - Marco Baliani - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Body of State offers a translation of Marco Baliani’s acclaimed dramatic monologue, Corpo di stato, concerning the 1978 kidnapping and assassination of Italian Prime Minister Aldo Moro by the terrorist Red Brigades. Corpo di stato was commissioned by Italian state television in 1998 to commemorate the twentieth anniversary of the “Moro Affair.” Baliani’s monologue, refracted through the prism of the intervening twenty years, consists of a merciless self-examination, alternately anguished and affectionate, in an effort to confront his generation''s complicity in the dissolution of Italian politics in the wake of the national trauma of Moro''s murder. Through over a hundred performances since its 1998 debut, the piece has evolved in response to the forceful reactions of Italian audiences. The first draft of this English translation offered the supertitles for performances in Baliani''s 2009 U.S. tour, and was subsequently expanded to reflect the most recent version of the text.This unique volume features a translation of the dramatic monologue, embedding it in a context that richly documents the events. The volume includes a preface by translator and performance studies scholar Ron Jenkins, a critical introduction, Baliani’s thoughts about the 1998 production for Italian television, an interview with Baliani and his artistic collaborator, Maria Maglietta, and the afterword they wrote in light of the 2009 tour. In addition, Body of State provides precious documentation in the form of reviews, contributed by scholars, students, and spectators, of Baliani’s 2009 North American tour.A celebrated author and performer, Marco Baliani is well known as one of the originators of the “theater of narration.” Starting in 1978, his first performances grew directly from his engagement in radical politics. In 1989 he adapted Heinrich von Kleist’s novella, Kohlhaas (1989), into a riveting monologue which he performed on a bare stage, sitting on a chair for ninety minutes. Kohlhaas marked his passage to a “pure” theater of narration and is today a classic of the genre. Since Kohlhaas, Baliani has shown interest in social, political, and literary themes. Recurring in his work are the psychological and ethical tensions that arise when the search for justice clashes with power or social injustice.

DKK 459.00
1

Italian American Poetics of Place - Sabrina Vellucci - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Italian American Poetics of Place - Sabrina Vellucci - Bog - Fairleigh Dickinson University Press - Plusbog.dk

This volume examines the significance of place in contemporary Italian American literature from an ecocritical perspective. It fills a gap in the theoretical/critical discourse on Italian American culture, whose concerns about environmental justice have been mostly overlooked. From mid-twentieth-century poets such as John Ciardi and Diane di Prima to late twentieth- and twenty-first-century fiction writers such as Carole Maso and Salvatore Scibona, the author combines Italian American literary criticism with the “spatial turn” that, over the last decades, has asserted the interpretive significance of place and the environment in literary texts. Contesting the prejudice that sees Italian American culture as distant from ecological concerns, the works examined show that such diasporic heritage has helped forge different modes of relationship and new forms of expression in contact with the ‘American’ land. Their relevance lies not so much in defining or redefining Italian American ethnicity but in forging ideas and futures beyond their immediate framework and subject matter. By focusing on the intersection of gender and ethnicity with local and transnational spaces and aesthetic practices, Italian American Poetics of Place contributes to the growing field of inquiry that explores the resources of the literary in laying the basis for more dialogic and inclusive forms of awareness and community with both the human and other-than-human.

DKK 754.00
1

Dacia Maraini’s Narratives of Survival - Tommasina Gabriele - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Dacia Maraini’s Narratives of Survival - Tommasina Gabriele - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Dacia Maraini’s Narratives of Survival: (Re)Constructed focuses on Dacia Maraini’s narrative from about 1984 to 2004 and makes substantive use of her interviews and essays. While acknowledging the importance and ongoing validity of feminist scholarship of Maraini’s work, this book seeks to take scholarship on Maraini beyond feminist readings by identifying a critical framework that cuts across gender and genre and thereby invites alternative readings. Using a method of close textual analysis, the author includes studies of men, children, animals, and imaginary characters in Maraini’s narrative, analyzes language, character, motifs, and symbols, and considers some of Maraini’s work in light of declining postmodern and emerging posthuman critical social theory. This critical framework identifies the paradigm of reconstruction as narrative center, both strategy and theme, of many of Maraini’s works from this twenty-year-period and beyond. Reconstruction here signifies the strategies by which Maraini’s deep investment in survival, which has its roots in the life threatening conditions she experienced as a small child in a WWII Japanese concentration camp, is enacted in a narrative re-building and re-constructing of personal memory, of various personal, social and political histories, of motherhood and maternal discourses, of crime stories, of postmodern fragmentation, and even of the process of erasure itself. Maraini’s narrative is deeply attentive to the mechanisms that threaten survival of the body (and not just the woman’s body); psychological and aesthetic survival; the survival in the Italian canon of a woman author’s work, memory and legacy after her death; the survival of a drug-addicted and self-destructive younger generation; and by extension, collective and ecological survival. Never marked by nihilism or despair, Maraini’s narratives offer the ethos of reconstruction as a variation on the “begin again” that marks the end of many of her novels and, as we can see in Colomba, her own aesthetic process of renewal and regeneration. This book focuses primarily on Il treno per Helsinki (1984), Isolina (1985), some of her short stories for children, La nave per Kobe: Diari giapponesi di mia madre (2001), Buio (Strega Literary Prize, 1999), and Colomba (2004).

DKK 791.00
1