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In a Dancing Mood/In Tanzlaune : for the Beginner on the Drum Kit

In a Dancing Mood/In Tanzlaune : for the Beginner on the Drum Kit

This album for children (and teenagers) is intended for beginners on the drum kit, the most popular form of percussion. The composer has deliberately avoided advanced playing techniques (e.g. drum roll or double strokes). A choice of tempos enables students to adjust the difficulty of the piece according to their ability. As the title of the album suggests, the students are supposed to interpret the pieces in different dance styles (tango, polka, waltz, cha-cha, waltz).As an experienced and respected teacher, Tomáš Chmura uses the "play-along" method of teaching: recordings make it easier for beginner drummers to read the notation, get a sense of the composition as a wholeand facilitate practising.Mp3 recordings of all the pieces are available on our website in two versions - for piano with drum kit or piano solo. The latter recording can also be used in concert performances, should a pianist not be available.

DKK 115.00
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L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

Drawing on the definitive scholarly-critical edition by Hendrik Schulze et al., the renowned conductor, harpsichordist and organist Jörg Halubek has joined forces with students from the State University of Music and Performing Arts Stuttgart to present a historically informed piano reduction of Claudio Monteverdi’s exciting final opera, “L’incoronazione di Poppea”.The vocal score contains all the appendices found in the full score and includes an uncluttered piano reduction that lies well on the instrument. Rounding off the edition is a detailed musicological Foreword (Ger/Eng) by Emily Hagen providing information on the work’s genesis, the history of its performance andreception. In addition there is a Foreword on performance practice by early music specialist Jörg Halubek.

DKK 421.00
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String Quartet No.6 H.312 - Study Score

String Quartet No.6 H.312 - Study Score

An informative preface and critical commentary by Ales Brezina and Ivan Straus (Cz / Ger / Engl / Fr) - A new, practical edition at the forefront of Martinu scholarship - All existing sources consulted.The StringQuartet no. 6 by Bohuslav Martinu (1890-1959) represents a distinct step on the journey which the composer characterised as his development from geometry to fantasy and for which the almost continuous use of theprinciple of developing variations, restless harmonic development, the pulsation of minute rhythmic values and inventive work with sound are characteristic.The quartet, which was written in New York in the autumn of1946,constitutes the beginning of the composer's later works, in which moods freely overflow regardless of any predefined formal layout. The editors of the new edition (based on the composer's autograph) have carefully removed allof the problematic and somewhat arbitrary editorial intervention in the sole existing edition dating from 1950 (actually 1955).With its urtext edition of the 6th quartet, Editio Bareneriter Praha has continued in itsseries of new publications of works by Bohuslav Martinu - quartets nos. 4 and 5 have already been published for this instrumental line-up.

DKK 294.00
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Concerto For Harpsichord No.6 In F Major

Concerto For Harpsichord No.6 In F Major

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it isalmost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major, BWV 1052 is the sixth of the harpsichord concertos contained inthe autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek, Mus. ms. Bach P 234). The initials at the end of the piece, SDGl ('Soli Deo Gloria'), form a pendant to the J.J. ('Jesus Juva') found attheopening of the D-minor Concerto, BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus, the only authentic and self-contained collection of concertos we have from Bach apart from his presentationcopy of the Brandenburg Concertos (1721). Like all the other concertos in this series, BWV 1057 is an arrangement of an earlier work, in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the NewBach EditionFull score & parts (BA5229), two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

DKK 226.00
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