La Bellezza ravveduta : nel trionfo del Tempo e del Disinganno HWV 46a (Oratorio in two parts)

With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right atthe very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “Il trionfo del Tempo e del Disinganno” (“The Triumph of Time and Enlightenment”). In keeping with the Halle HandelEdition, however, the title is that of the name given in the primary source.In many cases inspired by the melodically rich ideas of Reinhard Keiser (1674–1739), the work is unsurpassed by any other oratorio by Handel. At theend of an impressive sequence of truly captivating arias, duets and quartets, Bellezza’s reformation in favour of living a life pleasing to God is accompanied in incisive E major by her overwhelmingly beautiful, impossibly sadclosing aria “Tu del ciel ministro eletto”, the consummate pinnacle of dramatic irony in Handel’s output.By virtue of its flawless dramatic structure as well – unlike many other oratorios and all operas of the Baroque period,the story never goes off at a tangent and all arias revolve around the dispute of the four dramatic personae – the oratorio has enjoyed long runs of widely acclaimed, mostly staged performances in the last few years.

La Bellezza ravveduta nel trionfo : del Tempo e del Disinganno - HWV 46a

Ouvertüre zu "La forza del destino" - Verdi, Giuseppe

Bearbeitung für Bläserquintett set of parts Fl(Fl-Picc)/Ob/clarinet/bassoon/Hn Folded

Die Liebesprobe - La Pietra del Paragone - Rossini, Gioachino

Comic Opera in 2 acts. German version by Paul Friedrich and Günter Rennert vocal score 2SSolo/ASolo/TSolo/BarSolo/3BSolo/Mch: TTBB/2Fl/Fl-Picc/2Ob/2clarinet/2bassoon/2Hn/2Trp/timpani/2percussion/Str/Bc Paperback

Il trionfo del Tempo e della Verità HWV 46 b : Oratorio in three parts

Sonata - Beethoven, Ludwig van

for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave D major

Sonata - Beethoven, Ludwig van

for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave G major

Sonata - Beethoven, Ludwig van

for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave F-sharp major

Grande Sonata - Beethoven, Ludwig van

for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave E-flat major

Three Sonatas - Beethoven, Ludwig van

for Piano With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Anthology, Urtext edition piano Paperback F minor, A major, C major

Sonata - Beethoven, Ludwig van

Lebewohl, Abwesenheit und Wiedersehn for Pianoforte With notes on performance practice by Jonathan Del Mar and Misha Donat Performance score, Urtext edition piano Hæftet udgave E-flat major

Violin Concerto In D Op.61 - Piano Reduction

Beethoven's famous concerto for Violin and Orchestra has appeared in many editions over the last 150 years, but none has truly done justice to the work. Now, the acclaimed Beethoven scholar Jonathan Del Mar has achieved justthat.Working with all known sources, Del Mar finally presents us with Beethoven's intended solo Violin articulation, dynamics and slurring; there are even note corrections in the solo part. Additions made by variouseditors and violin players over the years have been deleted. For the first time we also now have clarity regarding the meaning of Beethoven's Solo and Tutti markings.All in all, a groundbreaking scholarly-criticaledition;a must have for every violin player, orchestra and music library.

Symphony No.7 In A Major Op.92

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because ofthe complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext editioncaused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethovenSymphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.8 In F Major Op.93

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because ofthe complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext editioncaused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethovenSymphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.7 In A Major Op.92

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because ofthe complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext editioncaused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethovenSymphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.1 In C Op.21

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertakingbecause of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtextedition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.1 In C Op.21

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertakingbecause of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtextedition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.8 In F Major Op.93

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because ofthe complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext editioncaused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethovenSymphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.8 In F Major Op.93

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because ofthe complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext editioncaused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethovenSymphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.1 In C Op.21

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertakingbecause of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtextedition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.2 In D Op.36

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking becauseof the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's newUrtext edition caused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores andcomplete performance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.7 In A Major Op.92

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because ofthe complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext editioncaused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethovenSymphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.8 In F Major Op.93

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because ofthe complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext editioncaused a considerable stir in the music world.Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethovenSymphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado.Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Symphony No.1 In C Op.21

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertakingbecause of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtextedition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication oftheBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and completeperformance material to Beethoven’s Nine Symphonies are available for sale.

Concerto : e minor

Edward Elgar's concerto for violoncello, his last major work, is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literature. Jonathan Del Mar'seditorial skills show themselves in the exacting placement of dynamics, articulation and expression markings.The edition restores all Elgar's solo cello fingerings and bowings and offers a facsimile of the original solocello part in the critical commentary. Jonathan Del Mar also documents the performing tradition of the work and its recording under Elgar's baton. This is the last word on this famous work, a reference edition foreverycellist!First ever critical editionAll existing sources consultedFirst ever critical commentary'I highly recommended this purchase even if you own a well-worn copy of anotheredition.'(American String Teacher vol. 56 No. 3 August 2006)'Ownership of this fine, masterly authoritative and elegantly printed edition, coupled with the fascinating Critical Commentary, must be obligatory for allcellists!'(ESTA, News & Views, Autumn 2006)