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Great Mozart Arias For Soprano

This compilataion of thirty-six arias from Mozart's seven theatrical masterpieces moves from the youthful exuberance of 'The abduction from the Seragli' to the complex enchanting moral allegory of 'The Magic Flute', complete shortly before the composer's death in 1791. Together with all of the great soprano arias from these works are classic pieces from 'Idomeneo', 'The Marriage of Figaro', 'Don Giovanni', 'Cosi fan tutte', and 'La Clemenza di Tito'.

DKK 321.00

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Claudio Monteverdi: Madrigals Books IV & V

These 39 secular madrigals represent "the peak of the music that Monteverdi produced in the first half of his life" (Grove's Dictionary) and are essential to the repertoire of serious vocal students. Amateurs and professionals alike will enjoy the new English translations printed alongside the most reliable Italian text. Preface and translations by Stanley Appelbaum.Reprint of Tomo IV and Tomo V of Tutte le opere di Claudio Monteverdi, published "nel Vittoriale degli Italiani," 1927.

DKK 190.00

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Gioacchino Rossini: Five Great Overtures - Full Score

Renowned for their elegance, lively rhythms, and beautiful melodies, Rossini overtures are staples of concerts around the world ? with or without the operas they introduce. This attractive, modestly priced compilation features the overtures from Il barbiere di Siviglia (The Barber of Seville), L?italiana in Algeri (The Italian Girl in Algiers), Il turco in Italia (The Turk in Italy), La Cenerentola (Cinderella), and Il viaggio a Reims (The Journey to Reims). Reproduced from authoritative early scores.

DKK 185.00

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Courtly Dance Of The Renaissance

One of the best-known guides to courtly dance of the Renaissance was the "Nobilta di Dame" (1600), an Italian dance manual offering a rich repertory of aristocratic social dance, including the music and fully described choreography for 49 dances. This great classic by Fabrito Caroso, dancing master to a number of princely Italian families, was first published in 1600. It is presented here in an expertly translated English edition by Julia Sutton, with music transcribed and edited by F. Marian Walker.

DKK 191.00

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Claudio Monteverdi: Madrigals Book VIII - Madrigali Guerrieri Et Amorosi

Here are all of the madrigals from one of the Baroque master's most popular books, reprinted from an authoritative Italian edition. They feature modern notation with text underlay, commentaries, new Preface, new English translations of the original prefatory material, and Italian texts in verse format facing new English line-for-line literal translations.Reprint of Tomo IV and Tomo V of Tutte le opere di Claudio Monteverdi, published "nel Vittoriale degli Italiani," 1927.Table of Contents for Madrigals, Book VIII: Madrigali Guerrieri et AmorosiPrefaceOriginal title page and translationOriginal dedication and translation"Original foreword ("Claudio Monteverde to the Reader") and translation"Translations of the Introductory Texts to the Dramatic PiecesVocal Texts and Translations"CANTI GUERRIERI [SONGS OF WAR] Sinfonia (for two violins and a viola da braccio, to precede No. I)"I. "Altri canti d'Amor, tenero arciero" (for six voices with four viols and two violins)"2a. "Hor che 'l ciel e la terra e 'l vento tace" (for six voices with two violins)"b. "Così sol d'una chiara fonte viva" [same voices and instruments]"3a. "Gira il nemico insidïoso Amore" (for three voices: alto, tenor, and bass) [same voices throughout No. 3]"b. "Nol lasciamo accostar, ch'egli non saglia"c. "Armi false non son, ch'ei s'avvicina"d. "Vuol degl'occhi attaccar il baloardo"e. "Non è più tempo, ohimè, ch'egli ad un tratto"f. "Cor mio, non val fuggir, sei morto e servo"4. "Se vittorie sì belle" (for two tenors) [later also included by the printer Vincenti in the posthumous Monteverdi compilation Book IX, 1651]"5. "Armato il cor d'adamantina fede" (for two tenors) [previously included in Monteverdi's 1632 volume Scherzi musicali and later also included in Book IX]"6a. "Ogni amante è guerrier: nel suo gran regno" (for two tenors)"b. "Io che nell'otio nacqui e d'otio vissi" (bass solo)"c. "Ma per quell'ampio Egeo spieghi le vele" (tenor solo) "d. "Riedi, ch'al nostro ardor, al nostro canto" (for three voices: two tenors and bass)"7. "Ardo, avvampo, mi struggo, ardo: accorrete" (for eight voices with two violins)"8. "Combattimento di Tancredi e Clorinda [Combat of Tancredi and Clorinda; for soprano, two tenors, basso continuo, plus two violins and viola da braccioq. Originally, "four viole da braccio,"]"9a. "Introduzione al ballo [Introduction to the Ballet]: "Volgendo il ciel per l'immortal sentiero" [for tenor and two violins]"b. "Ballo [Ballet]: "Movete al mio bel suon le piante snelle" (for five voices with two violins)"CANTI AMOROSI [SONGS OF LOVE]10a. "Altri canti di Marte e di sua schiera" (for six voices and two violins)"b. "Due belli occhi fur l'armi onde traffittta" [same voices and instruments]"11. "Vago augelletto che cantando vai" (for six and [afterward] seven voices with two violins and a contrabass)"12. "Mentre vaga angioletta" (for two tenors)"13. "Ardo e scoprir, ahi lasso, io non ardisco" (for two tenors) [later also included in Book IX]"14. "O sia tranquillo il mare o pien d'orgoglio" (for two tenors) [later also included in Book IX]"15a. "Ninfa che, scalza il piede e sciolto il crine" (tenor solo)"b. "Qui deh meco t'arresta, ove di fiori" (for two tenors)"c. "Dell'usate mie corde al suon potrai" (for three voices: two

DKK 237.00

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W.A. Mozart: The Marriage Of Figaro (Vocal Score)

A critical and popular success from its 1786 debut, Mozart's musical comedy elevated the opera buffa to new heights. Le nozze di Figaro ("The Marriage of Figaro"), ossia la folle giornata ("or The Day of Madness") reassembles characters from The Barber of Seville for a romantic romp involving mistaken identities, remarkable coincidences, and the triumph of true love.This authoritative practice and performance edition presents Lorenzo da Ponte's vocal score, originally published by Casa Ricordi, Milan. Ideal for study, practice, and performance, it contains the complete vocal music with a piano reduction of the orchestral score. Vocalists, voice majors and teachers, and rehearsal pianists will rejoice in this high-quality, low-cost edition of Mozart's masterpiece. Note: Lyrics are in the original Italian only.Dover (2001) republication of the vocal score from an authoritative early edition.

DKK 203.00

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Great Opera Arias And Themes For Solo Piano: 50 Arrangements

These original transcriptions of fifty popular opera melodies for solo Piano constitute about half of the current performance repertoire. From Aïda to Turandot and more, the collection includes contributions from nearly all of the major composers. Individual introductions offer a brief synopsis of the source opera, and archival images place each piece within its larger context. Suitable for intermediate-level pianists, selections include pieces from Amahl and the Night Visitors, The Barber of Seville, The Bartered Bride, Carmen, Cavalleria Rusticana, Die Fledermaus, Der Rosenkavalier, Die Meistersinger von Nürnberg, Don Giovanni, Eugene Onegin, Faust, Hansel and Gretel, I Pagliacci, I Puritani, Il Trovatore, La Bohème, L'Africaine, Lakmé, La Traviata, Lohengrin, Lucia di Lammermoor, Madama Butterfly, The Magic Flute, Martha, Prince Igor, Rinaldo, Samson et Dalila, Tales of Hoffmann, Tannhäuser, Thaïs, Tosca, Tristan und Isolde and more.

DKK 221.00

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Gioacchino Rossini: The Barber Of Seville (Vocal Score)

The well-known aria announcing the barber's entrance ? "Figaro!? Eh, Figaro!" ? highlights this comic romp of an opera. Based on Beaumarchais' Le Barbier de Seville, Rossini's 1816 classic began as Almaviva, or the Useless Precaution, in an attempt to avoid confusion with a highly successful Il Barbiere di Siviglia of a half-century earlier. An opening night fiasco and persistent interruptions during the premiere by fans of the older play were but momentary detours on the path of this masterpiece to international fame. With the now-famous overture in place, the work reached the operatic capitals of the world, becoming the first opera to be sung in Italian in New York. Ideal for conductors, soloists, chorus members, and rehearsal pianists, this practice and performance vocal score is based on the classic 1900 Schirmer edition. Please note that the lyrics appear in the original Italian only.

DKK 280.00

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Edvard Grieg: Norwegian Dances And Other Works

Eighty-four masterful short compositions for piano that are among Grieg's most admired and frequently performed musical works, including the well-known Norwegian Dances, Op. 35, Pictures from Country Life, Op. 19, and the Ballade in G Minor, Op. 24. Reprinted from authoritative editions published by C. F. Peters, Leipzig..Reprint of the C. F. Peters, Leipzig, editions."TWENTY-FIVE NORWEGIAN FOLK SONGS AND DANCES, OP. 17"I: SpringarII: The Young Man Asked His MaidenIII: SpringarIV: "Nils Tallefjorn, Proud Fellow"V: J?lstringVI: Wedding TuneVII: HallingVIII: "Oh, the Pig Had a Snout"IX: When My EyesX: Ole Once in AngerXI: On the Dovrefjeld in NorwayXII: Solfager and the Snake KingXIII: Wedding Recessional MarchXIV: I Sing with a Sorrowful HeartXV: The Last Saturday NightXVI: I Know of a Little MaidenXVII: The Gadfly Said to the FlyXVIII: Stumping DanceXIX: Hølje DaleXX: HallingXXI: The Woman from SetesdalXXII: Cattle CallXXIII: Did You See Anything of My Wife?XXIV: Wedding TuneXXV: The Ravens' Wedding in Kråkalund"SCENES OF COUNTRY LIFE, Op. 19 (dedicated to J. P. E. Hartmann)"I: Mountain DanceII: The Bridal Procession PassesIII: From the Carnival"BALLADE IN THE FORM OF VARIATIONS ON A NORWEGIAN FOLK SONG, Op. 24 ""IMPROVISATA ON NORWEGIAN FOLK TUNES, Op. 29 (dedicated to Ida Aquist)"I: The Boy and Girl in the Cow BarnII: There Was Once a King"FOUR NORWEGIAN DANCES, arr. of Op. 35"I: Allegro marcatoII: Allegretto tranquillo e graziosoIII: Allegro moderato alla marciaIV: Allegro molto"VALSES-CAPRICES, arr. of Op. 37"I: Tempo di Valse moderatoII: Tempo di Valse"PRAYER AND TEMPLE DANCE from Olav Trygvason, arr. from Op. 50""THREE ORCHESTRAL PIECES FROM Sigurd Jorsalfar, arr.of Op. 56"I: PreludeII: Intermezzo (Borghild's Dream)III: Triumphal March"TWO NORDIC MELODIES , arr. of Op. 63 (dedicated to His Excellency Fredrik Due)"I: In Folk StyleII: Cattle Call and Peasant Dance"NINETEEN NORWEGIAN FOLK TUNES, Op. 66"I. Cattle CallII: It is the Greatest FollyIII: A King Ruled in the EastIV: The Song of Siri DaleV: It Was in My YouthVI: Cattle Call and LullabyVII: LullabyVIII: Cattle CallIX: Small Was the LadX: Tomorrow You Shall Marry HerXI: There Stood Two GirlsXII: RanveigXIII: A Little Gray ManXIV: "In Ola Valley, in Ola Lake"XV: LullabyXVI: Our Little AstridXVII: LullabyXVIII: I Wander Deep in ThoughtXIX: Gjendine's Lullaby"SLÅTTER (NORWEGIAN PEASANT DANCES), Op. 72 (dedicated to Hermann KretschI: Gibøen's Wedding MarchII: Jon Væstafæ's SpringarIII: Wedding March from TelemarkIV: Halling from the Gnomes' HillV: The Prillar from Os Parish (Springar)VI: Myllarguten's GangarVII: Røtnams-Knut (Halling)VIII: Myllarguten's Wedding MarchIX: Nils Revkve's HallingX: Knut Luråsen's Halling IXI: Knut Luråsen's Halling IIXII: Myllarguten's SpringarXIII: Havar Gibøen's Dream on the Oterholt Bridge (Springar)XIV: The Goblins' Wedding Procession at Vossevangen (Gangar)XV: The Skuldal Bride (Gangar)XVI: The Maidens of Kivledal (Sp

DKK 253.00

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