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Kompakt Plast A-bord, mini, grau

Ilford Galerie Creative Emulsion Blend A - 1L

Ilford Galerie Creative Emulsion Blend A - 1L

GALERIE Creative Emulsion bietet Kunstfotografen und -druckern die Möglichkeit, ein einzigartiges Aussehen für ihren bevorzugten Druck auf ihrem bevorzugten Papier zu kreieren. Die auf Wasser basierende Tinte kann mithilfe des Creative Emulsion Coating Bar auf einer Vielzahl von unbeschichteten Papieren aufgetragen werden, einschließlich Kunst-, Baumwoll-, Washi-, Bambus- oder Reispapier, um ein maßgeschneidertes Aussehen und Gefühl für das endgültige Bild zu schaffen. GALERIE Creative Emulsion ist in zwei Mischungen (A und B) erhältlich und kann unabhängig voneinander oder in Kombination verwendet werden, um bestimmte Bild- oder Finish-Eigenschaften zu verbessern, die der Fotograf oder Drucker betonen möchte. Die beiden Emulsionen haben unterschiedliche Beschichtungseigenschaften. Mischung A wird das Tintenauslaufen hemmen und dadurch die Dichte und Schärfe des Bildes erhöhen, ohne die Textur und Farbton des Papiers zu beeinflussen. Mischung B wird eine größere Schärfe und Dichte als Mischung A erreichen. Mischung B wird auch die Helligkeit des Papiers erhöhen und eine glattere Oberflächenbeschaffenheit bieten. Die optimalen Mischungsverhältnisse sind in den technischen Spezifikationen enthalten. GALERIE Creative Emulsion ist mit sowohl Farb- als auch Pigmenttinten kompatibel. Es wird empfohlen, den Creative Emulsion Coating Bar 40 für Mischung A und den Coating Bar 80 für Mischung B zu verwenden. Wenn die beiden Mischungen kombiniert werden, empfehlen wir die Verwendung des Creative Emulsion Coating Bar 80 im Verhältnis 50:50.

EUR 90.00
1

Holz A-Schild, helles Buche, mit Stahltafel, 46 x 68 cm

Canson BFK Rives (Pure White) 310 - A4, 25 Blatt

Canson BFK Rives (White) 310 - A4, 25 Blatt

Color Europe PP mat 150 grams - 24" x 30 meters

Color Europe PP mat 150 grams - 42" x 30 meters

Color Europe PP mat 150 grams - 36" x 30 meters

Color Europe Photo Canvas 280 g/m² - 24" x 30 meters

Canson Arches 88 Rag (Pure White) 310 - A4, 25 Blatt

Avery Versandetiketten 199,6 x 143,5 mm, 600 Stück.

Color Europe Giftwrap paper Premium Satin 95 g/m² - 728 mm x 50 meters

Color Europe Giftwrap paper Premium Satin 95 g/m² - 1030 mm x 50 meters

Calibrite ColorChecker White Balance

Calibrite ColorChecker White Balance

The ColorChecker White Balance target is spectrally neutral to deliver accurate white reproduction for both photo and video workflows. Use it to perform custom in-camera white balance to guarantee precise, uniform, neutral white - under any lighting condition. Ideal for photographers and filmmakers. ColorChecker White Balance is a full-size version of the white balance target included in both ColorChecker Passport products. The actual colour of the target is a light gray which provides the best white balance result. You’ll be able to: Eliminate colour casts Improve the colour preview on your camera’s display so your histograms are more reliable Make post production colour editing faster and easier by eliminating the need to neutralize each image individually The ColorChecker White Balance target delivers accurate white reproduction. As lighting conditions change, your camera shifts the way it reproduces white; resulting in colour shifts in your photos or video footage. Most white balance targets aren’t neutral and could cause colours to shift under different lighting conditions. But the ColorChecker White Balance target is a scientifically engineered, absolute neutral white reference that prevents colour shifts and provides precise, uniform surface that is spectrally neutral – in any lighting condition. That means you can be confident the image or footage you capture is as close to real life as possible. ColorChecker White Balance also gives you a way to adjust your digital camera's colour sensitivity to exactly match the ambient lighting conditions; in effect, change what that the camera "sees." The perceived colour of white changes based on ambient conditions—outdoor it is perceived to be cooler, indoor it is perceived to be warmer, and under fluorescent light, greener. Even in a controlled studio environment, this can be a problem. Whether on location or in your studio, establishing an accurate custom white balance before each photo session or video shoot ensures accurate colours from the start. Setting a custom white balance for each lighting situation will make the previews on your camera’s built in display more colour correct, make your histograms more reliable, and speed up post production colour editing. Raw shooters can capture anytime during the session to gain these benefits, while JPEG shooters should make it your first shot. Why can’t I use just any white object? White balancing on a piece of paper or other gray element in the scene may seem like a simple workaround, but most objects are not actually neutral under all lighting conditions; and they’re certainly not consistent. An inaccurate white balance will result in colour casts and a lack of consistency between lighting conditions.

EUR 70.51
1

Alu-Line Budget A-Schild, für den Innenbereich - A1 - Silber

Avery Versandetiketten, 99,1 x 139 mm, 1200 Stück.

Canson Arches Aquarelle Rag (Pure White) 310 - A4, 25 Blatt

Calibrite ColorChecker Classic

Calibrite ColorChecker Classic

The ColorChecker Classic target is designed to deliver true-to-life colour reproduction so photographers and filmmakers can predict and control how colour will look under any illumination. The target is an ideal size of 215.9 x 279.4mm which is perfect for photographers and filmmakers. The ColorChecker Classic can be used for a variety of applications, including: - Digital Photography: Create camera profiles, check images, correct white balance and perform colour correction - Film Photography: Check films, lights, filters and paper - Filmmaking: Use for colour grading; check cameras and lights - Graphic Arts: Check any printing or proofing process ColorChecker targets are ideal for creating custom camera profiles (DNG and ICC), correcting neutral balance and exposure, and provides a standard for colour corrections. The targets provide a non-subjective standard of comparison to help determine the true colour balance of any colour rendition system. It provides the needed standard for comparing, measuring and analysing differences in colour reproduction in various processes—avoiding costly mistakes. The ColorChecker target is an array of 24 scientifically formulated colours that has been the leading industry colour reference target for more than 40 years. It is designed to deliver true-to-life colour reproduction so that photographers and filmmakers can predict and control how colour will look under any illumination. Each of the 24 colours found on a ColorChecker target represents the actual colour of natural objects, such as human skin tone, foliage and blue sky, and reflects light just like its real-world counterpart. Since these colours exemplify the colour of their counterparts in the natural world and reflect light the same way in all parts of the visible spectrum, the squares will match the colours of representative samples of natural objects under any illumination, and with any colour reproduction process. Each solid patch is formulated individually to produce a pure, flat, rich colour. ColorChecker targets have been used by Colour perfectionists for the past decade to create custom DNG profiles for Adobe Lightroom® and Photoshop® workflows. You can also build custom ICC camera profiles for use in Capture One® (or other ICC compatible software) when you combine ColorChecker targets with Calibrite ColorChecker Camera Calibration software. You’ll get accurate colour at capture based on specific lighting, camera and lens combination during any given shoot, saving valuable time in edit. Taking advantage of a ColorChecker target is easy. Simply include the ColorChecker in your photo or video capture and then later, while editing use it to compare, measure and analyse differences in colour reproduction in any colour rendition system. The ColorChecker can help you make global corrections based on accurate information. If you shoot a large number of images that all require the same colour correction, you know that editing a few key photos and applying your changes can sometimes change colours you didn’t intend to be changed. A shot of the ColorChecker captured under the same lighting as your images will provide a point of reference, so you can see exactly how changes will affect the rest of your colours before you apply them. This objective standard will help you avoid costly mistakes and trial-and-error colour adjustments while editing your images or colour grading. 3rd Party Software Support: Adobe Photoshop and Adobe Lightroom via a free plugin Color Finale Black Magic DaVinci Resolve for colour grading in a video editing workflow Hasselblad Phocus for ICC camera profiling 3DLUT Creator DxO Photolab 4

EUR 79.67
1