6 sonate per violino e basso continuo

The present edition contains 6 of the 15 solo sonatas with continuo accompaniment, Op. 1 by Handel which are known today as violin sonatas.

6 Moments Musicaux für Streichquartett op.44

Begun in 1999, the work, which is Kurtág’s fourth string quartet, had been completed in 2005. In this suite of 6 movements Kurtág reuses music from other compositions, most often from his long-running Játékok for piano. 6 Moments musicaux was dedicated to György Kurtág junior, the first entire performance of the work took place by the Keller Quartet in February 2006 during the five-day 80th birthday celebration for Kurtág in Bordeaux.

Mikrokosmos for piano 6 : New Definitive Edition

'The Mikrokosmos is a cycle of 153 pieces for piano, written with a didactic purpose (Vol. 1: Z. 125, Vol. 2: Z. 126, Vol. 3: Z. 127, Vol. 4: Z. 128, Vol. 5: Z. 129, Vol. 6: Z. 130). That is, to give piano pieces which can be used from the very beginning, and then going on, it is graded according to difficulties. And the word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as "world of the little ones, the children".' (Interview broadcast by WNYC, in early 1945, on a programme entitled Ask the Composer.)

12 Etüden op.6 (ex op.1) für Klavier : für Klavier

Liszt first composed these etudes at 14 years old in the year 1825. Just 25 years later, after being revised repeatedly, they appeared under the title of Transcendental Etudes (12 Études d exécution transcendante).This edition has found a place among the renewed publications in our Music Lesson series, and it features revised fingerings, performer s notes, and a preface all written by pianist Kornél Zempléni. He believed that Liszt s Op. 6 serves as the ideal introduction into the technique and musical elements needed for students to successfully study the Transcendental Etudes. Regarding the 12 Etudes for Piano, Zempléni had this to say: ''With this publication we hope tocontribute something both to the advancement of the young pianist and to the increased appreciation of Liszt s art.'' Liszt's 12 Etudes has been renumbered as his Op. 6 according to the most recent research, but in terms of content this publication corresponds with the volume which was formerly labeled as his Op. 1. (catalogue number Z. 766).

Quartetto di tromboni

Kit kene elvenni : Székely népdal

Due sonetti di Petrarca

Sonetto 333 Di Petrarca

Tunc Acceptabis Mc 6-6

Harmonies poétiques et religieuses -Early versions : Suppl. 6

In Volume I/9 of the New Liszt Edition the definitive ten-movement version of the piano cycle Harmonies poétiques et religieuses was published in 1981. On several occasions Liszt mentioned that he attached particular importance to this cycle, and this is confirmed by the fact that he devoted almost two decades (1835-1853) to its composition. This Supplement volume of the New Liszt Edition initiates the reader into the mysteries of the cycle's genesis, publishing 17 completed pieces written for it and 6 that have survived as fragments, together with the album leaves belonging to them. The works composed between 1840 and 1848 also reflect the various concepts of the cycle and theprior history of the movements included in the final version, more than one shows Liszt's skill as an improviser. Among the compositions that survive in manuscript there are gems such as the hitherto virtually unknown Piano piece in G flat major, conceived in a moment of unselfconscious happiness.

Hommage aux ancetres für 6 Singstimmen, 6 Blechb : für 6 Singstimmen, 6 Blechbläser und Gong

Impho 102-6 For 6 Crotales

Reproduction of the Composer's Manuscript

6 Trios Fur 2 Floten Und Basso Continuo 1

The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sächsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of theconsistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.

6 Trios Fur 2 Floten Und Basso Continuo 2

The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sächsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of theconsistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.

6 pezzi

6 Caprices

6 Ländler

6 Sonaten

Piccola Musica Di Concerto Für Streichorchester

This is one of the best-known and most frequently performed works of Ferenc Farkas (1905-2000). It was written in 1961 for 4-part string orchestra (with an ad libitum double bass part), and can be performed by a string quartet. The secret of the popularity of this 4-movement composition, which follows the structure of the classical symphonies, is probably to be found in its transparent sound, the clarity of its form and its fresh, vigorous character.

Freie Bearbeitungen 6

Raga di notte : for violin and orchestra

Raga di notte : für Violine und Orchester

Miserere a 6 voci

This work was written in 1984, comissioned by the world famous King Singers vocal ensemble. (Hungaroton HCD 31727)

Fantasie op. post., R.6 über Themen aus Mozarts F : über Themen aus Mozarts Figaro und Don Giovanni - Erstausgabe

Ferenc Liszt composed his Fantasy on themes from Mozart's two masterly operas Le nozze di Figaro and Don Giovanni by the end of 1842 or the beginning of January 1843 at the latest on the evidence that he played the piece in Berlin on 11th January 1843. The piece was not quite finished in manuscript, but the lacunae-the end of a brief transition in the closing section (bars 574-576) and the end of the work (bars 602-616)-are so insignificant that he probably tried out an improvised solution in performance. For reasons which have not come down to us Liszt never finished the manuscript and he does not seem to have played the work again.

Aria di coloratura per tuba solo : per tuba solo